The Broadway tomboys, rebel nuns, and funny girls, who upset the 1950s gender norms: Mary Martin, Ethel Merman, Julie Andrews, and Barbra Streisand

Recounts the history of the Von Trapp family, traces the evolution of the popular musical from stage to screen, and describes the contributions of its composers, writers, and performers.

Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.

Knowing who you are is crucial to wholeness; the loss of identity is the foundation of dehumanization. The modern-day epidemic of absentee fathers has created an identity crisis for the present generation. The loss of identity created by fathers who cannot adequately play their Godgiven roles in the lives of their children has culminated in the display of anger, bitterness, anxiety, domestic violence, and the public unrest that we witness daily in today's society. This book is an attempt to create a lasting fundamental, cultural, biblical, and spiritual solution that can fill in the vacuum. I have approached the topic, borrowing insight from an adage in my traditional Yoruba culture, which says, "Iya ni Wura, Baba ni Digi." This proverb depicts a mother as a piece of gold and a father as a mirror. What is the genealogy of a mirror? If fathers are mirrors, where do we turn to behold ourselves when the mirror is broken? How can a shattered mirror be restored? I was moved and impressed by the poignant and passionate account of Fr. Moses' experience of family, ancestral and present, whose cultural idealism so strongly and positively impacted his life. Children animate the gift of acceptance, "mirrored" in the life of Fr. Moses. He has shown the embodiment of that unconditional acceptance, as well as the strength affirmation he shows toward his peers, past and present. The grace of critical distance makes this possible. Bless you Moses for showing us your heart ~ Rev. Noble F. Scheepers Jesus tells us that we "are the light of the world." In The Mirror, Fr. Sowale brings us into a deeper understanding of how we, as lights, enable others to see themselves and how their light helps us to see ourselves. We are like mirrors, reflecting our own light and the light shown by others. We also, reflect in our lives, and see reflected from others, the light of God, the Father of us all. ~ Rev. Philip J. Kuhn The mirror is a book that has taken difficult questions of life and attempted to walk anyone through the journey of tackling these questions, using thought provoking questions. This is a book that will make you love who God has created you to be, it will help you get into alignment with your soul and celebrate where you are on your journey. Thank you Reverend Sowale for this powerfully articulated guide ~ Adekunle Afolabi

Musical representations of wildness in an era of revolution Recipient of the 2020 Lewis Lockwood Award from the American Musicological Society What are the uses of musical exoticism? In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of "wildness" as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.

This collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp's presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture. Hardcover is un-jacketed.

This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.

National Bestseller The true story that inspired the movie Woman in Gold starring Helen Mirren and Ryan Reynolds. Contributor to the Washington Post Anne-Marie O’Connor brilliantly regales us with the galvanizing story of Gustav Klimt’s 1907 masterpiece—the breathtaking portrait of a Viennese Jewish socialite, Adele Bloch-Bauer. The celebrated painting, stolen by Nazis during World War II, subsequently became the subject of a decade-long dispute between her heirs and the Austrian government. When the U.S. Supreme Court became involved in the case, its decision had profound ramifications in the art world. Expertly researched, masterfully told, The Lady in Gold is at once a stunning depiction of fin-de siècle Vienna, a riveting tale of Nazi war crimes, and a fascinating glimpse into the high-stakes workings of the contemporary art world. One of the Best Books of the Year: The Huffington Post, The Christian Science Monitor. Winner of the Marfield National Award for Arts Writing. Winner of a California Book Award.

"An engaging memoir of travel, love, and finding oneself." -- Kirkus Reviews Newly recovered from a quarter-life meltdown, Clara Bensen decided to test her comeback by signing up for an online dating account. She never expected to meet Jeff, a wildly energetic university professor with a reputation for bucking convention. They barely know each other's last names when they agree to set out on a risky travel experiment spanning eight countries and three weeks. The catch? No hotel reservations, no plans, and best of all, no baggage. No Baggage is at once a romance, a travelogue, and a bright modern take on the age-old questions: How do you find the courage to explore beyond your comfort zone? Can you love someone without the need for labels or commitment? Is it possible to truly leave your baggage behind?