"Mr. Bilby takes us through Gettysburg, among other places, showing how the Spencer and Henry rifle played a decisive role." --The Wall Street Journal "A valuable study. . . . his research is balanced and thorough, his writing is lively and clear. . . . his approach gives the book broad appeal." --Journal of Military History "This is an outstanding book--accurate, judicious, highly readable." --North & South "A Revolution in Arms is written in such a good, readable way of a very important time in the history of firearms."--Rifle Magazine "Well written and researched. . . . certainly should be an addition to your library."--Civil War Times Historians often call the American Civil War the first modern war, pointing to the use of observation balloons, the telegraph, trains, mines, ironclad ships, and other innovations. Although recent scholarship has challenged some of these "firsts," the war did witness the introduction of the first repeating rifles. No other innovation of the turbulent 1860s would have a greater effect on the future of warfare. In A Revolution in Arms: A History of the First Repeating Rifles, historian Joseph G. Bilby unfolds the fascinating story of how two New England inventors, Benjamin Henry and Christopher Spencer, each combined generations of cartridge and rifle technology to develop reliable repeating rifles. In a stroke, the Henry rifle and Spencer rifle and carbine changed warfare forever, accelerating the abandonment of the formal battle line tactics of previous generations and when properly applied, repeating arms could alter the course of a battle. Although slow to enter service, the repeating rifle soon became a sought after weapon by both Union and Confederate troops. Oliver Winchester purchased the rights to the Henry and transformed it into "the gun that won the West." The Spencer, the most famous of all Civil War small arms, was the weapon of choice for Federal cavalrymen. The revolutionary technology represented by repeating arms used in the American Civil War, including self-contained metallic cartridges, large capacity magazines, and innovative cartridge feeding systems, was copied or adapted by arms manufacturers around the world, and these features remain with us today.

"The Soldiers' Revolution offers us a rare glimpse into the everyday world of the American Revolution. We see how the common experience of war drew soldiers together as they began the long process of forging an identity for a fledgling nation."--Jacket.

Engineering the Revolution documents the forging of a new relationship between technology and politics in Revolutionary France, and the inauguration of a distinctively modern form of the “technological life.” Here, Ken Alder rewrites the history of the eighteenth century as the total history of one particular artifact—the gun—by offering a novel and historical account of how material artifacts emerge as the outcome of political struggle. By expanding the “political” to include conflict over material objects, this volume rethinks the nature of engineering rationality, the origins of mass production, the rise of meritocracy, and our interpretation of the Enlightenment and the French Revolution.

The most extensive photographic collection of Revolutionary War weapons ever in one volume. More than 1600 photos of over 500 muskets, rifles, pistols, swords, bayonets, knives and other arms used by both sides in America's War for Independence.

A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.

NAMED ONE OF THE BEST BOOKS OF 2018 BY THE SAN FRANCISCO CHRONICLE AND SMITHSONIAN MAGAZINE By a prize-winning young historian, an authoritative work that reframes the Industrial Revolution, the expansion of British empire, and emergence of industrial capitalism by presenting them as inextricable from the gun trade "A fascinating and important glimpse into how violence fueled the industrial revolution, Priya Satia's book stuns with deep scholarship and sparkling prose."--Siddhartha Mukherjee, Pulitzer Prize-winning author of The Emperor of All Maladies We have long understood the Industrial Revolution as a triumphant story of innovation and technology. Empire of Guns, a rich and ambitious new book by award-winning historian Priya Satia, upends this conventional wisdom by placing war and Britain's prosperous gun trade at the heart of the Industrial Revolution and the state's imperial expansion. Satia brings to life this bustling industrial society with the story of a scandal: Samuel Galton of Birmingham, one of Britain's most prominent gunmakers, has been condemned by his fellow Quakers, who argue that his profession violates the society's pacifist principles. In his fervent self-defense, Galton argues that the state's heavy reliance on industry for all of its war needs means that every member of the British industrial economy is implicated in Britain's near-constant state of war. Empire of Guns uses the story of Galton and the gun trade, from Birmingham to the outermost edges of the British empire, to illuminate the nation's emergence as a global superpower, the roots of the state's role in economic development, and the origins of our era's debates about gun control and the "military-industrial complex" -- that thorny partnership of government, the economy, and the military. Through Satia's eyes, we acquire a radically new understanding of this critical historical moment and all that followed from it. Sweeping in its scope and entirely original in its approach, Empire of Guns is a masterful new work of history -- a rigorous historical argument with a human story at its heart.

The story of arms in Western Europe from the Renaissance to the Industrial Revolution. A treasury of information based on solid scholarship, anyone seeking a factual and vivid account of the story of arms from the Renaissance period to the Industrial Revolution will welcome this book. The author chooses as his starting-point the invasion of Italy by France in 1494, which sowed the dragon's teeth of all the successive European wars; the French invasion was to accelerate the trend towards new armaments and new methods of warfare. The authordescribes the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. He shows how armour attained its full Renaissance splendour and then suffered itssorry and inevitable decline, culminating in the Industrial Revolution, with its far-reaching effects on military armaments. Above all, he follows the long history of the sword, queen of weapons, to the late eighteenth century, when it finally ceased to form a part of a gentleman's every-day wear. Lavishly illustrated. EWART OAKESHOTT was one of the world's leading authorities on the arms and armour of medieval Europe. His other works on the subject include Records of the Medieval Sword and The Sword in the Age of Chivalry.

During the American Revolution (1775–83), German auxiliary troops provided a vital element of the British war effort. Some 30,000 German troops served in North America, continuing a long-established relationship between Britain and various German principalities. These troops were widely referred to as mercenaries, implying that they sold their services individually, but they were in fact regular troops hired as a body by the British. Initially feared by the American population, the German troops came to be highly respected by their opponents. Their role in the fighting would inform the tactics and methods of a generation of German officers who returned to Europe after the war, many of whom went on to hold senior commands during the French Revolutionary and Napoleonic wars. The largest body of German troops was from Hessen-Cassel. The only German contingent to be employed as a unit under its own general officers, they were clothed and equipped in the style of Frederick the Great's Prussians and were trained in much the same way. Many had seen active service during the Seven Years' War (1756–63) and served under career officers; they were well-disciplined and competent but showed little overt enthusiasm for the British cause. The troops of Hessen-Cassel would participate in every major campaign of the conflict, with the specialized skills of the famous Jäger being particularly in demand. Fully illustrated, this lively study examines the organization, appearance, weapons, and equipment of the Hessen-Cassel troops who fought for King George in the American Revolution.

A theoretical analysis and historical investigation of the Cold War nuclear arms race that challenges the nuclear revolution.