This is a true account of a heavily suppressed story of intrigue that begins with an inquiry into a strange and isolated shooting fatality in Texas in 1982. It leads progressively through Texas agencies to the FBI and eventually to highly placed officials in Texas, Arkansas and Washington D.C. A former resident of Mena, Arkansas is allegedly shot to death in Texas in August 1982. Without conducting an investigation local authorities quickly rule the fatality an accident and impose a news blackout on the shooting. The father of the victim uncovers serious discrepancies and learns that local Texas FBI agents were associated with the incident as were federal agents in a federal grand jury investigation in Philadelphia. Appeals to the Texas State Attorney General for an inquiry to resolve the many discrepancies and contradictions in the case fail. Members of Congress contact the Texas Governor to request an official inquiry. The Governor grants their request but quickly terminates it without notifying them of his action. Arkansas Senator David Pryor and U.S. Representative John Hammerschmidt then take the matter up with the Director of the FBI, the Director of BATF and the Department of Justice in Washington only to encounter persistent evasions. The Texas fatality is later linked to government- sanctioned drug and arms smuggling activities in Mena, Arkansas that were being investigated by Arkansas State Trooper Russell Welch, IRS investigator Bill Duncan and private investigator Gene Wheaton. The author's dogged investigation into the suppressed death of his son presents a well documented, fully corroborated account of the misuse of official power. That pernicious danger threatens the very fabric of American society and American constitutional freedoms. This intriguing tale of transgressions in high places is not just an engrossing story. It is a wake-up call.

For so long figured in European discourses as the antithesis of modernity, the Pacific Islands have remained all but absent from the modernist studies’ critical map. Yet, as the chapters of New Oceania: Modernisms and Modernities in the Pacific collectively show, Pacific artists and writers have been as creatively engaged in the construction and representation of modernity as any of their global counterparts. In the second half of the twentieth century, driving a still ongoing process of decolonisation, Pacific Islanders forged an extraordinary cultural and artistic movement. Integrating Indigenous aesthetics, forms, and techniques with a range of other influences — realist novels, avant-garde poetry, anti-colonial discourse, biblical verse, Indian mythology, American television, Bollywood film — Pacific artists developed new creative registers to express the complexity of the region’s transnational modernities. New Oceania presents the first sustained account of the modernist dimensions of this period, while presenting timely reflections on the ideological and methodological limitations of the global modernism rubric. Breaking new critical ground, it brings together scholars from a range of backgrounds to demonstrate the relevance of modernism for Pacific scholars, and the relevance of Pacific literature for modernist scholars.

"Oceania: A Tourism Handbook draws together a wide range of sources to provide a comprehensive handbook of tourism in the Oceania region. As tourism continues to grow in importance and significance for the countries of Oceania, it is important to have a single source of information and reference for tourism. At the same time, it is vital to provide a disciplined analysis of tourism by standardising terminologies and delivering a consistency of approach for all the countries in the region." "The handbook provides an anatomy of tourism in the region by taking a detailed look at each of the three key constituents of Oceania - Australia, New Zealand and the Pacific Islands. For each of these regions, tourism demand, supply and organisation have been analysed, as well as a chapter to guide the reader through the tourism statistics sources that are available. The final section of the handbook takes a thematic approach with chapters examining key issues of tourism in the region, including investment, air transport, risk management, land ownership, climate change and tourism education."--BOOK JACKET.

"An English adaptation of Helmolt's Weltgeschichte, with a rejection of sections which did not seem quite adequate from the point of view of its English readers". -- Publisher's note.

This book is inspired by the University of the South Pacific, the leading institution of higher education in the Pacific Islands region. Founded in 1968, USP has expanded the intellectual horizons of generations of students from its 12 member countries—Cook Islands, Fiji, Kiribati, Marshall Islands, Nauru, Niue, Samoa, Solomon Islands, Tokelau, Tonga, Tuvalu and Vanuatu—and been responsible for the formation of a regional elite of educated Pacific Islanders who can be found in key positions in government and commerce across the region. At the same time, this book celebrates the collaboration of USP with The Australian National University in research, doctoral training, teaching and joint activities. Twelve of our 19 contributors gained their doctorates at ANU, most of them before or after being students and/or teaching staff at USP, and the remaining five embody the cross-fertilisation in teaching, research and consultancy of the two institutions. The contributions to this collection, with a few exceptions, are republications of key articles on the Pacific Islands by scholars with extensive experience and knowledge of the region.

The age of steam was the age of Britain’s global maritime dominance, the age of enormous ocean liners and human mastery over the seas. The world seemed to shrink as timetabled shipping mapped out faster, more efficient and more reliable transoceanic networks. But what did this transport revolution look like at the other end of the line, at the edge of empire in the South Pacific? Through the historical example of the largest and most important regional maritime enterprise - the Union Steam Ship Company of New Zealand - Frances Steel eloquently charts the diverse and often conflicting interests, itineraries and experiences of commercial and political elites, common seamen and stewardesses, and Islander dock workers and passengers. Drawing on a variety of sources, including shipping company archives, imperial conference proceedings, diaries, newspapers and photographs, this book will appeal to cultural historians and geographers of British imperialism, scholars of transport and mobility studies, and historians of New Zealand and the Pacific.

"The Oxford Handbook of Prehistoric Oceania presents the archaeology, linguistics, environment and human biology of Melanesia, Micronesia, and Polynesia. First colonized 50,000 years ago, Oceania witnessed the independent invention of agriculture, the construction of Easter Island's statues, and the development of the word's last archaic states."--Provided by publisher.

An intriguing case study on how popular images of Oceania, mediated through a developing culture of celebrity, contributed to the formation of British identity both domestically and as a nascent imperial power in the eighteenth century.

The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.