Juliet comes from a bloodline of French royals, but she is tired of a life that has been predetermined against her will. She wants to experience passionate love for once in her life. While she was enjoying a moment of contemplation alone in a park, a man by the name of Shay approached her to make sure she was okay. On a whim she decided to pretend to have amnesia, and Shay took her home to help her. To Juliet’s desire for one unforgettable evening, Shay responded... But the next morning she was gone before he awoke, and Juliet returned to her daily life. Little do they know that they will unexpectedly reunite!

"In A Noble Pursuit, Gloria Polizzotti Greis provides an overview of the European Iron Age and brings the duchess's archaeological career to life. Archaeology as a profession with defined standards and methodologies was still in its infancy at the turn of the twentieth century, and the duchess's fieldwork, which became increasingly sophisticated and scientific over time, mirrored the development of archaeological practice in Europe." "The sites the duchess excavated encompass the scope of Iron Age cultures in Slovenia and form an important resource for studying the cultural history of the region. Most of the materials from these sites reside today in the Mecklenburg Collection at Harvard University's Peabody Museum of Archaeology and Ethnology, where they make up the largest systematically excavated group of European antiquities outside of Europe. This volume presents a selection of artifacts from the collection, photographed by Hillel S. Burger: bronze pendants, bracelets, neck rings, helmets, and armor; glass and amber beads; iron axes, swords, and spears; Roman glassware; and Greek wine vessels." "Greis incorporates previously unpublished archival documents, including the duchess's personal correspondence, to create a portrait of an extraordinary woman. This account of the Duchess of Mecklenburg and her archaeological contributions provides an overview of the scope and importance of the collection as a whole and attests to the enduring quality of the duchess's pioneering work."--BOOK JACKET.

"This engaging and highly informative book presents twenty interviews with the world's leading designers, anthropologists and innovators in the field of branding. In a series of illuminating, spirited conversations with preeminent global brand designer Debbie Millman, these influential figures share their take on how and why humans have branded the world around us, and the ideas, inventions, and insight inherent in this process"--Provided by publisher.

The Pursuit of God is a series of sermons by A.W. Tozer. They focus on fighting and staying clear from Satan while opening hearts and minds to the saving force of God.

Critical texts, translations, documents, and photographs on the work of the Situationist International. This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

“Chase your dreams and follow your heart, no matter the cost” is the call of the world today. The opposite extreme, often advised by well-meaning Christians, is to lay down all of our dreams and passions, avoiding all self-interest. One narrative says to follow a passion, and the other says to lay it down. Both claim to offer happiness and purpose on the other side. But what does the Bible say about dreams, goals, and passions? With compelling illustrations from Dianne Jago’s unexpected journey in creating DeeplyRooted Magazine, along with thoughtful scriptural examples, Dianne shares an honest account of how God changed her plans and aligned them with His. As you read this book, you will be challenged to look upward instead of inward, seeing the God-given purpose of every Christian as the foundation of your “dreams.” Scripture shapes a believer’s pursuits and the gospel speaks to our passions. Instead of the one-size-fits-all formula for dream-chasing, A Holy Pursuit will help you identify whether it’s time to pursue, pause, or surrender a dream you hold.

What is friendship? What is the best life? How does one decide? Try Salem on Aristotle.

Ethics in the Virtual World examines the gamer's enactment of taboo activities in the context of both traditional and contemporary philosophical approaches to morality. The book argues that it is more productive to consider what individuals are able to cope with psychologically than to determine whether a virtual act or representation is necessarily good or bad. The book raises pertinent questions about one of the most rapidly expanding leisure pursuits in western culture: should virtual enactments warrant moral interest? Should there be a limit to what can be enacted or represented within these games? Or, is it all just a game?

Reprint of the original, first published in 1837.