Louis Comfort Tiffany (1848-1933) is celebrated today as one of the most influential creative designers of the late 19th- and early 20th-centuries. A New Light on Tiffany: Clara Driscoll and the Tiffany Girls presents the celebrated works of Tiffany Studios in an entirely new context, focusing on the "Tiffany Girls", the 27 women who laboured behind the scenes to create the masterpieces now inextricably linked to the Tiffany name. Recently discovered correspondence written by Ohio-born Clara Driscoll, head of the so-called "Women's Glass Cutting Department" at Tiffany Studios, reveals in convincing and vivid detail how it was in fact Driscoll who generated designs for such masterpieces as the famous Wisteria, Dragonfly and Peony goods. At the heart of the book are over 50 Tiffany lamps, windows, ceramics, enamels and mosaics, supplemented by a wide array of related documents and archival photographs.

Hoping to honor his father and the family business with innovative glass designs, Louis Comfort Tiffany launches the iconic Tiffany lamp as designed by women's division head Clara Driscoll, who struggles with the mass production of her creations and grieves the losses of two husbands. By the author of The Girl in Hyacinth Blue.

Everyone knows the beauty and value of Tiffany glass lamps, vases and windows. But few know that the masterful pieces fron the Tiffany Studios would not have been possible without Arthur Nash, developer of the now-priceless Favrile glass, and his son Leslie, director of the Studio's division of glassmaking, pottery and enamel. Leslie's memoirs, along with notes and references, tell the unfiltered and refreshing story of the Studio's heyday, and substantially expand our knowledge, and his photos comprise the largest collection of here-to-fore unseen images of the studio's earliest pieces. This historical find is an event in the decorative arts world and will appeal to both collectors and museums and those who use e-bay and watch "Antiques Road Show."

The authors present the first volume to focus exclusively on Tiffany's renowned ecclesiastical windows and the ideas and stories behind them.

Laurelton Hall, Louis Comfort Tiffany's (American, 1848-1933) extraordinary country estate in Oyster Bay, New York, completed in 1905, was the epitome of Tiffany's achievement and in many ways defined this multifaceted artist. Tiffany designed every aspect of the project inside and out, creating a total aesthetic environment. This publication accompanies an exhibition that reveals Tiffany's most personal art, bringing into focus this remarkable artist who lavished as much care and creativity on the design and furnishing of his home and gardens as he did on all the wide-ranging media in which he worked. Although the house tragically burned to the ground in 1957, many of its surviving architectural elements and interior characteristics are included in this volume. Also featured are Tiffany's personal collections of his own work-breathtaking stained-glass windows, paintings, glass and ceramic vases-as well as the artist's collections of Japanese, Chinese, and Native American works of art. -- Metropolitan Museum of Art website.

This is the first book devoted to Tiffany lamps in more than 20 years. Experts in the field have made a selection of exceptional lamps-many of which have rarely been seen or published-and each one has been newly photographed with the latest photographic techniques to reveal in extraordinary detail the artistic quality and high craftsmanship of these masterpieces of decorative art. Martin Eidelberg and Alice Cooney Frelinghuysen have contributed essays on the history of the lamps, enlarging our understanding of Louis Comfort Tiffany's achievement. They have also drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, to evoke the lost gardens and interiors of Tiffany's country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to the finished form, as well as the chief decorative themes in Tiffany's glass masterpieces and their relation to the work of other fin de sihcle glassmakers. In this book, light, color, and the inspiration of nature co-mingle to produce a deliciously sensuous experience.

Three classic books on Louis C. Tiffanys brilliant Art Nouveau works are combined here in one volume. Louis C. Tiffany Rebel in Glass*, Louis C. Tiffanys Glass- Bronzes-Lamps*, and Louis C. Tiffanys Art Glass* by Robert Koch are presented with original text and photographs and additional pieces for this edition. Windows, lamps, vases, and more are included. Every art student, museum professional, historian, antique dealer, and art collector will be dazzled by the variety and exquisite craftsmanship displayed here.

"With auction prices of Tiffany lamps soaring, collectors are turning to Tiffany's highly desirable art glass, or Favrile glass. These luminescent vessels seize--and continue to hold--the imagination. Author Paul Doros explores the full range of remarkably diverse and innovative styles and forms that Tiffany Studios produced. Former Curator of Glass at the Chrysler Museum of Art, Doros spent twenty-five years studying and researching the subject. His definitive account is accompanied by David Schlegel's masterly photography, which captures the exquisite delicacy of the "Flowerform" vases, the dramatically dripping golden flow of the "Lava" vases, the dazzling iridescence of the "Cypriote" vases, and much more. A must for all lovers of Tiffany, art glass, and the decorative arts"--

A stunning stained glass window becomes a lens through which to view the career of Louis Comfort Tiffany and intersecting arcs of art and design in America. The story of the Parakeets stained glass window - from national and international recognition to years of obscurity, followed by a return to the limelight - parallels the public reception of the art of its maker, Louis Comfort Tiffany, who had one of the most recognized names in American art at the turn of the twentieth century. It is a story of artistic ambition and experimentation, of nationalist pride and promotion, and of the capricious nature of public opinion and the art market. A careful study of the fabrication, imagery, and life of the window offers an intimate look into the legacy of Tiffany, as well as the nineteenth-century revival of the lesser-known medium of stained glass, which some argue was the United States' first major contribution to the international art world.

From award-winning kids’ nonfiction author Susan Goldman Rubin, and radiantly illustrated by Susanna Chapman, the picture book Dragonflies of Glass celebrates the innovation, determination, and ambition of the brilliant woman artist behind the world-famous Tiffany glass In the mid-nineteenth century, most women who weren’t raising families became teachers or nurses. But Clara Driscoll longed to be an artist, drawing inspiration from nature: from every flower, weed, dragonfly, and even cobweb, on her family’s farm. In 1888, Clara was hired at the renowned Tiffany Glass Company, where Mr. Louis Comfort Tiffany was known for creating gorgeous stained-glass windows for churches, theaters, and libraries. Impressed by her talent at choosing and cutting glass, Mr. Tiffany eventually put Clara in charge of her own staff of 35 women designers. These “Tiffany Girls” sketched intricate patterns, chose dazzling colors and precise shapes, and carefully soldered and placed each piece of glass to create stunning lamps, murals, windows, vases, and clocks. Yet their names weren’t always credited on the finished pieces, and when Clara designed the “Wisteria” lamp that would become Tiffany Studios’ most famous, everyone assumed that Mr. Tiffany had designed it. Today, Clara Driscoll‘s work lives on in museums, galleries, and private collections around the world. Dragonflies of Glass celebrates the innovation, determination, and ambition of the unsung women behind many of Tiffany Studios’ masterpieces. Includes a list of places where Driscoll’s Tiffany art can be found; examples of Driscoll’s Tiffany lamps and archival photographs; endnotes; and a bibliography.