Only love can tame the beast. A prisoner to a mad scientist, Luke knows he shouldn’t get involved with anyone, especially a nurse working for the doctor who messed up his genetics. Tell that to his wild side. The beast within is growling and howling for a taste of the delicious smelling woman. It wants to claim her as his mate. But first, this wolfman must escape his captors. Genres: paranormal romance, shapeshifter romance, werewolf romance, romantic horror, mad science romance, genetic engineering, supernatural medical thriller, monster romance

What happens when science goes too far? Chimera Secrets feature five stories about genetically altered humans who find love. A Nurse for a Wolfman : Only love can tame the beast. Guarding the Mermaid : Love is even more slippery than this mermaid when wet. The Lionman Kidnapping : It’s not just his mane that’s impressive. A Chimera’s Revenge : A mad scientist. An even madder patient. A fiery kind of love. Capturing a Unicorn : Will he betray or save the world’s only unicorn? genre: genetic engineering monster romance, horror romance, shapeshifter romance,

The legend of the werewolf is as old as man himself. From Ed and Lorraine Warren, the world’s most famous demonologists, comes perhaps their most incredible and horrifying case: the true story of William Ramsey, whose bizarre seizures terrified the English town of Southend-on-Sea. Believing Ramsey to be a victim of demonic possession, the Warrens arranged for the rite of exorcism to be performed. Not since the exorcist shocked the nation has there been such a such a horrifying account of a supernatural battle between good and evil within the soul of one human. Don’t miss the Warrens' blockbuster films The Conjuring and Annabelle (in theaters October, 2014.)

They save our lives every day, and we’ve never heard their stories. The life-or-death intensity of working on the front lines, from America’s greatest unsung heroes. “The compassion, the work ethic, and the selflessness of nurses … are given the respect they deserve and captured beautifully here.” –Sanjay Gupta, MD, neurosurgeon and chief medical correspondent, CNN "James Patterson's account of the twilight world between life and death that nurses inhabit is one of the most moving things I have ever read.” –Sebastian Junger, author of Freedom and The Perfect Storm Around the clock, across the country, these highly skilled and compassionate men and women sacrifice and struggle for us and our families. You have never heard their true stories. Not like this. From big-city and small-town hospitals. From behind the scenes. From the heart. This book will make you laugh, make you cry, make you understand. When we’re at our worst, E.R. nurses are at their best.

When a disturbed young Russian man came to Freud for treatment, the analysis of his childhood neuroses—most notably a dream about wolves outside his bedroom window—eventually revealed a deep-seated trauma. It took more than four years to treat him, and "The Wolfman" became one of Freud's most famous cases. This volume also contains the case histories of a boy's fear of horses and the Ratman's violent fear of rats, as well as the essay "Some Character Types," in which Freud draws on the work of Shakespeare, Ibsen, and Nietzsche to demonstrate different kinds of resistance to therapy. Above all, the case histories show us Freud at work, in his own words.

From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.

An innovative literary analysis of Freud's "Wolf Man."

What prompts children to tell stories? What does the word "story" mean to a child at two or five years of age? The Folkstories of Children, first published in 1981, features nearly five hundred stories that were volunteered by fifty children between the ages of two and ten and transcribed word for word. The stories are organized chronologically by the age of the teller, revealing the progression of verbal competence and the gradual emergence of staging and plot organization. Many stories told by two-year-olds, for example, have only beginnings with no middle or end; the "narrative" is held together by rhyme or alliteration. After the age of three or four, the same children tell stories that feature a central character and a narrative arc. The stories also exhibit each child's growing awareness and management of his or her environment and life concerns. Some children see their stories as dialogues between teller and audience, others as monologues expressing concerns about fate and the forces of good and evil. Brian Sutton-Smith discusses the possible origins of the stories themselves: folktales, parent and teacher reading, media, required writing of stories in school, dreams, and play. The notes to each chapter draw on this context as well as folktale analysis and child development theory to consider why and how the stories take their particular forms. The Folkstories of Children provides valuable evidence and insight into the ways children actively and inventively engage language as they grow.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.