After meeting her long-absent father, thirteen-year-old Pia finds the courage to love her family and herself.

As childhood friendships change, her brother's schizophrenia worsens, and her mother's latest boyfriend seems likely to become her stepfather, twelve-year-old artist Pia Crossley tries to gain control of her life by contacting her father, who returned home to Italy before she was born.

Son presents a very personal body of work from Magnum photographer Christopher Anderson, who has earned international acclaim for his documentary work from conflict zones all over the world. Following the birth of his son he stepped away from war photography and his work turned towards an intimate reflection: 'These photographs are an organic response to an experience that is at the same time the most unique and the most universal of experiences: the birth of a child. They are a record of love and a reflection on the seasonal nature of life' - Christopher Anderson

The first overview in a decade on Arke's poetical explorations of dual ethnicity Central to the multimedia oeuvre of Pia Arke (1958-2007) was the artist's dual ethnicity in Greenland and Denmark, excavated in video works, collaged maps and landscape photographs that addressed themes of exploration, the complexities of ethnicity. Famed for her film Arctic Hysteria, Arke died of cancer at 48, and her work has only gained recognition over the past decade. With reproductions and essays, this volume introduces her to a wider audience. Kim Leine discusses themes of mortality; Darren Almond charts Arke's depictions of the landscapes of Greenland; Minik Rosing looks at spirituality in relation to Greenland; Laura Smith examines "Arctic hysteria"; Erik Steffensen recounts the artist's early years; Stefan Jonsson gives a biographical portrait; Erik Gant delves into the relationship between art and reality; Jessie Kleemann is interviewed about Arke's legacy; and the exhibition's curator, Anders Kold, explores Arke's motifs of body and map.

'A thing to treasure and keep close at hand. I would prescribe it to the lost and the lonely, the busy and the overburdened, the heart-broken and the happy' – Emily Haworth-Booth A moving, funny exploration of life as the parent of a lockdown baby, by illustrator Pia Bramley. Since March 2020, babies have been born into a world of masks, hand washing and social distancing. They met their grandparents on video calls. Their parents held them up to windows and took them for long walks in the rain. Pia Bramley's illustrations capture the intimacy of the small, strange world of the pandemic baby. She draws on her own experience as a new parent, telling the story of a child's first year against the backdrop of the pandemic: the quiet streets of the first lockdown, the relative freedom of summer, the long nights of autumn and winter and, finally, new hope as spring arrives and life begins to open up again. Moving, funny and deeply honest, this is a book for every parent, grandparent, aunt, uncle or friend who waited to hold their pandemic baby.

"Get clarity on what really matters to you; figure out how to live the life you want, whatever your circumstances; make a shift from worry and fear to feeling alive and inspired; find the courage and confidence to shape your future; reignite old passions, and discover new ones; feel much freer, and happier, every single day"--Amazon.com.

Forging superstitious beliefs about his destiny after barely escaping two historical disasters, a guilt-stricken Karom Seth visits his girlfriend's family in Delhi, where a wise grandmother helps him to find the clarity he seeks.