The name’s John Taylor. I work the garish streets of the Nightside—the hidden heart of London where it’s always three A.M., where in human creatures and otherworldly gods walk side by side in the endless darkness of the soul. I have a talent for finding things. People…property…no problem. But now I’m after something different. A local diva called the Nightingale has cut herself off from her family and friends, and I’ve been hired to find out the reason. I’m also wondering why her suicide—prone fans think she has a voice to die for. Literally. To get the truth, I’ll have to lend an ear to the most enticingly beautiful and deadly voice in all of the Nightside—and survive.

My name is John Taylor. I’m a PI for hire in the Nightside, the dark and corrupt city within the city of London. Where the sun never shines and where pleasure and horror are always on sale—for the right price. Not a nice place to visit or a nice place to live. So you wouldn’t think I would care that it was about to be destroyed, by none other than my very own long-missing, not-quite-human mom. But I do. I was born here, I live here, and I got friends here. They might not all be acceptable in polite company, but they’re my friends, nonetheless. I know that I’m the only one who can stop her. The trick is, how to do it without fulfilling this prophecy that says whatever action I take, not only is the Nightside doomed, but the rest of the world will soon follow…

Now in one volume-the first three novels of the Nightside from the New York Times bestselling author. John Taylor was born in the Nightside-a city within the city of London where it's always three A.M. and where inhuman creatures and otherworldly gods walk side-by-side. It's the stomping grounds for the lost and missing-and John Taylor is an expert at finding people and things in the shadows.

In the Nightside, that nightmarish realm hidden deep beneath London, it is forever 3 a.m. Here inhuman creatures walk beside mythic gods. And John Taylor, private detective with a difference, is back, working this secret supernatural heart of London to find an item of inestimable value. The Unholy Grail is missing . . . and everyone wants its corrosive power. This time he must use his unique gifts to locate the cup from which Judas drank at the Last Supper; before it falls into the wrong hands. Anyone who touches the cup will gain tremendous power - but they will also be corrupted. Angels, demons, sinners and saints are all determined to find the Unholy Grail, no matter what the cost. And it isn't long before they realise exactly who can lead them to it . . . Agents of Light and Darkness is the sequel to Something From the Nightside and the second title in Simon R. Green's New York Times bestselling Nightside series.

Margaret Alexiou's The Ritual Lament in Greek Tradition, first published in 1974, has long since been established as a classic in several fields. This is the only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis. Its interdisciplinary orientation and broad scope have rendered The Ritual Lament in Greek Tradition an indispensable reference work for classicists, byzantinists, neohellenists, folklorists, and anthropologists. Now a second edition, revised by Dimitrios Yatromanolakis and Panagiotis Roilos, has been made available. This new edition also includes a valuable up-to-date bibliography on ritual lament and death in Greek culture.

Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.

This 2003 book is a full-length study of Octauia, the only complete Roman drama of an historical subject, or fabula praetexta. The play deals with Nero's divorce from the princess Octavia, Claudius' daughter by Valeria Messalina, and with his subsequent marriage to Poppaea Sabina. Professor Ferri presents a critical edition of the text based on a fresh re-examination of the relevant manuscripts and provides a full discussion of textual issues. In the Introduction he argues that the play, wrongly ascribed to Seneca in our MSS, was composed in the late Flavian period, and that the author relied on pre-existing historical accounts written after the death of Nero. He also discusses in detail the style and language of the play, strongly influenced by Senecan tragedy, its relationship to the other plays of the Senecan corpus, and particularly to Hercules Oetaeus, its stagecraft and post-Classical dramatic conventions, and the author's political position.

Love and Providence provides the first study of the recognition scene in Greek "romantic" novels and its significance in the ancient literary tradition.