Grace's fun-loving Mum has found a lump. Her north London world of sleepovers, tap dancing and playing the clarinet fall apart when she is sent to live with her grumpy old grandad on his farm in Yorkshire while her mother goes into hospital to get better. Grace misses her mother so much it hurts, and doesn't quite understand what is happening to her. And things go from bad to worse when she starts school and becomes the bullies' latest target. But Grace is no longer alone when she meets Rainbow Girl Megan and her pig, Claude - when she's with them she feels as if she can confront anything. At Easter time when Grace misses her mum the most, she knows she must find a way to get to London. With Megan's help, she hatches a plan to run away that involves Claude, chocolate Easter eggs and a risky ID swap. But it's all worth it if it means that she finally gets to see her mum.

THE CHARLIE AND THE CHOCOLATE FACTORY MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE CHARLIE AND THE CHOCOLATE FACTORY MCQ TO EXPAND YOUR CHARLIE AND THE CHOCOLATE FACTORY KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.

A spinster. A rake. A most unexpected passion—the New York Times–bestselling author of the Traveling Matchmaker series whips up a Regency confection. A woman of independent means with a healthy dose of cynicism about the male persuasion, Harriet Tremayne is content with her circle of spinster friends and their devotion to literature, women’s rights, and intellectual interests. However, when she determines to take on a London Season for her beautiful but featherbrained niece, she concedes she must appear less a bluestocking and more fashionable to successfully sponsor this impossible young lady whose only real desire, it seems, is to consume chocolate. Certainly her modish new appearance has nothing to do with the attentions of Lord Dangerfield, a wicked man of the world who has designs on the fair niece, yet spends an inordinate amount of time trying to sell Harriet on the virtues of his all-too-obvious attributes. “The best of the Regency writers.” —Kirkus Reviews

Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelops much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries.

THE CHALLENGE OF LIVING LIFE AS BOTH A BIPOLAR AND AN ALCOHOLIC. Jane S. is one of the 60-percent (or more) of "manic depressives" (persons severely bipolar) who are also alcoholics. Her bipolar life story covers forty-seven years of sobriety and forty-five years on lithium therapy, how her illnesses have interacted, and particularly how much of the shape of her life -- and her achievement of her life's goals (including, for the last forty-seven years, sobriety) -- has been shaped by her bipolarity. This book is important reading for those dealing with "manic depression," either in those close to them or in themselves, and even more for those who suffer from both of Jane's diseases. Her memories include, literally, the good (paying cash down for her first Mustang, though that was because she didn't know how to work a bank account), the bad (the sailboat she was on being boarded by the Coast Guard off Maryland), and the ugly (hearing her head being dribbled like a basketball outside her side-room in the hospital) -- and the very good, the white-light dream that began her recovery from alcoholism. She is believed to have been on lithium therapy for her condition longer than anyone else in the United States.