"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies. Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.

This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe ́s cultural heritage.

A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford's all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting—not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.

From late 2003 through mid-2005, a series of peaceful street protests toppled corrupt and undemocratic regimes in Georgia, Ukraine, and Kyrgyzstan and ushered in the election of new presidents in all three nations. These movements—collectively known as the Color Revolutions—were greeted in the West as democratic breakthroughs that might thoroughly reshape the political terrain of the former Soviet Union. But as Lincoln A. Mitchell explains in The Color Revolutions, it has since become clear that these protests were as much reflections of continuity as they were moments of radical change. Not only did these movements do little to spur democratic change in other post-Soviet states, but their impact on Georgia, Ukraine, and Kyrgyzstan themselves was quite different from what was initially expected. In fact, Mitchell suggests, the Color Revolutions are best understood as phases in each nation's long post-Communist transition: significant events, to be sure, but far short of true revolutions. The Color Revolutions explores the causes and consequences of all three Color Revolutions—the Rose Revolution in Georgia, the Orange Revolution in Ukraine, and the Tulip Revolution in Kyrgyzstan—identifying both common themes and national variations. Mitchell's analysis also addresses the role of American democracy promotion programs, the responses of nondemocratic regimes to the Color Revolutions, the impact of these events on U.S.-Russian relations, and the failed "revolutions" in Azerbaijan and Belarus in 2005 and 2006. At a time when the Arab Spring has raised hopes for democratic development in the Middle East, Mitchell's account of the Color Revolutions serves as a valuable reminder of the dangers of confusing dramatic moments with lasting democratic breakthroughs.

'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

This book explores the origins and effects, successes and failures of "colour revolutions" in the former Soviet Republics - the non-violent protests which succeeded in overthrowing post-communist authoritarian regimes, for example in Georgia in 2003, Ukraine in 2004 and Kyrgyzstan in 2005.

Between 2000 and 2005, colour revolutions swept away authoritarian and semi-authoritarian regimes in Serbia, Georgia, Kyrgyzstan and Ukraine. Yet, after these initial successes, attempts to replicate the strategies failed to produce regime change elsewhere in the region. The book argues that students of democratization and democracy promotion should study not only the successful colour revolutions, but also the colour revolution prevention strategies adopted by authoritarian elites. Based on a series of qualitative, country-focused studies the book explores the whole spectrum of anti-democratization policies, adopted by autocratic rulers and demonstrates that authoritarian regimes studied democracy promotion techniques, used in various colour revolutions, and focused their prevention strategies on combatting these techniques. The book proposes a new typology of authoritarian reactions to the challenge of democratization and argues that the specific mix of policies and rhetoric, adopted by each authoritarian regime, depended on the perceived intensity of threat to regime survival and the regime’s perceived strength vis-à-vis the democratic opposition. This book was published as a special issue of Democratization.

The Routledge Companion to the French Revolution in World History engages with some of the most recent trends in French revolutionary scholarship by considering the Revolution in its global context. Across seventeen chapters an international team of contributors examine the impact of the Revolution not only on its European neighbours but on Latin America, North America and Africa, assess how far events there impacted on the Revolution in France, and suggest something of the Revolution’s enduring legacy in the modern world. The Companion views the French Revolution through a deliberately wide lens. The first section deals with its global repercussions from the Mediterranean to the Caribbean and includes a discussion of major insurrections such as those in Haiti and Venezuela. Three chapters then dissect the often complex and entangled relations with other revolutionary movements, in seventeenth-century Britain, the American colonies and Meiji Japan. The focus then switches to international involvement in the events of 1789 and the circulation of ideas, people, goods and capital. In a final section contributors throw light on how the Revolution was and is still remembered across the globe, with chapters on Russia, China and Australasia. An introduction by the editors places the Revolution in its political, historical and historiographical context. The Routledge Companion to the French Revolution in World History is a timely and important contribution to scholarship of the French Revolution.

The Revolution of Color Book is a comprehensive guide to the art and science of color. It is the perfect resource for anyone who wants to learn more about how color can be used to create a powerful impact. The book also includes a detailed section on the Universal 4X4 Color System (16 Seasons)®, which is a proprietary color system that has been developed by ByFERIAL. This system provides a unique way to identify and understand the different colors that are most flattering to each individual.Whether you are a graphic designer, fashion designer, makeup artist, interior designer, artist, or image consultant, The Revolution of Color Book is an essential resource that will help you to take your work to the next level.Here are some of the key benefits of reading The Revolution of Color Book:Learn the art and science of colorUnderstand how color can be used to evoke emotions, create moods, and influence behaviorDiscover your personal and professional branding colorsElevate your career in graphic design, fashion, makeup, branding, interior design, art, image consulting, and moreThe Revolution of Color Book is the perfect resource for anyone who wants to learn more about the power of color. Order your copy today!