Set in the 1870s, a time of social disorder in Russia, An Accidental Family is the story of Arkady Dolgoruky, an awkward, illegitimate twenty-year-old on a desperate search for his family. This new translation of Dostoevsky's last completed novel fully captures the raciness and youthful vigor of the original text, and expresses "the innermost spiritual world of someone on the eve of manhood at that tumultuous time."

The narrator and protagonist of Dostoevsky’s novel The Adolescent (first published in English as A Raw Youth) is Arkady Dolgoruky, a na•ve 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father’s wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others. This new English version by the most acclaimed of Dostoevsky’s translators is a masterpiece of pathos and high comedy.

Demons is an anti-nihilistic novel by Fyodor Dostoyevsky. It is the third of the four great novels written by Dostoyevsky after his return from Siberian exile, the others being Crime and Punishment, The Idiot and The Brothers Karamazov. Demons is a social and political satire, a psychological drama, and large scale tragedy.

"Raw Youth," also known as "Adolescent," is a three-part novel by Fyodor Dostoyevsky. It tells about the 19-year-old Arkady Dolgoruky, an illegitimate son of a wealthy landowner who grows up in Russia after the abolition of slavery. Like many of his age, he is overwhelmed by nihilist moods which comprise a negative attitude towards the Russian culture. His nihilism grows in opposition to his father and the "old" way of thinking, as well as attempts to establish his place in society.

Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.

Admirers have praised Fedor Dostoevsky as the Russian Shakespeare, while his critics have slighted his novels as merely cheap amusements. In this critical introduction to Dostoevsky's fiction, the author asks readers to draw their own conclusions about the nineteenth-century Russian writer. Discussing psychological, political, mythical, and philosophical approaches, he guides readers through the range of diverse and even contradictory interpretations of Dostoevsky's rich novels.

The Raw Youth (1875), also known as The Adolescent, documents the life of an ambitious 19 year old boy, Arkady Dolgoruky, illegal son of a self-indulgent landlord. It is a convincing portrayal of youth that completely captures the idealism, frustrations, and ambition of that particular age. The transition from the old ways to the rampant new ideology of Russian youth is beautifully captured.