Sex wasn't supposed to be part of the deal... Three years into a marriage of convenience, Molly's high-powered CEO husband wants to add a new term to their marriage agreement. Sex--without any messy emotional entanglements. But weekly sex with Luke, despite their carefully negotiated terms, is likely to get messy eventually. Content in a mutually beneficial arrangement, Molly isn't going to fall for Luke the way she fell for an old lover, only to be crushed in the end. She vows to stay strong, no matter how much intimacy develops between them in bed. When her old lover returns, finally wanting a real relationship, Molly has the chance to give her heart to a man who will accept it. It's too bad she now wants to give it to her husband, who has never admitted her heart is what he wants.

Sex wasn’t supposed to be part of the deal. Three years into a marriage of convenience, Molly’s high-powered CEO husband wants to add a new term to their marriage agreement. Sex—without any messy emotional entanglements. But weekly sex with Luke, despite their carefully negotiated terms, is likely to get messy eventually. Content in a mutually beneficial arrangement, Molly isn’t going to fall for Luke the way she fell for an old lover, only to be crushed in the end. She vows to stay strong, no matter how much intimacy develops between them in bed. When her old lover returns, finally wanting a real relationship, Molly has the chance to give her heart to a man who will accept it. It’s too bad she now wants to give it to her husband, who has never admitted her heart is what he wants.

Three years into a five-year marriage of convenience, Jenn finds herself wanting something she never thought she'd want from her laidback, ex-military husband. Sex--as a much needed release of tension from her high-stress job. But weekly sex with Nick, despite their careful parameters, is likely to get messy eventually. Ever since her father walked out on her as a child, Jenn knows never to assume the people she loves will stick around, so she's not about to trust Nick with her heart. She vows to stay strong, no matter how much intimacy develops between them in bed. But what starts as a tension-reliever soon becomes so much more, until it threatens both their practical arrangement and the heart Jenn has worked so hard to keep safe.

Summer agrees to a marriage-of-convenience with her best friend, Carter Wilson, in order to save the family business. But things don't go the way they're supposed to, and she ends up stuck with his obnoxious older brother instead. Now she's married to Lincoln, a man she doesn't even like. Everything about the marriage is wrong--except the way he makes her feel.

Just when the clamor over "traditional" marriage couldn’t get any louder, along comes this groundbreaking book to ask, "What tradition?" In Marriage, a History, historian and marriage expert Stephanie Coontz takes readers from the marital intrigues of ancient Babylon to the torments of Victorian lovers to demonstrate how recent the idea of marrying for love is—and how absurd it would have seemed to most of our ancestors. It was when marriage moved into the emotional sphere in the nineteenth century, she argues, that it suffered as an institution just as it began to thrive as a personal relationship. This enlightening and hugely entertaining book brings intelligence, perspective, and wit to today’s marital debate.

An innovative cultural history of the evolution of modern marriage practices in Bengal, Marriage and Modernity challenges the assumption that arranged marriage is an antiquated practice. Rochona Majumdar demonstrates that in the late colonial period Bengali marriage practices underwent changes that led to a valorization of the larger, intergenerational family as a revered, “ancient” social institution, with arranged marriage as the apotheosis of an “Indian” tradition. She meticulously documents the ways that these newly embraced “traditions”—the extended family and arranged marriage—entered into competition and conversation with other emerging forms of kinship such as the modern unit of the couple, with both models participating promiscuously in the new “marketplace” for marriages, where matrimonial advertisements in the print media and the payment of dowry played central roles. Majumdar argues that together the kinship structures newly asserted as distinctively Indian and the emergence of the marriage market constituted what was and still is modern about marriages in India. Majumdar examines three broad developments related to the modernity of arranged marriage: the growth of a marriage market, concomitant debates about consumption and vulgarity in the conduct of weddings, and the legal regulation of family property and marriages. Drawing on matrimonial advertisements, wedding invitations, poems, photographs, legal debates, and a vast periodical literature, she shows that the modernization of families does not necessarily imply a transition from extended kinship to nuclear family structures, or from matrimonial agreements negotiated between families to marriage contracts between individuals. Colonial Bengal tells a very different story.

English translations of the author's most important articles.

A sexy, fun memoir of a woman in search of love--and...

Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?