By comparing interpretations of the Hebrew Bible by Jews, Christians, and Gnostics in Late Antiquity, this book provides a unique perspective on these religious movements in Palestine. Rival interpretations of the early Church and the Midrash are set against the backdrop of the pagan critique of these religions and the gnostic threat that grew within both Christianity and Judaism. The comparison of the exegetical works of Christianity and Judaism illuminates the later development of the two religions and offers fresh insight into the Bible itself.

By comparing interpretations of the Hebrew Bible by Jews, Christians, and Gnostics in Late Antiquity, this book provides a unique perspective on these religious movements in Palestine. Rival interpretations of the early Church and the Midrash are set against the backdrop of the pagan critique of these religions and the gnostic threat that grew within both Christianity and Judaism. The comparison of the exegetical works of Christianity and Judaism illuminates the later development of the two religions and offers fresh insight into the Bible itself.

“The remarkable story of the two seventeenth-century geniuses. . . . A highly successful double biography.” —Booklist The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter’s in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today. “Entertaining. . . . Morrissey finely renders the intense rivalry between these two artists.” —Publishers Weekly “With clear prose and splendid touches of drama, history and architecture are both brought wonderfully to life.” —Ross King, New York Times bestselling author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling “Engrossing.” —Matthew Pearl, of The Dante Club “Genius in the Design reveals the dark side of 17th Century Italy with sparkling anecdotes and you-are-there immediacy” —Laurence Bergreen, author of Over the Edge of the World “Fascinating . . . a scintillating introduction to the Baroque.” —Iain Pears, New York Times bestselling author An Instance of the Fingerpost “Page-turning reading.” —Seattle Times Book Review “Morrissey illuminates the contrast between the celebrated Bernini and the anguished Borromini.” —Boston Globe

The executive editor of Sports Illustrated offers an in-depth analysis and behind-the-scenes look at the historic 2008 match between tennis titans. In the 2008 Wimbledon men’s final, Centre Court was a stage set worthy of Shakespearean drama. Five-time champion Roger Federer was on track to take his rightful place as the most dominant player in the history of the game. He just needed to cling to his trajectory. So, in the last few moments of daylight, Centre Court witnessed a coronation. Only it wasn’t a crowning for the Swiss heir apparent but for a swashbuckling Spaniard. Twenty-two-year-old Rafael Nadal prevailed, in five sets, in what was, according to the author, “essentially a four-hour, forty-eight-minute infomercial for everything that is right about tennis—a festival of skill, accuracy, grace, strength, speed, endurance, determination, and sportsmanship.” It was also the encapsulation of a fascinating rivalry, hard fought and of historic proportions. In the tradition of John McPhee’s classic Levels of the Game, Strokes of Genius deconstructs this defining moment in sport, using that match as the backbone of a provocative, thoughtful, and entertaining look at the science, art, psychology, technology, strategy, and personality that go into a single tennis match. With vivid, intimate detail, Wertheim re-creates this epic battle in a book that is both a study of the mechanics and art of the game and the portrait of a rivalry as dramatic as that of Ali–Frazier, Palmer–Nicklaus, and McEnroe–Borg. “Deftly touches on all the defining factors of contemporary tennis.” —San Francisco Chronicle “Illuminates a kingdom changing hands. An engrossing book.” —Bud Collins

Capturing the Light starts with a tiny scrap of purple-tinged paper, 176 years old and about the size of a postage stamp. On it you can just make out a tiny, ghostly image of a gothic window, an image so small and perfect that it 'might be supposed to be the work of some Lilliputian artist': the world's first photographic negative. This captivating book traces the lives of two very different men in the 1830s, both racing to be the first to solve one of the world's oldest problems: how to capture an image and keep it for ever. On the one hand there is Henry Fox Talbot: a quiet, solitary gentleman-amateur tinkering away on his farm in the English countryside. On the other Louis Daguerre, a flamboyant, charismatic French showman in search of fame and fortune. Only one question remains: who will get there first?

His very surname has acquired brand-name-like associations with science, genius, and Britishness - Apple Computers used it for an ill-fated companion to the Mac, and Margaret Thatcher has his image in her coat of arms.".

As children, Connie and Estella were best friends-until Estella was discovered to be a math prodigy, which led to the sisters' estrangement. Now, years later, they are forced to reunite on the Gulf Coast of Florida as they pack up their childhood home and ready it for sale. The reunion comes at a time when both Connie and Estella must come to terms with painful revelations and devastating consequences in their own lives. And once again, her sister's genius may alter Connie's life in ways she cannot control.

Pulitzer Prize–winning art critic Sebastian Smee tells the fascinating story of four pairs of artists—Manet and Degas, Picasso and Matisse, Pollock and de Kooning, Freud and Bacon—whose fraught, competitive friendships spurred them to new creative heights. Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary—one who was equally ambitious but possessed sharply contrasting strengths and weaknesses. Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde. Jackson Pollock’s uninhibited style of “action painting” triggered a breakthrough in the work of his older rival, Willem de Kooning. After Pollock’s sudden death in a car crash, de Kooning assumed Pollock's mantle and became romantically involved with his late friend’s mistress. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain’s most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen. Each of these relationships culminated in an early flashpoint, a rupture in a budding intimacy that was both a betrayal and a trigger for great innovation. Writing with the same exuberant wit and psychological insight that earned him a Pulitzer Prize for art criticism, Sebastian Smee explores here the way that coming into one’s own as an artist—finding one’s voice—almost always involves willfully breaking away from some intimate’s expectations of who you are or ought to be. Praise for The Art of Rivalry “Gripping . . . Mr. Smee’s skills as a critic are evident throughout. He is persuasive and vivid. . . . You leave this book both nourished and hungry for more about the art, its creators and patrons, and the relationships that seed the ground for moments spent at the canvas.”—The New York Times “With novella-like detail and incisiveness [Sebastian Smee] opens up the worlds of four pairs of renowned artists. . . . Each of his portraits is a biographical gem. . . . The Art of Rivalry is a pure, informative delight, written with canny authority.”—The Boston Globe

Acclaimed children's book creator Frank Asch kicks off the Journals of a Cardboard Genius chapter-book series with this exciting and cosmic novel about an inventive young boy and his rotten little brother.