A school assignment to look for an old penny opens up a world of adventure and living history for a group of students. Join them as they search for old pennies, hold them in their hands and wonder: Who held them when they were new? What was this country like? With each penny found, more history comes alive. The pennies lead back to the wave of immigration in the early 1900s, through the Influenza epidemic and The Great War, on to the Harlem Renaissance, the Depression and World War II. All this is seen through the eyes of young people the same age as the students. The powerful ending demonstrates how a simple penny can tie people together and carry a strong message of hope and the American spirit. The book includes discussion questions intended to stimulate thought-provoking conversation and creativity. The book is suited for the home, classroom, library or homeschool bookshelf. The book is also available in hardcover (ISBN 978-0-9795818-0-9)

Found by a young boy and placed into his pocket for safekeeping, Penny feels useless compared to the exciting Superball, the shiny Marble, the adventuresome Rock, and the colorful Bubblegum. But as she reminisces about her life and history, she realizes her worth, and it is reinforced by the young boy's need for her in an important decision. Denise Brennan-Nelson's boundless energy and enthusiasm comes from her days as a motivational speaker. Since the publication of her first book, Buzzy the Bumblebee in 1999, Denise has taken that enthusiasm into schools and inspired thousands of children to "bee-lieve" in themselves. Her second title, My Momma Likes to Say, shares her interest in and knowledge of clichés, idioms, and funny expressions used by adults and often misunderstood by the children who hear them. Award-winning wildlife artist Michael Glenn Monroe is also known for his charming character illustrations in such titles as Buzzy the Bumblebee, A Wish to be a Christmas Tree (read aloud on the Today Show in 2002 by Katie Couric), and The Christmas Humbugs. He brings this lively brand of illustration to the adventures of Penny.

This revealing and comprehensive book tells the full story of Jerry Herman’s life and career, from his early work in cabaret to his recent compositions for stage, screen, and television. Stephen Citron draws on extensive open-ended interviews with Jerry Herman as well as with scores of his theatrical colleagues, collaborators, and close friends. The resulting book—which sheds new light on each of Herman’s musicals and their scores—abounds in fascinating anecdotes and behind-the-scenes details about the world of musical theater. Readers will find a sharply drawn portrait of Herman’s private life and his creative talents. Citron’s insights into Herman’s music and lyrics, including voluminous examples from each of his musicals, are as instructive as they are edifying and entertaining.

Categorization is an essential and unavoidable instrumentality for conceptually navigating a world—indeed for being able to conceptualize a world to be navigated. Classification is a pivotal instrument for scientific systemization, featured as a basis for the philosophical understanding of reality since Aristotle, but classificatory concepts of sorts, types and natural kinds inevitably pervade our understanding of ourselves and our position in the social as well as the natural world at all levels. The authors argue that the character, purpose-, context-, and culture-relativity of categories and categorization have been widely misunderstood—that standard philosophical views are substantially correct in some respects but markedly mistaken in others. The book offers a comprehensive survey of basic principles of classification and categorization, a survey of relevant empirical work, and a multitude of illustrative examples accompanied by instructive analysis of ways and means. The work traces wide-ranging implications of the current approach for philosophical problematic and paradox in philosophy of mind, epistemology and metaphysics, philosophy of science, social philosophy and ethics.

This volume of Bertrand Russell's Collected Papers finds Russell focused on writing Principia Mathematica during 1905–08. Eight previously unpublished papers shed light on his different versions of a substitutional theory of logic, with its elimination of classes and relations, during 1905-06. A recurring issue for him was whether a type hierarchy had to be part of a substitutional theory. In mid-1907 he began writing up the final version of Principia, now using a ramified theory of types, and eleven unpublished drafts from 1907-08 deal with this. Numerous letters show his thoughts on the process. The volume's 80-page introduction covers the evolution of his logic from 1896 until 1909, when volume I of Principia went to the printer.

DigiCat Publishing presents to you this special edition of "Well, Really, Mr. Twiddle" by Enid Blyton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Jerry Herman is one of Broadway's most celebrated composers and lyricists. He is the author of two of the biggest successes in musical theater history: Hello, Dolly! and Mame . Herman is also responsible for Mack and Mabel, Milk and Honey , and the musical version of the film La Cage Aux Folles. All of these have been produced many times, in both professional and amateur productions around the world. He is currently writing a new musical, Miss Spectacular , commissioned by Steve Wynn to be produced in a new theater at his Venetian Hotel in Las Vegas. This book offers all of the lyrics to Herman's well-loved songs along with rare production photographs from all of his shows. It includes early lyrics from Herman's first Broadway revues and shows, songs cut from his best-loved shows, and new lyrics. Herman's songs have been sung by all the masters of American pop song but have never been collected before. In addition to the lyrics, Herman offers his personal reminiscences and comments on the lyrics and the shows. For the fan of Broadway theater and of Jerry Herman's works, this book will be a treasure.