“I am deeply inspired by this heartwarming story of how two people found love and—even better—a way to get paid for drinking wine.” —Dave Barry Internationally renowned journalists Dorothy J. Gaiter and John Brecher present a captivating memoir about falling in love with each other and with wine. She grew up in the all-black environment of Florida A&M University in Tallahassee. He was raised in Jacksonville, Florida, where his was one of a handful of Jewish families. When they met on June 4, 1973, in the newsroom of The Miami Herald, she says, “I felt in my bones like I had known him forever.” And he says, “I felt the instant I saw her that we had always been together, and knew we always would be.” That passion for each other and for wine has made their column a must-read for millions of neophyte and veteran wine lovers, who also follow their appearances on Martha Stewart’s TV show. The annual global celebration of wine that they created, “Open That Bottle Night,” encourages readers to finally drink that special wine they have been keeping. As Dottie and John write, “Wine can conjure up memories in a way that few other things can,” whether it’s a rare Burgundy or a bottle of cold duck. Frank J. Prial of The New York Times said of their first book, The Wall Street Journal Guide to Wine, “Their enthusiasm for the grape . . . is exceeded only by their enthusiasm for each other. It spills over on every other page.” Indeed, John and Dottie say they don’t write a wine column; they write a column about more important things. This book follows them from love at first sight, through a life of journalism, to a triumph on the basketball court at Madison Square Garden. You’ll discover the joys of wine along with them, but you’ll also discover that wine is really about good times, bad times, moments shared with loved ones, and new friends. It’s about memories. It’s about life.

Fike uses the collection to discuss studio glass within the context of contemporary fine arts. Biographies of the fifty-seven are also included, as well as a bibliography on the studio glass movement.

The first children’s book about Dale Chihuly, the world-renowned glass sculptor His crew calls him Maestro. Thousands of fans call him a magician. Over the past five decades, Dale Chihuly (b. 1941) has created some of the most innovative and popular works of art in museums and gardens around the world. Authors Jan Greenberg and Sandra Jordan met with Chihuly in his studio for exclusive interviews discussing his early life, his passion for glassblowing, and his dazzling works. Lavishly illustrated with Chihuly’s art and family photographs, this book discusses Chihuly’s workshop and his glassblowing technique. The book includes a step-by-step look at how blown glass is created, a list of places to see Chihuly’s artwork, endnotes, a bibliography, and an index.

"The text provides a history of the Indian Glass company, shape and pattern definitions, identification and color guides. Prices are found in the captions and in tables within the text."--Cover.

Some people's passion for sea glass goes beyond collecting—they use it to create something of beauty. Carole Lambert, author of Sea Glass Chronicles, gives us entree into the studios of those who do everything from gathering and amassing sea glass mulch for landscaping to designing stained-sea-glass windows. This volume will arouse a renewed sense of wonder in those who already possess a passion for sea glass and win legions of new sea-glass devotees.

The chapel of King's College, Cambridge, is one of England's greatest architectural treasures, and is visited by about two million people every year. It contains the country's finest collection of 16th-century stained glass, and one of the best in Europe, but from ground level much of the glass is rendered almost invisible by distance and the windows' heavy leading.

Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.

German writer, critic, and theorist Paul Scheerbart (1863–1915) died nearly a century ago, but his influence is still being felt today. Considered by some a mad eccentric and by others a visionary political thinker in his own time, he is now experiencing a revival thanks to a new generation of scholars who are rightfully situating him in the modernist pantheon. Glass! Love!! Perpetual Motion!!! is the first collection of Scheerbart’s multifarious writings to be published in English. In addition to a selection of his fantastical short stories, it includes the influential architectural manifesto Glass Architecture and his literary tour-de-force Perpetual Motion: The Story of an Invention. The latter, written in the guise of a scientific work (complete with technical diagrams), was taken as such when first published but in reality is a fiction—albeit one with an important message. Glass! Love!! Perpetual Motion!!! is richly illustrated with period material, much of it never before reproduced, including a selection of artwork by Paul Scheerbart himself. Accompanying this original material is a selection of essays by scholars, novelists, and filmmakers commissioned for this publication to illuminate Scheerbart’s importance, then and now, in the worlds of art, architecture, and culture. Coedited by artist Josiah McElheny and Christine Burgin, with new artwork created for this publication by McElheny, Glass! Love!! Perpetual Motion!!! is a long-overdue monument to a modern master.

New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.