The Romans occupied Britain for almost four hundred years, and their influence is still all around us - in the shape of individual monuments such as Hadrians Wall, the palace at Fishbourne and the spa complex at Bath, as well as in subtler things such as the layout and locations of ancient towns such as London, Canterbury and Colchester, and the routes of many major roads. Yet this evidence can only suggest a small proportion of the effect that the Romans had on the landscape of Britain. A Portrait of Roman Britain breaks new ground in enabling us to visualise the changes in town and countryside brought by Roman military and civilian needs. Using clear, well-documented descriptions, John Wacher answers questions such as: * were Roman towns as neat and tidy as they are often represented? * how much woodland was needed to fuel the bath houses of Roman Britain? * how much land did a Roman cavalry regiment require for its horses?^

The Romans occupied Britain for almost four hundred years, and their influence is still all around us - in the shape of individual monuments such as Hadrians Wall, the palace at Fishbourne and the spa complex at Bath, as well as in subtler things such as the layout and locations of ancient towns such as London, Canterbury and Colchester, and the routes of many major roads. Yet this evidence can only suggest a small proportion of the effect that the Romans had on the landscape of Britain. A Portrait of Roman Britain breaks new ground in enabling us to visualise the changes in town and countryside brought by Roman military and civilian needs. Using clear, well-documented descriptions, John Wacher answers questions such as: * were Roman towns as neat and tidy as they are often represented? * how much woodland was needed to fuel the bath houses of Roman Britain? * how much land did a Roman cavalry regiment require for its horses?^

Superbly illustrated throughout, this illuminating account of Britain as a Roman province includes dramatic aerial views of Roman remains, reconstruction drawings and images of Roman villas, mosaics, coins, pottery and sculpture. The text has been updated to incorporate the latest research and recent discoveries, including the largest Roman coin hoard ever found in Britain, the thirty decapitated skeletons found in York and the magnificent Crosby Garrett parade helmet. Guy de la Bédoyère is one of the public faces of Romano-British history and archaeology through his many appearances on several television programmes and is the author of numerous books on the period.

The Graeco-Roman mummy portraits remain one of the British Musuem's popular and intimate collections. This compact book presents glorious colour photos of some of the best, alongside commentary and a more general introduction to the techniques and practice of the portraiture.

Published in conjunction with an exhibition at The Metropolitan Museum of Art, NY, February-May 2000, the first major showing in North America of stunning painted mummy portraits that represent a confluence of ancient Egyptian and Roman cultures and the Graeco-Roman painting tradition. The catalog concentrates closely on the paintings, their artistry, and their social context and meaning. Seven contributed essays set the context. The 122 color and 23 bandw illustrations are fully discussed and described by editor Walker, who is affiliated with the British Museum. Annotation copyrighted by Book News, Inc., Portland, OR

Based on new archaeological finds, this book introduces a novel rethinking of the whole of British history before the coming of the Romans. So many extraordinary archaeological discoveries (many of them involving the author) have been made since the early 1970s that our whole understanding of British prehistory needs to be updated. So far only the specialists have twigged on to these developments; now, Francis Pryor broadcasts them to a much wider, general audience. Aided by aerial photography, coastal erosion (which has helped expose such coastal sites as Seahenge) and new planning legislation which requires developers to excavate the land they build on, archaeologists have unearthed a far more sophisticated life among the Ancient Britons than has been previously supposed. Far from being the woaded barbarians of Roman propaganda, we Brits had our own religion, laws, crafts, arts, trade, farms, priesthood and royalty. And the Scots, English and Welsh were fundamentally one and the same people.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world. The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

'One could not ask for a more meticulous or scholarly assessment of what Britain meant to the Romans, or Rome to Britons, than Peter Salway's Monumental Study' Frederick Raphael, Sunday Times From the invasions of Julius Caesar to the unexpected end of Roman rule in the early fifth century AD and the subsequent collapse of society in Britain, this book is the most authoritative and comprehensive account of Roman Britain ever published for the general reader. Peter Salway's narrative takes into account the latest research including exciting discoveries of recent years, and will be welcomed by anyone interested in Roman Britain.

“Examines all the possible fates of the famous IX legion . . . takes you on a fascinating detective journey through all the corners of the Roman Empire.” —History . . . The Interesting Bits! Legio IX Hispana had a long and active history, later founding York from where it guarded the northern frontiers in Britain. But the last evidence for its existence in Britain comes from AD 108. The mystery of their disappearance has inspired debate and imagination for decades. The most popular theory, immortalized in Rosemary Sutcliffe’s novel The Eagle of the Ninth, is that the legion was sent to fight the Caledonians in Scotland and wiped out there. But more recent archaeology (including evidence that London was burnt to the ground and dozens of decapitated heads) suggests a crisis, not on the border but in the heart of the province, previously thought to have been peaceful at this time. What if IX Hispana took part in a rebellion, leading to their punishment, disbandment and damnatio memoriae (official erasure from the records)? This proposed ‘Hadrianic War’ would then be the real context for Hadrian’s ‘visit’ in 122 with a whole legion, VI Victrix, which replaced the ‘vanished’ IX as the garrison at York. Other theories are that it was lost on the Rhine or Danube, or in the East. Simon Elliott considers the evidence for these four theories, and other possibilities. “A great and fascinating read . . . a page turner . . . The book offers some interesting and intriguing ideas around the fate of the Ninth.” —Irregular Magazine “An historical detective story pursued with academic rigour.” —Clash of Steel “A seminal and landmark study.” —Midwest Book Review

A compelling new account of religion in Roman Britain, weaving together the latest archaeological research and a new analysis of ancient literature to illuminate parallels between past and present Two thousand years ago, the Romans sought to absorb into their empire what they regarded as a remote, almost mythical island on the very edge of the known world—Britain. The expeditions of Julius Caesar and the Claudian invasion of 43 CE, up to the traditional end of Roman Britain in the fifth century CE, brought fundamental and lasting changes to the island. Not least among these was a pantheon of new classical deities and religious systems, along with a clutch of exotic eastern cults, including Christianity. But what homegrown deities, cults, and cosmologies did the Romans encounter in Britain, and how did the British react to the changes? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed, and reconfigured. Miranda Aldhouse- Green balances literary, archaeological, and iconographic evidence (and scrutinizes the shortcomings of each) to illuminate the complexity of religion and belief in Roman Britain. She examines the two-way traffic of cultural exchange and the interplay between imported and indigenous factions to reveal how this period on the cusp between prehistory and history knew many of the same tensions, ideologies, and issues of identity still relevant today.