Photographs by Solomon Mitchell.

The book provides a comprehensive survey of the styles of Australia's built environment. For the first time the houses, commercial buildings, churches and other architectural works in Australia are described and illustrated so that the reader can readily identify and classify them.

"Shifting Views draws together a selection of writing from across twenty-five years of these conferences to provide a fascinating view into the region's architectural history discipline. The essays collected here, from such diverse thinkers as Judith Brine, Joan Kerr, Miles Lewis, Sarah Treadwell, Philip Goad, Julie Willis and Mike Austin, reflect some of the most illuminating debates from these conferences. Together these essays capture a tone of critical inquiry and the conditions of writing architectural history in Australia and New Zealand." "Shifting Views takes us into the mechanics of architectural history-making, exposing its foundations and demonstrating how they can be called to account. It shows us how architectural history has been made and revised, giving us a glimpse of the means why which our past becomes our history."--BOOK JACKET.

This book addresses the work of architect John Dalton (1927-2007), an important voice in mid-century modernism in Australia whose work, despite his being exhibited and published internationally and also winning several awards for his designs, is woefully little known. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the book draws on previously unpublished archival documents, including Dalton's drawings and paintings, transcripts of lectures, letters and articles, plans and photographic images of built works, to characterize the architect not only as a very talented designer, but also as a pioneer of environmentalist thinking in Australia. The book reveals how Dalton's architectural preoccupations parallel a transition in mid-century modern architecture globally from functional efficiency and material rationalism, to a concern with being in dialogue with the environment, confirming a wider 'environmental turn' that involved the integration of environmental with cultural considerations through relational thinking, and which preceded and transcends the discipline's fascination with theoretical paradigms such as Critical Regionalism. John Dalton: Subtropical Modernism and the Turn to Environment in Australian Architecture is thus not only an important contribution to the existing scholarship on 20th century modernism, but also to the current renewed interest in environmental design across the globe.

Annotation. The architectural work of Joseph John Talbot Hobbs is impossible to overlook in Perth and Western Australia. It dominates public spaces as well as domestic and business streetscapes. A strong sense of duty determined that the diminutive fifty-year-old architect-soldier J.J. Talbot Hobbs would in 1914 voyage to the First World War, where he survived the horrors of Gallipoli and the Western Front. Hobbs' powerful organisational skills positioned him as Australia's highest ranking soldier in Europe after the Great War. Organiser of Australian war memorials in France and Belgium, his stellar designs both there and throughout Western Australia are now largely forgotten. Who was J.J. Talbot Hobbs that he was considered to be of such importance at the time of his death that a memorial was built in one of the most prominent places in the state's capital city of Perth? Between Duty and Design is a meticulous biography of the man: soldier and architect, highlighting his place as a citizen of national importance.

Projecting forward in time from the processes of design and construction that are so often the focus of architectural discourse, Consuming Architecture examines the variety of ways in which buildings are consumed after they have been produced, focusing in particular on processes of occupation, appropriation and interpretation. Drawing on contributions by architects, historians, anthropologists, literary critics, artists, film-makers, photographers and journalists, it shows how the consumption of architecture is a dynamic and creative act that involves the creation and negotiation of meanings and values by different stakeholders and that can be expressed in different voices. In so doing, it challenges ideas of what constitutes architecture, architectural discourse and architectural education, how we understand and think about it, and who can claim ownership of it. Consuming Architecture is aimed at students in architectural education and will also be of interest to students and researchers from disciplines that deal with architecture in terms of consumption and material culture.

Examining urban heritage in twentieth-century Australia, James Lesh reveals how evolving ideas of value and significance shaped cities and places. Over decades, a growing number of sites and areas were found to be valuable by communities and professionals. Places perceived to have value were often conserved. Places perceived to lack value became subject to modernisation, redevelopment, and renewal. From the 1970s, alongside strengthened activism and legislation, with the innovative Burra Charter (1979), the values-based model emerged for managing the aesthetic, historic, scientific, and social significance of historic environments. Values thus transitioned from an implicit to an overt component of urban, architectural, and planning conservation. The field of conservation became a noted profession and discipline. Conservation also had a broader role in celebrating the Australian nation and in reconciling settler colonialism for the twentieth century. Integrating urban history and heritage studies, this book provides the first longitudinal study of the twentieth-century Australian heritage movement. It advocates for innovative and reflexive modes of heritage practice responsive to urban, social, and environmental imperatives. As the values-based model continues to shape conservation worldwide, this book is an essential reference for researchers, students, and practitioners concerned with the past and future of cities and heritage. The Foreword and Chapter 1/Introduction of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.