Milton Moon's pilgrimage has taken him from beginnings at a small pottery in Brisbane across the world in search of creative influence and innovative technique. His work has reinvented the ceramic arts in Australia, and inspired generations of potters.

This book is the first to describe in detail a community of potters working for the Jagannatha Temple in Puri. As a pilgrimage centre of national importance, the temple requires earthenware in great quantities for the creation and distribution of the sacred food, an integral feature of daily ritual and pilgrimage. This study observes the potters' technical prowess, sustained by devotion, and the accompanying DVD shows the artisans at work, demonstrating their skills and products. ,

Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.

Gerrish interprets perennial themes (such as God, faith, sin, forgiveness, evil, and moral action) in ways at once faithful to tradition and relevant to contemporary believers. Gerrish uses a journey motif - the journey of Christian life, in which we are all pilgrims searching for truth "on the road." He conveys the process of faith development in the face of issues that challenge simple belief.

Late one night, as he seeks shelter in a potter’s entrance hall, Kamanita meets an old ascetic. Encouraged by the monk, he relates the story of his life so far: how, born the son of an Indian merchant, he follows in his father’s footsteps; how, on his first trading trip, he meets and loses his great love Vasitthi; how he builds up a fortune and raises a family; and how one day he leaves everything behind to set on a pilgrimage. But the old monk is not who he seems, and when Kamanita refuses to accept his teachings, the consequences are startling and irreversible. What follows is a colorful, bewildering, revelation-filled journey through the past, present, and the Paradise of the West. Sixteen years before Hermann Hesse published Siddharta, there was another European writer who used Buddhism as a source of inspiration for a novel. After earlier naturalistic works such as Minna and Germanernes Lærling (The German Apprentice), The Pilgrim Kamanita was a stylistic turning point for the Dane Karl Gjellerup. It became a worldwide success, and his subsequent novels would touch on Buddhism as well. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

In recent years, changes in religious studies in general and the study of Hinduism in particular have drawn more scholarly attention to other forms of the Hindu faith that are concretely embodied in temples, icons, artworks, rituals, and pilgrimage practices. This book analyses the phenomenon of pilgrimage as a religious practice and experience and examines Shrî Shailam, a renowned south Indian pilgrimage site of Shiva and Goddess Durga. In doing so, it investigates two dimensions: the worldview of a place that is of utmost sanctity for Hindu pilgrims and its historical evolution from medieval to modern times. Reddy blends religion, anthropology, art history and politics into one interdisciplinary exploration of how Shrî Shailam became the epicentre for Shaivism. Through this approach, the book examines Shrî Shailam’s influence on pan-Indian religious practices; the amalgamation of Brahmanical and regional traditions; and the intersection of the ideological and the civic worlds with respect to the management of pilgrimage centre in modern times. This book is the first thorough study of Shrî Shailam and brings together phenomenological and historical study to provide a comprehensive understanding of both the religious dimension and the historical development of the social organization of the pilgrimage place. As such, it will be of interest to students of Hinduism, Pilgrimage and South Asian Studies.

Kannon, the Bodhisattva of Compassion, is the one who 'hears the cries of the world and vows to 'assist anyone in distress.' As the author embarks on the pilgrimage route that extends from the Japan Sea to the Pacific Ocean, through the ancient city of Kyoto and the modern city of Osaka, and to the many mountain tops in between, she allows the special characteristics and sacred presence of each place to bring forth relevant Buddhist teaching; letting go of attachment, contemplating impermanence, engaging in right livelihood, being of service, and other teachings found in classic Buddhism. The dharma, or doctrines of Universal Truth, intertwines with rich descriptions of mountain hikes, remote temples, modern Shugendo practices, sacred icons and the author’s spiritual insights.