David Hawthorne is a naive young man who was raised by an evil Catholic preacher and betrayed by a treacherous woman. After being released from a mental hospital for killing his girlfriend, Rachel, he meets another woman, sleeps with her, and kills her. Enjoying the murder, he starts a killing spree. Unaware of his nefarious nature, Melanie, David's long-time lawyer friend begins a romantic relationship with him. Along with David, Detective Harold Thompson suspects George Wycliffe as the serial killer after he confesses to one of the murders. As the cat and mouse game between them ensues, Thompson learns that he has much in common with David, including an obsession with Melanie. As David struggles to keep his two lives separate and tries to put his past behind him, an old friend of Rachel's shows up and reveals David's dark secrets and the true identity of his father. Is David a victim of circumstance or is he a cold-blooded serial killer? Pursue him and watch this treacherous maze of murder, lies, love and suspense intensify

Robert C. Solomon, who died in 2007, was Professor of Philosophy and Quincy Lee Centennial Professor of Business at the University of Texas, USA. As the first book comprehensively to examine the breadth of Solomon’s contribution to philosophy, this volume ranks as a vital addition to the literature. It includes a newly published transcript of Solomon’s last talk, which responded to Arindam Chakrabarti on the concept of revenge, as well as the considered views of prominent figures in the numerous subfields in which Solomon worked. The content analyses his perspectives on the philosophy of emotion, virtue, business ethics, and religion, in addition to philosophical history, existentialism, and the many other topics that held this prolific thinker’s attention. Solomon memorably defined philosophy itself as ‘the thoughtful love of life’, and despite the diversity of his output, he was most drawn by central questions about the meaning of life, the essential role that emotions play in finding that meaning, and the human imperative to seek ‘emotional integrity’, in which one’s thoughts, emotions, and actions all contribute to a coherent narrative. The essays included here draw attention to the interconnections between the issues Solomon addressed, and evince the manner in which he embodied that integrity, living a life at one with his philosophy. They emphasize the central themes of passion, ethics, and spirituality, which threaded through his work, and the way these ideas informed his views on how we should approach grief and death. The multiplicity of topics alone make this keystone work an enlightening read for a full spectrum of students of philosophy, providing much to ponder and recounting a subtle and shining example of the emotional integrity Solomon worked so hard to define.

"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.

'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.

The Ukrainian Euromaidan in 2013–14 and the ongoing Russian-Ukrainian war in the Eastern part of the country have posed new questions to historians. The volume investigates the relevance of the cults of the fallen soldiers to Ukraine's national history and state. It places the dead of the Euromaidan and the forms and functions of the emerging new cult of the dead in the context of older cults from pre-Soviet, Soviet and post-Soviet times from various Ukrainian regions until the end of the presidency of Petro Poroshenko in 2019. The contributions emphasize the importance of the grassroot level, of local and regional actors or memory entrepreneurs, myths of state origin and national defense demanding unity, and the dynamics of commemorative practices in the last thirty years in relation to pluralist and fragmented processes of nationand state-building. They contribute to new conceptualizations of the political cult of the dead.

The uncertainty of ones life and the inevitability of death is a dilemma that has tormented the human mind in all ages. One way of resolving the conundrum has been to imagine, if not firmly believe, that the individual self is immortal and deathless, notwithstanding the fact that the physical body must perish. If nothing, it weans one away from the fear of death towards an earnest hope in a blissful afterlife. Living in Death is a scholarly critique on the death poetry of Emily Dickinson and T. S. Eliot. By deftly comparing their styles, diction, and motifs, Dr. T. D. Peter unravels the beauty of contemplating and courting the compelling presence of death as an unshakeable ontological reality. The author looks through the mirror of the death poetry of two signature poets of the nineteenth and twentieth centuriesthe former, an inimitable and indwelling poetic genius who defies classification and transcends time and trends; the latter, a trail-blazing and celebrated scion of modern classical poetry who impresses with his erudition and edification, imagism, and symbolism. He finds more by way of contrast than similarity in their strikingly opposite life lines and, no less, to their varying allegiance to faith and reason, religion and spirituality.

This is a collection of my best poems I have written over the years.

Park ranger Anna Pigeon returns, in a mystery that unfolds in and around Lake Superior, in whose chilling depths sunken treasure comes with a deadly price. In her latest mystery, Nevada Barr sends Ranger Pigeon to a new post amid the cold, deserted, and isolated beauty of Isle Royale National Park, a remote island off the coast of Michigan known for fantastic deep-water dives of wrecked sailing vessels. Leaving behind memories of the Texas high desert and the environmental scam she helped uncover, Anna is adjusting to the cool damp of Lake Superior and the spirits and lore of the northern Midwest. But when a routine application for a diving permit reveals a grisly underwater murder, Anna finds herself 260 feet below the forbidding surface of the lake, searching for the connection between a drowned man and an age-old cargo ship. Written with a naturalist's feel for the wilderness and a keen understanding of characters who thrive in extreme conditions, A Superior Death is a passionate, atmospheric page-turner.