Anna Politkovskaya, one of Russia’s most fearless journalists, was gunned down in a contract killing in Moscow in the fall of 2006. Just before her death, Politkovskaya completed this searing, intimate record of life in Russia from the parliamentary elections of December 2003 to the grim summer of 2005, when the nation was still reeling from the horrors of the Beslan school siege. In A Russian Diary, Politkovskaya dares to tell the truth about the devastation of Russia under Vladimir Putin–a truth all the more urgent since her tragic death. Writing with unflinching clarity, Politkovskaya depicts a society strangled by cynicism and corruption. As the Russian elections draw near, Politkovskaya describes how Putin neutralizes or jails his opponents, muzzles the press, shamelessly lies to the public–and then secures a sham landslide that plunges the populace into mass depression. In Moscow, oligarchs blow thousands of rubles on nights of partying while Russian soldiers freeze to death. Terrorist attacks become almost commonplace events. Basic freedoms dwindle daily. And then, in September 2004, armed terrorists take more than twelve hundred hostages in the Beslan school, and a different kind of madness descends. In prose incandescent with outrage, Politkovskaya captures both the horror and the absurdity of life in Putin’s Russia: She fearlessly interviews a deranged Chechen warlord in his fortified lair. She records the numb grief of a mother who lost a child in the Beslan siege and yet clings to the delusion that her son will return home someday. The staggering ostentation of the new rich, the glimmer of hope that comes with the organization of the Party of Soldiers’ Mothers, the mounting police brutality, the fathomless public apathy–all are woven into Politkovskaya’s devastating portrait of Russia today. “If anybody thinks they can take comfort from the ‘optimistic’ forecast, let them do so,” Politkovskaya writes. “It is certainly the easier way, but it is also a death sentence for our grandchildren.” A Russian Diary is testament to Politkovskaya’s ferocious refusal to take the easier way–and the terrible price she paid for it. It is a brilliant, uncompromising exposé of a deteriorating society by one of the world’s bravest writers. Praise for Anna Politkovskaya “Anna Politkovskaya defined the human conscience. Her relentless pursuit of the truth in the face of danger and darkness testifies to her distinguished place in journalism–and humanity. This book deserves to be widely read.” –Christiane Amanpour, chief international correspondent, CNN “Like all great investigative reporters, Anna Politkovskaya brought forward human truths that rewrote the official story. We will continue to read her, and learn from her, for years.” –Salman Rushdie “Suppression of freedom of speech, of expression, reaches its savage ultimate in the murder of a writer. Anna Politkovskaya refused to lie, in her work; her murder is a ghastly act, and an attack on world literature.” –Nadine Gordimer “Beyond mourning her, it would be more seemly to remember her by taking note of what she wrote.” –James Meek

Just as the Iron Curtain fell on Eastern Europe, Steinbeck and Capa began a remarkable journey through the Soviet Union. Combining Steinbeck's compassion and humour with Capa's photographs, this text is a unique portrit of Russia and its people as they emerged from the ravages of war.

A searing portrait of a country in disarray and of the man at its helm, from "the bravest of Russian journalists" (The New York Times) Hailed as "a lone voice crying out in a moral wilderness" (New Statesman), Anna Politkovskaya made her name with her fearless reporting on the war in Chechnya. Here, she turned her steely gaze on the multiple threats to Russian stability, among them Vladimir Putin himself. Rich with characters and poignant accounts, Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the war in Chechnya, where kidnappings, extra-judicial killings, rape, and torture beget terrorism rather than fighting it. Finally, Politkovskaya denounces both Putin, for stifling civil liberties as he pushes the country back to a Soviet-style dictatorship, and the West, for its unqualified embrace of the Russian leader. Sounding an urgent alarm, Putin's Russia is a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter, who received death threats and survived assassination attempts for her scathing criticism of the Kremlin. Tragically, on October 7, 2006, Politkovskaya was shot and found dead in an elevator in her Moscow apartment building. After several years of investigations, five men were imprisoned for her murder.

Theodore Dreiser's Russian Diary is an extended record of the American writer's travels throughout the Soviet Union in 1927-28. Dreiser was initially invited to Moscow for a week-long observance of the tenth anniversary of the October Revolution. He asked, and was granted, permission to make an extended tour of the country. This previously unpublished diary is a firsthand record of life in the USSR during the 1920s as seen by a leading American cultural figure. It is a valuable primary source, surely among the last from this period of modern history.

Based on the rare diary of an 18th-century Russian provincial merchant, A Russian Merchant's Tale presents a revealing portrait of Russia's little-known commercial class. By recording his daily contacts with a wide array of individuals from lords to laborers for more than 40 years, Ivan Alekseevich Tolchënov opened a window onto the education, work, birth, death, marriage, business, civic, holiday, and religious practices of a social group about which little has been known. Using the tools of microhistory to interpret the diary, David L. Ransel vividly brings to life Tolchënov's self-construction, his relations with family and society, and his entire world of aspirations, achievements, and failures. Challenging prevailing stereotypes of Russian merchants as tradition-bound and narrow-minded, A Russian Merchant's Tale offers important new insights into the social history of imperial Russia.

A moving collection of autobiographical essays from a Russian poet and refugee of the Bolshevik Revolution. Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia’s greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life buffeted by political upheaval. The essays collected in this volume are based on diaries she kept during the turbulent years of the Revolution and Civil War. In them she records conversations of women in the markets, soldiers and peasants on the train traveling from the Crimea to Moscow in October 1917, fighting in the streets of Moscow, a frantic scramble with co-workers to dig frozen potatoes out of a cellar, and poetry readings organized by a newly minted Soviet bohemia. Alone in Moscow with two small children, no income, and a missing husband, Tsvetaeva struggled to feed her daughters (one of whom died of malnutrition in an orphanage), find employment in the Soviet bureaucracy, and keep writing poetry. Her keen and ruthless eye observes with compassion and humor—bringing the social, economic, and cultural chaos of the period to life. These autobiographical writings not only give a vivid eyewitness account of Russian history but provide vital insights into the workings of Tsvetaeva’s unique poetics. Includes black and white photographs.

Recently unearthed in the archives of Stalin's secret police, the NKVD, Nina Lugovskaya's diary offers rare insight into the life of a teenage girl in Stalin's Russia-when fear of arrest was a fact of daily life. Like Anne Frank, thirteen-year-old Nina is conscious of the extraordinary dangers around her and her family, yet she is preoccupied by ordinary teenage concerns: boys, parties, her appearance, who she wants to be when she grows up. As Nina records her most personal emotions and observations, herreflections shape a diary that is as much a portrait of her intense inner world as it is the Soviet outer one. Preserved here, these markings-the evidence used to convict Nina as a "counterrevolutionary"- offer today's reader a fascinating perspective on the era in which she lived.