There are countless paths to follow when seeking spiritual guidance, and thousands of years of religion and theology have offered such paths and sets of beliefs to enlightenment and offer spiritual happiness. In A portrait of Jesus, bestselling author Joseph Girzone paints a picture of Jesus without stringent religous lines, and looks into the spiritual, humanistic and beautiful ideals set forth by Jesus. Girzone's empowering and loving look at Jesus creates a human, non-denominational, spiritually guiding portrait of Jesus.

This is an introductory guide to the ways Jesus is depicted in the New Testament. Both college students and the general reader will find here a variety of New Testament understandings of Jesus that are rooted in critical reading of the four gospels and Pauline letters. This new edition adds historical context to the portraits of Jesus as each document is somewhat shaped by historical factors. This work presumes neither religious faith nor lack of faith; its aim is to inform and to stimulate some fundamental questions as well as to give the readers portraits as synthetic balance to the vital work of analysis.

The poetic and symbolic nature of John's gospel betrays the weakness of historical-critical and other scientific" methods of scriptural exegesis: Although valuable for the insights they do provide, scientific methods are not sensitive to the spiritual dimensions of biblical revelation. Father Dumm therefore offers something more than the traditional chapter-and-verse commentary. Understanding that all of the gospels were written after the resurrection and, consequently, that the passion narrative greatly influenced how the earlier chapters were composed, Father Dumm gives more prominence to the climax of the career of Jesus: his passion, death, and resurrection. By beginning "at the end," Father Dumm uncovers the guiding principle of this gospel. In the process he makes some surprising discoveries about the dangers of religious ritual but finds remedy for these dangers in the importance of personal mystical experience within the context of a believing community. Chapters are "The Hour has Come," *Testifying to the Truth, - *Love Gives all, - *Love Conquers all, - *Love One Another, - *Abide in Me as I Abide in You, - *That They May be One, - *Conversion, - *Baptism, - *Eucharist, - *Enlightenment, - and *Eternal Life. - Demetrius Dumm, OSB, is a monk of St. Vincent's Archabbey, Latrobe, Pennsylvania. A professor of New Testament for almost fifty years, he is the author of several books and has given numerous retreats and workshops designed to allow scholarship to bear fruit in the spiritual life of the nonscholar. "

What is Jesus like? What kind of a person is he? Is he emotional or stoic? Is he proud or humble? Is he aloof or friendly? This book attempts to answer these types of questions. After demonstrating that Jesus is the promised Christ and that he is both divine and human, this book examines Jesus' personal characteristics as they are displayed in the four Gospels. The four Gospels are clearly not a typical biography of Jesus. Nonetheless, they do provide an informative account of his life here on earth, from which we can discover what he is like as a person.

To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.

Updated Edition of a Bestselling Study of Jesus and the Gospels In this work Darrell Bock, a leading evangelical New Testament scholar who speaks and teaches around the world, and Benjamin Simpson show that a coherent portrait of Jesus emerges from the four Gospels when they are taken seriously as historical documents. When read together, the Gospels provide a clear picture of Jesus and his unique claims to authority. This book surveys all the Gospel units and relates them to their parallel passages, showing how the literary and canonical relationships work. Offering up-to-date interaction with the latest discussions about Jesus, the second edition has been substantially revised and updated throughout and includes three new chapters on how we got the Gospels.

From top Jesus expert Marcus Borg, a completely updated and revised version of his vision of Jesus—as charismatic healer, sage, and prophet, a man living in the power of the spirit and dedicated to radical social change. Fully revised and updated, this is Borg's major book on the historial Jesus. He shows how the Gospel portraits of Jesus, historically seen, make sense. Borg takes into account all the recent developments in historical Jesus scholarship, as well as new theories on who Jesus was and how the Gospels reflect that. The original version of this book was published well before popular fascination with the historical Jesus. Now this new version takes advantage of all the research that has gone on since the 80s. The revisions establish it as Borg's big but popular book on Jesus.

This book contains over 80 paintings of Jesus Christ for the purposes of enjoying and meditating. Painting has always been associated with the life of the Church. From the time of the Catacombs it has been used in ecclesiastical ornamentation, and for centuries after Constantine, religious art was the only form of living art in the Christian world. Its fecundity has been wonderful and even now, although much diminished, is still important. Until the Renaissance, the Church exercised a veritable monopoly over this sphere. Profane painting in Europe dates only from the last five centuries and it took the lead only in the nineteenth century. It may, therefore, be said that throughout the Christian Era the history of painting has been that of religious painting.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.