A product of the contagious optimism of the early 1900s, the Gamble House is a modern Mecca for students of architecture and design. Its genius lies in the harmonious integration of details, from the circular driveway lying below the lawn like the bed of a stream, to the custom carpets matched to patterns on rare ceramics. Including lustrous photographs taken using only available light, and biographical sketches of the owners and architects, this book will inspire designers everywhere.

For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast.

Full color photographs with text explore the spirituality of Native American art and the people who created it.

Use this book to attract wildlife, conserve water, celebrate nature and reduce maintenance by growing native plants.

As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.

This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.

Water shortages and water rationing are commonplace throughout California, rendering expanses of lawn and thirsty, nonnative plants unsustainable. The California Native Landscape addresses both concerns by showing homeowners how to succeed with natives and showing them how lush, colorful, and thriving their landscape can be. The authors stress the importance of smart garden design and combining the right plants to promote the natural symbiosis that occurs within plant communities. Native plants also play an important role in creating fire-resistant landscapes, and this new book has cutting-edge information on this crucial topic, refuting the myth that natives are more fire-prone than nonnatives. With its unique combination of proven techniques, environmental wisdom, and inspiring design advice, this is an essential resource for all California gardeners who want to create a beautiful, ecologically appropriate, and resource-conserving home landscape.

"Beauty and the Beast: California Wildflowers and Climate Change" is a 12 x 12'' beautifully illustrated and designed 264 page coffee table book created by conservation photographers Rob Badger and Nita Winter.Illustrations: 190 stunning images of California's diverse wildflowers and their habitats, from high mountain passes in the Sierra Nevada mountains to below sea level in Death Valley National Park.Essays: Sixteen talented and diverse authors and scientists, most of whom are women, wrote 18 storytelling style essays (1,200 to 1,800 words) about nature, conservation, climate change or taking action. The two younger authors write about hope and action, and what people can do to help create positive change. The book has three sections: The Gift of Beauty, The Human Connection and Ensuring the Future.Because people are constantly hearing about all the negative things going on in the world, Nita and Rob believed there was a need for a different, softer approach to grab people's attention and center it on the climate-change story, and conservation and population issues. They engage their audiences by first inviting them to experience the splendor of the natural world through a universal symbol of beauty, the wildflower, and then educate and inspire them to take some of the simple actions they provide to create positive change and a healthier planet. Their goal is to spread conservation and climate change ideas far beyond native plant and nature lovers, and to plant the seeds to foster action."Beauty and the Beast" is a 27 year photographic journey into the public lands of California. Lands we all own, lands under constant threat of development or resource extraction, impacts of global warming, sea level rise and wildfires. This book is as much a treasure as the flowers and creatures which are featured within its pages. Nita and Rob extend a hand to you to come in and take a long, slow look around and see what they have seen, experienced and have learned. Book includes two comprehensive indexes and a glossary.Co-published by WinterBadger Press and the California Native Plant Society

Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.