"A new Bislama dictionary is a substantially updated version of the first edition, which reflects the ever-changing vocabulary of Bislama, the national language of Vanuatu."--Back cover.

Bislama is the national language of Vanuatu, the world's most linguistically diverse nation with at least 80 actively spoken Oceanic languages used by about 200,000 people. Bislama began as a plantation pidgin based on English in the nineteenth century, but it has since developed into a unique language with a grammar and vocabulary very different from English. It is one of very few national languages for which there is no readily available reference grammar. This book aims to fill this gap by providing an extensive account of the grammar of Bislama as it is used by ordinary Ni-Vanuatu. It does not, therefore, aim to describe any kind of artificial written norm but sets out to capture a range of different kinds of ways that Ni-Vanuatu will say things in various contexts, both written and spoken, formal and informal. The thrust of this volume is to show that Bislama has a grammar—an unfamiliar concept for those educated in Vanuatu. It also shows that Bislama is a language of considerable complexity, which will come as a surprise to many of its users, who have been taught to view their language as somehow "simple" and even "deficient."

Bislama is the national language of Vanuatu, the world's most linguistically diverse nation with at least 80 actively spoken Oceanic languages used by about 200,000 people. Bislama began as a plantation pidgin based on English in the nineteenth century, but it has since developed into a unique language with a grammar and vocabulary very different from English. It is one of very few national languages for which there is no readily available reference grammar. This book aims to fill this gap by providing an extensive account of the grammar of Bislama as it is used by ordinary Ni-Vanuatu. It does not, therefore, aim to describe any kind of artificial written norm but sets out to capture a range of different kinds of ways that Ni-Vanuatu will say things in various contexts, both written and spoken, formal and informal. The thrust of this volume is to show that Bislama has a grammar—an unfamiliar concept for those educated in Vanuatu. It also shows that Bislama is a language of considerable complexity, which will come as a surprise to many of its users, who have been taught to view their language as somehow "simple" and even "deficient."

This is a trilingual dictionary of Vurës, with meanings provided in both English and Bislama, the national language of Vanuatu. Vurës is an Oceanic language spoken on the island of Vanua Lava in Vanuatu. The dictionary is a companion volume to A Grammar of Vurës, Vanuatu (Malau 2016). There is no established tradition of writing in Vurës and most speakers are not literate in their own language. This dictionary is intended to have a dual purpose: to support the learning of literacy skills in the Vurës community, and as a reference work for linguists. There are four parts to the dictionary. The main part is the most comprehensive and provides the English and Bislama definitions of Vurës words, as well as example sentences for many of the entries, additional encyclopaedic information, scientific names for identified species, lexical relations, and etymological information for some entries. The dictionary contains approximately 3,500 headwords and has a strong emphasis on flora and fauna with close to a third of the entries belonging to these semantic domains. The dictionary has benefited from collaboration with a marine biologist and botanists, who have provided scientific identifications for named species. The main dictionary is followed by English–Vurës and Bislama–Vurës finderlists. The final part of the dictionary is a thesaurus, in which Vurës words are grouped according to semantic categories. The thesaurus has been included primarily so that it can be used to support teaching of literacy skills and cultural knowledge within the community.

This book is a comprehensive, practical guide to field linguistics. It deals in particular with the problems arising from the documentation of endangered languages. Terry Crowley shows how to prepare for that task, and how to record, analyse, and describe languages in the filed. Mixing formal instruction and anecdote, the author shares his rich experience with the new generation of linguistic fieldworkers.

This book presents topics in the grammar of South Efate, an Oceanic language of Central Vanuatu as spoken in Erakor village on the outskirts of PortVila. It is one of the first such grammars to take seriously the provision of primary data for the verification of claims made in the analysis. The research is set in the context of increasing attention being paid to the state of the world’s smaller languages and their prospects for being spoken into the future. In addition to providing an outline of the grammar of the language, the author describes the process of developing an archivable textual corpus that is used to make example sentences citable and playable, using software (Audiamus) developed in the course of the research. An included DVD provides a dictionary and finderlist, a set of interlinearized example texts and elicited sentences, and playable media versions of most example sentences and of the example texts.

What do people think of translation in the different historical, cultural and linguistic traditions of the world? How many uses has translation been put to? How distant from one another are the concepts of translation found in the different traditions? These are some of the questions A World Atlas of Translation addresses. Its twenty-one reports give us pictures taken from the inside, both from traditions that are well represented in the literature and from the many that (for now) are not. But the Atlas is not content with documenting – no map is this innocent. In fact, the wealth of information collected and made accessible by its reporters can be useful to gauge the dispersion of translation concepts across traditions. As you read its reports, the Atlas will keep asking “How far apart do these concepts look to you?” Finally and more ambitiously, the reports can help us test the hypothesis that a cross-cultural notion of translation exists. In this respect, the Atlas is mostly a proof of concept. It hopes to encourage further fact-based research in quest of a robust and compelling unifying notion of translation.

Double flute, shoulder flute, and large standing slit drums with carved decorations are only a few of the unique musical instruments used in the islands of Vanuatu. In many ways, the people of this South Pacific archipelago live according to their traditional cultures and conduct their rituals and ceremonies as their great-grandfathers had. This book deals comprehensively with traditional musical instruments and their role and function in ceremonies on Vanuatu. Music, dance, and musical instruments are not only means to highlight certain moments in ceremonies, but help to set up an entire network of secrets. The field notes, personal opinions, and ideas that are documented in this book are the result of an intensive study of over 20 years on music in south Melanesia. This is the first reference book on the music of Vanuatu that constitutes an invaluable source for musicologists and anthropologists alike, and it will surprise general readers with its interesting and lively accounts. (Series: SoundCultureStudies / KlangKulturStudien - Vol. 7)

"This collection of articles and interviews explores policy, practice and attitudes relating to the use of Pacific languages in education systems of most Pacific Island countries and territories, from pre-school to tertiary level. It records history ; it deals with current attitudes and prejudices ; and it focuses attention on perceived problems with the medium of education in many parts of the region."--Back cover