Tribal leaders in opposition to the government, the corruption of occupation, society torn apart by shifting political loyalties... this is the background to one woman's powerful story. A Persian Requiem is a powerful and evocative novel. Set in the southern Persian town of Shiraz in the last years of World War II, when the British army occupied the south of Persia, the novel chronicles the life of Zari, a traditional, anxious and superstitious woman whose husband, sef, is an idealistic feudal landlord. The occupying army upsets the balance of traditional life and throws the local people into conflict. sef is anxious to protect those who depend upon him and will stop at nothing to do so. His brother, on the other hand, thinks nothing of exploiting his kinsmen to further his own political ambitions. Thus a web of political intrigue and hostilities is created, which slowly destroys families. In the background, tribal leaders are in open rebellion against the government, and a picture of a society torn apart by unrest emerges. In the midst of this turbulence, normal life carries on in the beautiful courtyard of Zari's house, in the rituals she imposes upon herself and in her attempt to keep the family safe from external events. But the corruption engendered by occupation is pervasive - some try to profit as much as possible from it, others look towards communism for hope, whilst yet others resort to opium. Finally even Zari's attempts to maintain normal family life are shattered as disaster strikes. An immensely moving story, A Persian Requiem is also a powerful indictment of the corrupting effects of colonization. A Persian Requiem (first published in 1969 in Iran under the title Savushun), was the first novel written by an Iranian woman and, sixteen reprints and half a million copies later, it remains the most widely read Persian novel. In Iran it has helped shape the ideas and attitudes of a generation in its revelation of the factors that contributed to the Islamic Revolution in 1979. Simin Daneshvar's A Persian Requiem ... goes a long way towards deepening our understanding of Islam and the events leading up to the 1979 Revolution ... The central characters adroitly reflect different Persian attitudes of the time, attitudes that were eventually to harden into support for either the Ayatollah and his Islamic fundamentalism or, alternatively, for the corrupting Westernisation of the Shah. The value of the book lies in its ability to present these emergent struggles in human terms, in the day-to-day realities of small-town life ... Complex and delicately crafted, this subtle and ironic book unites reader and writer in the knowledge that human weakness, fanaticism, love and terror are not confined to any one creed. The Financial Times A Persian Requiem is not just a great Iranian novel, but a world classic. The Independent on Sunday ... it would be no exaggeration to say that all of Iranian life is there. Spare Rib For an English reader, there is almost an embarrassment of new settings, themes and ideas ... Under the guise of something resembling a family saga - although the period covered is only a few months - A Persian Requiem teaches many lessons about a society little understood in the West. Rachel Billington, The Tablet This very human novel avoids ideological cant while revealing complex political insights, particularly in light of the 1979 Iranian revolution. Publishers Weekly A Persian Requiem, originally published [in Iran] in 1969, was a first novel by Iran's first woman novelist. It has seen sixteen reprints, sold over half a million copies, and achieved the status of a classic, literally shaping the ideas of a generation. Yet when asked about the specific appeal of the novel, most readers are at a loss to pinpoint a single, or even prominent aspect to account for this phenomenal success. Is it the uniquely feminine perspective, allowing the read

Set in the southern Persian town of Shiraz in the last years of World War II with the British army in occupation, the novel chronicles the life of Zari, a traditional, anxious, and superstitious woman whose husband, Yusef is an idealistic feudal landlord. A web of political intrigue and hostility is created. In the background, tribal leaders are in open rebellion against the government and British occupation. In the midst of this turbulence Zari carries on normal life within the beautiful courtyard of her house, attempting to keep the family safe from external events. The corruption engendered by occupation is pervasive as Zari's family life is shattered and disaster strikes. An immensely moving story, the novel is a powerful indictment of colonization."

The Israeli Republic "suggests how the Iranian and Israeli leaders who feel such intense mutual hostility today actually mirror one another in certain ways, particularly in their foundational attitudes toward religious authority, political and economic populism and the West. That a writer such as Al-e Ahmad, guru to the ayatollahs, liked Israel now seems touching. What he liked about Israel seems cautionary." —Bernard Avishai, Foreign Affairs Written by a preeminent Iranian writer who helped lay the popular groundwork for the Iranian Revolution, The Israeli Republic should be required reading for anyone interested in the history and current political landscape of the Middle East. Documenting Jalal Al-e Ahmad’s two-week-long trip to Israel in February of 1963, his account “Journey to the Land of Israel” caused a firestorm when it was published in Iran, upsetting the very revolutionary clerics whose anti-Western sentiments Al-e Ahmad himself had fueled. Yet, in the thriving Jewish State, Jalal Al-e Ahmad saw a model for a possible future Iran. Based on his controversial travelogue, supplemented with letters between the author and his wife, Simin Daneshvar (the first major Iranian woman novelist), and translated into English for the first time, The Israeli Republic is a record of Al-e Ahmad’s idealism, insight, and ultimate disillusionment toward Israel. Vibrantly modern in its sensibility and fearlessly polemical, this book will change the way you think about the Middle East.

National Book Award winner: This story of a family torn apart by the Vietnam era is “a magnificent portrayal of two noble men who broke each other’s hearts” (Booklist). James Carroll grew up in a Catholic family that seemed blessed. His father, who had once dreamed of becoming a priest, instead began a career in J. Edgar Hoover’s FBI, rising through the ranks and eventually becoming one of the most powerful men in the Pentagon, the founder of the Defense Intelligence Agency. Young Jim lived a privileged life, dating the daughter of a vice president and meeting the pope—all in the shadow of nuclear war, waiting for the red telephone to ring in his parents’ house. James fulfilled the goal his father had abandoned, becoming a priest himself. His feelings toward his father leaned toward worship as well—until the tumult of the 1960s came between them. Their disagreements, over Martin Luther King, Jr. and the civil rights movement; turmoil in the Church; and finally, Vietnam—where the elder Carroll chose targets for US bombs—began to outweigh the bond between them. While one of James’s brothers fled to Canada, another was in law enforcement ferreting out draft dodgers. James, meanwhile, served as a chaplain at Boston University, protesting the war in the streets but ducking news cameras to avoid discovery. Their relationship would never be the same again. Only after Carroll left the priesthood to become a writer, and a husband with children of his own, did he begin to understand fully the struggles his father had faced. In An American Requiem, the New York Times bestselling author of Constantine’s Sword and Christ Actually offers a benediction, in “a moving memoir of the effect of the Vietnam War on his family that is at once personal and the story of a generation . . . at once heartbreaking and heroic, this is autobiography at its best” (Publishers Weekly).

Selected as one of World Literature Today's 75 Notable Translations of 2013 Spanning five turbulent decades in Iranian history, from before the 1979 revolution, through the Islamic Republic, and up to the present, The Book of Fate is a powerful story of friendship and passion, fear and hope. A teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discovers his letters they accuse her of bringing them dishonour. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she’s never met. Facing a life without love, and the prospect of no education, Massoumeh is distraught, but a female neighbour urges her to comply: "We each have a destiny, and you can’t fight yours." The years that follow Massoumeh’s wedding prove transformative for Iran. Hamid, Massoumeh’s husband, is a political dissident and a threat to the Shah’s regime. When the secret service arrive to arrest him, it is the start of a terrifying period for Massoumeh. Her fate, so long dictated by family loyalty and tradition, is now tied to the changing fortunes of her country.

An intimate and honest chronicle of the everyday life of Iranian women over the past century “A lesson about the value of personal freedom and what happens to a nation when its people are denied the right to direct their own destiny. This is a book Americans should read.” —Washington Post The fifteenth of thirty-six children, Sattareh Farman Farmaian was born in Iran in 1921 to a wealthy and powerful shazdeh, or prince, and spent a happy childhood in her father’s Tehran harem. Inspired and empowered by his ardent belief in education, she defied tradition by traveling alone at the age of twenty-three to the United States to study at the University of Southern California. Ten years later, she returned to Tehran and founded the first school of social work in Iran. Intertwined with Sattareh’s personal story is her unique perspective on the Iranian political and social upheaval that have rocked Iran throughout the twentieth century, from the 1953 American-backed coup that toppled democratic premier Mossadegh to the brutal regime of the Shah and Ayatollah Khomeini’s fanatic and anti-Western Islamic Republic. In 1979, after two decades of tirelessly serving Iran’s neediest, Sattareh was arrested as a counterrevolutionary and branded an imperialist by Ayatollah Khomeini’s radical students. Daughter of Persia is the remarkable story of a woman and a nation in the grip of profound change.

Literary Translation in Modern Iran: A sociological study is the first comprehensive study of literary translation in modern Iran, covering the period from the late 19th century up to the present day. By drawing on Pierre BourdieuN's sociology of culture, this work investigates the people behind the selection, translation, and production of novels from English into Persian. The choice of novels such as Morier's The Adventures of Hajji Baba of Ispahan, Austen's Pride and Prejudice, and Vargas Llosa's The War of the End of the World provides insights into who decides upon titles for translation, motivations of translators and publishers, and the context in which such decisions are made.The author suggests that literary translation in Iran is not a straightforward activity. As part of the field of cultural production, literary translation has remained a lively game not only to examine and observe, but also often a challenging one to play. By adopting hide-and-seek strategies and with attention to the dynamic of the field of publishing, Iranian translators and publishers have continued to play the game against all odds. The book is not only a contribution to the growing scholarship informed by sociological approaches to translation, but an essential reading for scholars and students of Translation Studies, Iranian Studies, and Middle Eastern Studies.

I've never read a better or more serious meditation on violence, its sources, consequences, and, especially, its terrifying pleasures, than "Townie." It's a brutal and, yes, thrilling memoir that sheds real light on the creative process of two of our best writers, Andre Dubus III and his famous, much revered father. You'll never read the work of either man in quite the same way afterward. You may not view the world in quite the same way either.--Richard Russo, author of "Empire Falls."

The Iranian poet and painter Sohrab Sepehri (1928-1980) is revered today for many of the things he was criticized for during his lifetime. Born and raised in the ancient city of Kashan, he was educated in Tehran and travelled widely. A gentle introvert by nature, he was accused of escapism when his reaction to the world around him was to go back to nature, mysticism and mythology, poetry and painting. This mystic of the twentieth century seeks a light that radiates from the individual soul and ultimately affects its relationship with others and the world around it. While Rumi, the mystic of the thirteenth century, dances, sings, and chants out loud that he comes from the world of spirit and is a stranger in the world of matter, Sepehri, quietly aware of humanity in a milieu alien to its physical, psychological, and spiritual needs, in poetry and painting, appeared to stroke human consciousness into a tranquility, almost a state of beatitude, which nevertheless is never quite free of the ongoing struggle for "awareness, understanding and illumination." Sepehri had a free and sometimes convoluted approach to the verities of life, insisting that the book of everyday "illusions" must be closed and ... ... one must rise And walk along the stretch of time, Look at the flowers, hear the enigma. One must run until the end of being ... One must sit close to the unfolding, Some place between rapture and illumination. (Both Line and Space. Bk.8) In this fresh translation, Bahiyeh Afnan Shahid successfully conveys the meaning, feelings, and sensitivity of the Persian original allowing the reader to appreciate the pertinence of Sepehri to the twenty-first century.Sohrab Sepehri, poet and painter, was born in Kashan, Iran in 1928 and was claimed by cancer in 1980. He had an upbringing that tried to discipline and shape him, whether at home or at school, but he was not exactly a conformist. He was an intelligent, sensitive, artistically gifted, poetically expressive, somewhat withdrawn, soft-spoken human being. Sepehri started painting and writing poetry at an early age. He excelled at both. For both he received acclaim and criticism. Now he is enshrined as one of the foremost Iranian poets and painters of the twentieth century. This modern-day aref (mystic), poet. and painter is convincingly sincere in his heartfelt and touching approach to the way we must look at our world, and our fellow humans, in these stressful, problematic times.

As she plans a party for her son and daughter, Rehana Haque's life will be transformed forever in a story of one family caught in the middle of the 1971 Bangladesh war of independence, as they face changes and decisions that will have a profound impact on their lives forever.