“Wonderful . . . a timely invitation to political and social theorists to take seriously this imaginative man who solicited us to think and sing democracy.” —Bonnie Honig, author of Emergency Politics The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman’s understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman’s works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman’s poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman’s call for the emergence of American poets of democracy. “Exceptionally rich and intellectually exciting.” —Choice

The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.

Walt Whitman created, in various editions of Leaves of Grass, what is arguably the most influential book of poems anywhere in the past 200 years. Whitman absorbed the world, transmuting it into poems that address a spectrum of topics--from democracy and religion to sexuality, gender, class, and identity. He exuberantly incarnated his epoch at the same time as he invoked "you"-- readers and "poets to come"--to join in a "poetry of the future." The first A to Z Whitman reference to incorporate 21st century scholarship, this work is ideal for readers who want a concise introduction to the major poems and prose and to the people, places, and topics central to his life. Each of the book's 142 entries is followed by cross-references to related entries and suggestions for further reading. Also included are a brief biography, a chronology of Whitman's life and major works, and a bibliography of some 300 primary and secondary sources on this most timeless and contemporary of poets.

Comprising more than 30 substantial essays written by leading scholars, this companion constitutes an exceptionally broad-ranging and in-depth guide to one of America’s greatest poets. Makes the best and most up-to-date thinking on Whitman available to students Designed to make readers more aware of the social and cultural contexts of Whitman’s work, and of the experimental nature of his writing Includes contributions devoted to specific poetry and prose works, a compact biography of the poet, and a bibliography

The essays collected here, written for this volume by an international team of distinguished Whitman scholars, examine a variety of issues in Whitman's life and art. Their varying approaches mirror the diversity of contemporary scholarship and the breadth of target that Whitman affords for such examination. The authors of these essays address a wide range of issues befitting a poet of his stature and ambiguity: Whitman and photography, Whitman and feminist scholarship, Whitman and modernism, Whitman and the poetics of address, Whitman and the poetics of present participles, Whitman and Borges, Whitman and Isadora Duncan, Whitman and the Civil War, Whitman and the politics of his era, and Whitman and the changing nature of his style in his later years. Addressed to an audience of students and general readers and written in a nontechnical prose designed to promote accessibility to the study of Whitman, this volume includes a chronology of Whitman's life and suggestions for further reading.

Presents a complete reference to the life and works of Walt Whitman.

The essays in this book, written for this volume by an international team of distinguished Whitman scholars, examine a variety of contemporary issues in Whitman's life and art. These scholars bring to their analyses a multiplicity of approaches mirroring at once the diversity of contemporary scholarship and the range of subjects that Whitman affords for such examination. Writing out of a common concern for redefining Whitman in current terms, the authors of these essays address a wide-ranging series of issues befitting a poet of his stature and ambiguity: Whitman and photography, Whitman and feminist scholarship, Whitman and modernism, Whitman and the poetics of address, Whitman and the poetics of present participles, Whitman and Borges, Whitman and Isadora Duncan, Whitman and the Civil War, Whitman and the politics of his era, and Whitman and the changing nature of his style in his later years. This volume is addressed to an audience of students and general readers and is written accordingly in a nontechnical style designed to promote accessibility to the study of Whitman. It includes a chronology of Whitman's life and Suggestions for Further Reading designed to provide background and additional information for such readers.

Erkkila's aim is to repair the split between the private and the public, the personal and the political and the poet and the history that has governed the analysis and evaluation of Whitman and his work in the past.

Herman Melville is widely considered to be one of America's greatest authors, and countless literary theorists and critics have studied his life and work. However, political theorists have tended to avoid Melville, turning rather to such contemporaries as Ralph Waldo Emerson and Henry David Thoreau to understand the political thought of the American Renaissance. While Melville was not an activist in the traditional sense and his philosophy is notoriously difficult to categorize, his work is nevertheless deeply political in its own right. As editor Jason Frank notes in his introduction to A Political Companion to Herman Melville, Melville's writing "strikes a note of dissonance in the pre-established harmonies of the American political tradition." This unique volume explores Melville's politics by surveying the full range of his work -- from Typee (1846) to the posthumously published Billy Budd (1924). The contributors give historical context to Melville's writings and place him in conversation with political and theoretical debates, examining his relationship to transcendentalism and contemporary continental philosophy and addressing his work's relevance to topics such as nineteenth-century imperialism, twentieth-century legal theory, the anti-rent wars of the 1840s, and the civil rights movement. From these analyses emerges a new and challenging portrait of Melville as a political thinker of the first order, one that will establish his importance not only for nineteenth-century American political thought but also for political theory more broadly.

Literary scholars and historians have long considered W. E. B. Du Bois (1868–1963) an extremely influential writer and a powerful cultural critic. The author of more than one hundred books, hundreds of published articles, and founding editor of the NAACP journal The Crisis, Du Bois has been widely studied for his profound insights on the politics of race and class in America. An activist as well as a scholar, Du Bois proclaimed, "I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy." In A Political Companion to W. E. B. Du Bois, Nick Bromell assembles essays from both new and established scholars from a variety of disciplines to explore Du Bois's contributions to American political thought. The contributors establish a conceptual context within which to read the author, revealing how richly and variously he engaged with the aesthetic and theological modalities of political thinking and action. This volume further reveals how Du Bois's work challenges and revises contemporary political theory, providing commentary on the author's strengths and limitations as a theorist for the twenty-first century. In doing so, it helps readers gain an understanding of how Du Bois's work and life continue to stimulate lively and constructive debate about the theory and practice of democracy in America.