Owner of a small African-American bookshop, Miss Cozy has an unique gift: Customers who walk through her door rarely leave without a book that speaks directly to their life. But when Josephine--"Fina"--and Ross arrive in search of an obscure, unpublished manuscript written by a slave woman, Miss Cozy knows that all her visions have been leading her to this magical day. Yet Miss Cozy has no intention of selling the manuscript--no matter the price. So she offers Fina and Ross an alternative. They can read it together at the store. It was not what they hoped for, but their interest in the extraordinary love story is about as strong as their uncanny attraction for one another . . . one they both sense runs much deeper than a kiss. In the course of a few days, Fina and Ross realize that this powerful book has special meaning for the two of them--and that the path to their shared future may be linked to something that happened more than a century ago. . . .

With exclusive access to Strummer's friends, relatives, and fellow musicians, music journalist Chris Salewicz penetrates the soul of an rock 'n roll icon. The Clash was--and still is--one of the most important groups of the late 1970s and early 1980s. Indebted to rockabilly, reggae, Memphis soul, cowboy justice, and '60s protest, the overtly political band railed against war, racism, and a dead-end economy, and in the process imparted a conscience to punk. Their eponymous first record and London Calling still rank in Rolling Stone's top-ten best albums of all time, and in 2003 they were officially inducted into the Rock and Roll Hall of Fame. Joe Strummer was the Clash's front man, a rock-and-roll hero seen by many as the personification of outlaw integrity and street cool. The political heart of the Clash, Strummer synthesized gritty toughness and poetic sensitivity in a manner that still resonates with listeners, and his untimely death in December 2002 shook the world, further solidifying his iconic status. Salewicz was a friend to Strummer for close to three decades and has covered the Clash's career and the entire punk movement from its inception. He uses his vantage point to write Redemption Song, the definitive biography of Strummer, charting his enormous worldwide success, his bleak years in the wilderness after the Clash's bitter breakup, and his triumphant return to stardom at the end of his life. Salewicz argues for Strummer's place in a long line of protest singers that includes Woody Guthrie, John Lennon, and Bob Marley, and examines by turns Strummer's and punk's ongoing cultural influence.

This landmark text offers critical reflection and practical tool for pastors working and leading congregations where there is a large percentage of African Caribbean worshippers and other marginalised communities. Drawing from real-life pastoral examples, socio-political analysis and the theme of Eucharist as a means to human healing and restoration, it outlines and explores what a black British pastoral theology might look like.

An artist's book/zine of images by Theo Strasser, consisting of collaged black and white artwork overprinted on the title page and many other pages drawn from a copy of the London publisher Pickering & Inglis' hymnal "Redemption songs: a choice collection of one thousand hymns and choruses for evangelistic meetings, soloists, choirs, the home" (dating from the late 19th or early 20th century). The use of a religious work as a base for an altered photographic book may have been suggested by Adam Broomberg & Oliver Chanarin's "Holy Bible" (2013), although Theo Strasser's Redemption Songs is a more oblique and personal selection, presented in a small stitched booklet with black card covers (the same size as the original, though with fewer pages), with the title stamped in silver and a cross stamped in red on the cover.

Zorami is the first novel ever written by a Mizo writer in English (The Mizos are a tribal community in North East India). The novel brings together different strands like the transformation of Mizo identity and culture through 'Christianisation' and the clash between Mizo culture and that sought to be imposed by a domineering subcontinent. Such strands are woven together with the inner 'rites of passage' of the protagonist, Zorami, a Mizo woman subjected to rape and displacement during a time of violent political upheaval and her journey towards personal healing and discovery of a new identity via a spiritual encounter. The author, Malsawmi Jacob, takes the reader through Zorami's traversal of her zones of darkness and shades of grey to a final explosion of the 'colours of acceptance and love'.

When King Hezekiah discovers that God's Law forbids him to take multiple wives, he must choose one woman to love. He must also choose to trust God's promises when he decides to rebel against his powerful Assyrian overlords. Hezekiah seeks to strengthen his nation's fortifications by building a tunnel in Jerusalem to hide his water supply. The tension mounts as the Assyrians march closer--and Hezekiah's tunnel remains incomplete.With his officials advising him to submit to the Assyrians, Hezekiah's faith is once more severely tested. Chronicles of the King Book 2.

(Strum It (Guitar)). 17 songs arranged for guitar with authentic chords in their original keys from this reggae master: I Shot the Sheriff * Jamming * No Woman No Cry * One Love * Redemption Song * Stir It Up * and more.

Redemption Songs tells the extraordinary story of how one of Bob Marley's greatest songs was born in Nova Scotia. It opens with Marley's live acoustic performance of Redemption Song at the end of his life, and reveals that the core lyric comes from a speech Marcus Garvey delivered in Sydney, Nova Scotia, in 1937. The line "We are going to emancipate ourselves from mental slavery" springboards the reader into the book's ambitions. The author explores why Marley so revered Garvey, and, in doing so, looks at the roots of Rastafarianism and ideas about race.