Abandoning her life when her father succumbs to Huntington's disease, Massachusetts native Irina discovers an unanswered letter from her father to an internationally renowned chess champion and political dissident, who she decides to visit in Russia. A first novel.

Science fiction meets murder mystery in this edge-of-your-seat thriller. The Lost Causes are five teens with serious problems and only one thing in common: people have written them off. Now theyêre thrown together in group therapy, with vague promises of healing. Their problems do go away when they drink the water their therapist gives them. But thatês because itês not just water Ä Unknowingly, the teens have ingested a serum that gives them psychic powers, part of an FBI plan to find out who was behind the grisly murder that has rocked their small town. Their new powers will help them uncover clues and follow leads that have eluded the authorities, and their outsider status gives them the perfect cover. But the same traits that make them top investigators also make them vulnerable. As they close in on the murderer, they expose a much larger conspiracy that puts them directly in harmês way and makes them wonder who ã if anyone ã they can trust.

What if we didn't always historicize when we read Victorian fiction? Lost Causes shows that Victorian writers frequently appear to have a more supple and interesting understanding of the relationship between history, causality, and narrative than the one typically offered by readers who are burdened by the new historicism. As a return to these writers emphasizes, the press of modern historicism deforms Victorian novels, encouraging us to read deviations from strict historical accuracy as ideological bad faith. By contrast, Jason B. Jones argues through readings of works ranging from The French Revolution to Middlemarch that literature's engagement with history has to be read otherwise. Perhaps perversely, Lost Causes suggests simultaneously that psychoanalysis speaks pressingly to the vexed relationship between history and narrative, and that the theory is neither a- nor anti-historical. Through his readings of Victorian fiction addressing the recent past, Jones finds in psychoanalysis not a set of truths, but rather a method for rhetorical reading, ultimately revealing how its troubled account of psychic causality can help us follow literary language's representation of the real. Victorian narratives of the recent past and psychoanalytic interpretation share a fascination with effects that persist despite baffling, inexplicable, or absent causes. In chapters focusing on Thomas Carlyle, Charles Dickens, Charlotte Brontë, and George Eliot, Lost Causes demonstrates that history can carry an ontological, as well as an epistemological, charge--one that suggests a condition of being in the world as well as a way of knowing the world as it really is. From this point of view, Victorian fiction that addresses the recent past is not a failed realism, as it is so frequently claimed, but rather an exploration of possibility in history.

Lost Causes: The Romantic Attraction of Defeated yet Unvanquished Men and Movements, by George and Karen Grant, is a thoughtful look at several causes that captured the hearts of people, survived defeat, and ultimately out-lived their foes.

Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery--both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie's past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man's downfall through the perspectives of two spectators--Cel, Mattie's skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention--and forces us to ask ourselves what we choose to look at, and why.

An American foreign-exchange student arrested for murder. A desperate father determined to win her freedom. The brilliant lawyer tasked with her prosecution. And the sphinx-like young man who happens to be her only alibi. When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colourful buildings, the street food, the elusive guy next door. Her studious roommate, Katy, is a bit of a bore, but Lily hasn’t come to Argentina to hang out with other Americans. Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who’s asking. As the case takes shape — revealing deceptions, secrets, and suspicious DNA — Lily appears alternately sinister and guileless through the eyes of those around her. With mordant wit and keen emotional insight, Jennifer duBois delivers a novel of propulsive psychological suspense and rare moral nuance. Cartwheel will keep you guessing until the final page, and its questions about how well we really know one another — and ourselves — will linger well beyond.

#1 NATIONAL BESTSELLER • PULTIZER PRIZE WINNER • The captivating inside story of the woman who helmed the Washington Post during one of the most turbulent periods in the history of American media: the scandals of the Pentagon Papers and Watergate In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling. Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband—a confidant to John F. Kennedy and Lyndon Johnson—plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman’s union as she entered the profane boys’ club of the newspaper business. As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted—and mastered—the personal and professional crises of her fascinating life.

NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.

"A bold, stunning book...The reader is drawn in not because we want to find out what happened, but why it happened..."--NPR A psychologically twisting novel about a politically-charged act of violence that echoes through a small Spanish town; a debut novel that the New York Times Book Review calls "a triumph." It's 2004 in Muriga, a quiet town in Spain's northern Basque Country, a place with more secrets than inhabitants. Five years have passed since the kidnapping and murder of a young local politician-a family man and father-and the town's rhythms have almost returned to normal. But in the aftermath of the Atocha train bombings in Madrid, an act of terrorism that rocked a nation and a world, the townspeople want a reckoning of Muriga's own troubled past: Everyone knows who pulled the trigger five years ago, but is the young man now behind bars the only one to blame? All That Followed peels away the layers of a crime complicated by history, love, and betrayal. The accounts of three townspeople in particular-the councilman's beautiful young widow, the teenage radical now in jail for the crime, and an aging American teacher hiding a traumatic past of his own-hold the key to what really happened. And for these three, it's finally time to confront what they can find of the truth. Inspired by a true story, All That Followed is a powerful, multifaceted novel about a nefarious kind of violence that can take hold when we least expect. Urgent, elegant, and gorgeously atmospheric, Urza's debut is a book for the world we live in now, and it marks the arrival of a brilliant new writer to watch.

Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.