It's here and it's queer - popular culture inhabits all our lives, whether it comes in the form of movies or magazines, TV or shopping. A Queer Romance brings together critics, writers and artists to debate the possibilites of popular culture for lesbians and gay men. In a collection that is in-yer-face but never out-to-lunch, the contributors variously revisit debates about the gaze to provide a new theory of Queer viewing; discuss texts coded as queer - from lesbian vampires to Hollywood's use of gay codes in mainstream films such as Top Gun and Black Widow; consider the sexual and cultural narratives at play in the world of home shopping catalogues; explore the pleasures and perils of gay cultural production, from the radically queer film-making of Monika Treut to the wild world of homocore fanzines, and address the possibilities of texts claiming to be for the gay spectator - from pornography `by women, for women and about women' to `Out' TV. The contributors to A Queer Romance don't all agree but, taken together, the collection argues strongly that everyone can have their queer moments.

In August 1989, Jane Rule – novelist, essayist, and the first widely recognized “public lesbian” in North America – summed up the first eight years of her correspondence with Rick Bébout, journalist and editor with the Toronto-based Body Politic: “It seems to me that what has concerned us is richly human and significantly focused on the concerns of our time and our tribe.” Rule lived in a remote rural community on Galiano Island in British Columbia but wrote a column for the magazine. Bébout was a resident of and devoted to Toronto’s gay village. A Queer Love Story presents the first fifteen years of their correspondence. At turns poignant, scintillating, and incisive, their exchanges include ruminations on queer life and the writing life as they document some of the most pressing LGBT issues and events of the 1980s and ’90s, including HIV/AIDS, censorship, youth sexuality, public sex and S/M, Toronto’s infamous bath raids, and state regulation of identity and desire.

Queer Love in the Middle Ages points out queer themes in the works of the French canon, including Perceval , the Romance of the Rose and the Roman d'Eneas . It brings out less known works that prominently feature same-sex themes: Yde and Olive , a romance with a cross-dressed heroine who marries a princess; and many others. The book combines an interest in contemporary French theory (Kristeva, Barthes, psychoanalysis) with a close reading of medieval texts. It discusses important recent publications in pre-modern queer studies in the US. It is the first major contribution to queer studies in medieval French literature.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

This is the gay romantic anthology that truly delivers. Best Gay Romance 2008 is packed with tales that show however romance happens, and however long love lasts - a heartbeat or a lifetime - erotic love between men is a wondrous thing.

‘another a piece of the puzzle that is unearthing women’s stories from the past ... a beautifully told history’ – Books+Publishing A joyous look at the history of lesbian and bisexual women in Australia – from convict times, through suffrage and liberation to today Throughout history, women’s relationships have been downgraded and diminished. Instead of lovers, they are documented as particularly close friends; the type that made out, worked, lived, and are buried together. Besties, if you will. She and Her Pretty Friend aims to dispel this myth. It is an exploration of women’s relationships through Australian history, each chapter centring on a specific person, couple, or time period. With a focus on women such as Anne Drysdale, Lesbia Harford, and Cecilia John, She and Her Pretty Friend centres on stories of those who have remained obscured and less spoken of in the historical narrative. Throughout this retelling of Australian history, Scrimshaw explores how colonisation altered ideas of sexuality, how the suffrage movement in Australia created opportunities for queer women, and details her own part in creating queer history. Rather than continuing to deny a queer past, Scrimshaw encourages readers – and other historians – to open themselves to the idea that perhaps some people were more to each other than just ‘roommates’.