A Rocking-Horse Catholic: A Caryll Houselander Reader is a selection of the writings of a modern Catholic laywomen and mystic, with a biographical introduction by the editor, Marie Anne Mayeski.

“I was received into the church,” states Caryll Houselander at the very beginning of this work “when I was six years old. Strictly speaking, therefore, I am not a ‘cradle’ Catholic, but a rocking-horse Catholic.” This autobiography, first published in 1955, takes the reader from the author’s Catholic childhood and school days through a period outside the church while she tried to make her living as an artist, to a return to the church. This return was brought about by her insight, so central to all her books into the presence of Christ and others. A theologian in every sense of the word except the formal academic one, Caryll Houselander understood the central importance of one’s image or concept of God. “Caryll Houselander: artist, odd ball, mystic, friend, and in the end, suffering servant. In the midst of her last illness, she clung to life, loved life with a passion that did not want to die. ‘I honestly long,’ she said, ‘to be told ‘a hundred percent cure’ and to return to this life and celebrate it with gramophone records, giggling and gin.’”—Mitch Finley, Our Sunday Visitor As a classic in spirituality, the work of Caryll Houselander is very close to the top of the list.

The Reed of God is an inspirational classic written by a British Roman Catholic ecclesiastical artist, Caryll Houselander. This book contains a beautiful meditation on Mary, Mother of God and so much more. Reading this book will bring you closer to Our Blessed Mother, and hence, to Christ Himself. Filled with lyrical prose and touching analogies, the author shows how Mary was the "Reed of God" and that we are all vessels waiting to do God's work, and carrying Christ within us.

Originally published in 1941, this book by the renowned British mystic and spiritual writer Caryll Houselander is once again new as modern readers learn from Houselander's encouragement of her compatriots to view their experience of World War II through the lens of Christ's passion. Writing with the intensity and immediacy of life in London during the blitz, Houselander's thought-provoking reflections continue to speak to believers today about the complex challenge they face to find Christ in the midst of the War on Terror. Writing in the tradition of Julian of Norwich, Catherine of Siena, and Teresa of Avila, Houselander's words resonate with Christians today regardless of their perspective on theology and the Church.

Shaped around the writings of Caryll Houselander, A Child in Winter is a daybook for Advent, Christmas, and Epiphany. If you are familiar with Houselander's poetic grace, you will recognize her spirit of awe and abandonment to God. If you are new to her legacy, you will be drawn to her heart and eye for God's goodness and beauty that is artfully captured here.A Child in Winter is a faithful companion as you watch in Advent and grow large with the presence of God through Christmas and Epiphany.You will enter these holy seasons with an increased faith, renewed joy, and the promise of transformation and fulfillment.

Although forgotten until quite recently, Caryll Houselander, who died in 1954, was a sensitive and profound English Roman Catholic writer on Christian spirituality. In this critical edition of her 1949 book The Passion of the Infant Christ, Houselander argues that the physical world is an "inscaped" revelation of the mind of the Creator. Every concrete object and every temporal event mirrors the eternal, just as the circumstances surrounding the birth of Jesus mirror the circumstances surrounding his death and resurrection. Editor Kerry Walters discusses both Houselander's life and the primary themes of The Passion of the Infant Christ in his introduction to this critical edition of one of Houselander's most insightful books.

It is time for the Holy Spirit to get its own street cred! There shall be no more third-wheeling the ever-present, life-sustaining, and empowering member of the Trinity. In this guide to the Spirit, Kim is putting the Holy Ghost back where it belongs; after all, the Spirit gave birth to the church and kept it rocking, rolling, revivaling, and transforming across time and culture. Throughout the book, you will get a taste of the different ways the church has understood the Spirit, partnered with the Paraclete, and imaged the Spirit in scripture. Most importantly, Kim brings together the tradition with contemporary culture, science, and the many tongues and testimonies of the global church. The compelling power of this volume comes from the creative interplay Kim orchestrates between images such as the Spirit as vibration, breath, and light and her powerful unpacking of different images such as the releaser of han, a Korean term for unjust suffering, or the concept of Chi. This isn't simply a guide to what the church is saying about the Holy Spirit--it's a guide to actually opening our theological imaginations to a Spirit that is present, active, and calling us to participate in life-giving work.

In the English-speaking world, the Catholic Literary Revival is typically associated with the work of G. K. Chesterton/Hilaire Belloc, Evelyn Waugh and Graham Greene. But in fact the Revival’s most numerous members were women. While some of these women remain well known⎯Muriel Spark, Antonia White, Flannery O’Connor, Dorothy Day - many have been almost entirely forgotten. They include: Enid Dinnis, Anna Hanson Dorsey, Alice Thomas Ellis, Eleanor Farjeon, Rumer Godden, Caroline Gordon, Clotilde Graves, Caryll Houselander, Sheila Kaye-Smith, Jane Lane, Marie Belloc Lowndes, Alice Meynell, Kathleen Raine, Pearl Mary Teresa Richards, Edith Sitwell, Gladys Bronwyn Stern, Josephine Ward, and Maisie Ward. There are various reasons why each of these writers fell out of print: changes in the commercial publishing world after World War II, changes within the Church itself and in the English-speaking universities that redefined the literary canon in the last decades of the 20th century. Yet it remains puzzling that a body of writing so creative, so attuned to its historical moment, and so unique in its perspective on the human condition, should have fallen into obscurity for so long. The Catholic Women Writers series brings together the English-language prose works of Catholic women from the 19th and 20th centuries; work that is of interest to a broad range of readers. Each volume is printed with an accessible but scholarly introduction by theologians and literary specialists. The first volume in the series is Caryll Houselander’s The Dry Wood. Houselander is known primarily for her spiritual writings but she also wrote one novel, set in a post-war London Docklands parish. There a motley group of lost souls are mourning the death of their saintly priest and hoping for the miraculous healing of a vulnerable child whose gentleness in the face of suffering brings conversion to them all in surprising and unexpected ways. The Dry Wood offers a vital contribution to the modern literary canon and a profound meditation on the purpose of human suffering.

As someone who clocked more time in mosh pits and at pro–choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots. After running away from the Church for thirty years, Kaya decides to return. Her marriage is under stress, her job is no longer satisfying, and with multiple deaths in her family, a darkness looms large. In spite of her frustration with Catholic conservatism, nothing brings her peace like Mass. After years of searching to no avail for a better religious fit, she realizes that the only way to find harmony—in her faith and her personal life—is to confront the Church she'd left behind. Rebellious and hypercritical, Kaya relearns the catechisms and achieves the sacraments, all while trying to reconcile her liberal beliefs with contemporary Church philosophy. Along the way she meets a group of feisty feminist nuns, a "pray–and–bitch" circle, an all–too handsome Italian priest, and a motley crew of misfits doing their best to find their voices in an outdated institution. This is a story of transformation, not only of Kaya's from ex–Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world's largest religion to its core.