Julie Sumner is no quitter. When her husband is killed, she runs their plague-threatened farm alone. All around battle the same danger and wonder at her refusal to grieve, but Julie's obsessive allegiance to the land and her animals is the only thing that keeps her going. Even when everyone else surrenders, she fights on in a barricade of barbed wire. And when it is men, not bugs, that smash her defences, Julie still isn't beaten. She uncovers the identity of the man who wiped her out, and she knows where to find him. Now her goal is murder, the perfect murder.a necessary killing. "A gripping portrait of a modern tragedy" Kate Long, The Times: '2006 new star of fiction'

'Full of convincing characters both historical and imagined ... a worthy successor to A State of Treason.' Peter Tonkin 1579. William Constable - physician and unwilling spy - is in Plymouth waiting to sail to the New World. The expedition, led by renowned explorers and traders, John Hawkins and Sir Humphrey Gilbert, has already suffered birth pangs. William's friend, Captain Charles Wicken, is accused of killing the son of a wealthy merchant, but the testimonies appear suspect. When William learns that Wicken is one of Walsingham's agents he uncovers evidence to suggest the murder and Wicken's naming are designed to conceal a plot of invasion - backed by Rome and Spain. The sailing of the expedition's fleet is delayed while this threat is examined. William is despatched to St Malo, the lawless haunt of corsairs, to investigate. His betrothed, Helen Morton, together with the fleet, wait for his return. Malign forces conspire to prevent William from carrying vital intelligence back to Plymouth. William must evade enemy agents and unravel a tangle of duplicity if he is to survive - and prevent the invasion. The second book in the bestselling William Constable spy thriller series, A Necessary Killing is perfect for fans of CJ Sansom, Rory Clements and SJ Parris. Praise for Paul Walker: 'A gripping and evocative page-turner that vibrantly brings Elizabeth's London to life.' Steven Veerapen, author of A Dangerous Trade Author Paul Walker lives London.

Describes how sixteen-year-old Alec Kreider murdered his best friend, Kevin Haines, and Kevin's parents, Tom and Lisa, for no apparent reason, and showed no remorse for the brutal crime.

After Appomattox, wounded Rebel cavalry officer and physician Benjamin -Doc- Kelley abandons the family plantation in Georgia and flees west, determined to outrun the horrifying nightmares of the Civil War and to heal the heartbreak of a Southern belle's suspicion that he has become a coward and the resulting dissolution of their engagement. Invigorated by a passionate commitment to saving lives with his medical knowledge, galvanized in his desire to leave killing and death behind, Ben stows a promise made to his dying father into several freight wagons and embarks on a bold quest for renewal and peace. Optimism for a prosperous future is soon overwhelmed by the perils of survival as he and his team are confronted with new deadly battles to wage and personal struggles to face on the unforgiving prairies of the Great Plains that will severely test his resolute pledge to never again kill another human. No longer is the fight about flag or country. Now it's strictly about life - his own and those of loved ones. Can he remain steadfast in his conviction? Or, will his instinct to live and to protect prevail? He has mere seconds to decide.

Get the Summary of Patricia Evangelista's Some People Need Killing in 20 minutes. Please note: This is a summary & not the original book. "Some People Need Killing" by Patricia Evangelista is a poignant exploration of the human cost of President Rodrigo Duterte's war on drugs in the Philippines. The book follows the story of Lady Love, an eleven-year-old girl from Manila's slums, whose parents are killed by masked gunmen enforcing Duterte's anti-drug campaign. Evangelista, a Filipino journalist, documents the violence and devastation wrought by the campaign, from political assassinations to the deaths of innocent children...

Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life.

On April 19, 1995, Timothy McVeigh detonated a two-ton truck bomb that felled the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 people. On June 11, 2001, an unprecedented 242 witnesses watched him die by lethal injection. In the aftermath of the bombings, American public commentary almost immediately turned to “closure” rhetoric. Reporters and audiences alike speculated about whether victim’s family members and survivors could get closure from memorial services, funerals, legislation, monuments, trials, and executions. But what does “closure” really mean for those who survive—or lose loved ones in—traumatic acts? In the wake of such terrifying events, is closure a realistic or appropriate expectation? In Killing McVeigh, Jody Lyneé Madeira uses the Oklahoma City bombing as a case study to explore how family members and other survivors come to terms with mass murder. The book demonstrates the importance of understanding what closure really is before naively asserting it can or has been reached.

A brilliant young man, Anthony Martino learned the ways of violence and Italian criminals early in life. Always deeply loving with friends and family and brutal with enemies, Martino hates his enemies with a white hot passion. In his part of the world, justice can be found only with a gun, knife, or a bomb. When Martino is asked to give a presentation about organized crime to a college class in the anthracite region of Pennsylvania, he is happy to accept. A former professor, Tony enjoys provoking thoughts and emotions in students. The same day he receives the professors request, he receives an e-mail message from a member of New York City's most powerful crime family requesting to see him. He also accepts this invitation. When Ernie Valadi, Martinos nemesis from high school, taunts him and accuses him of being a con man, Martino challenges him to a fight. Will this fight be any different from their past entanglements? To what extent will Martino extract his revenge? A deeply religious man, will Martino be forgiven for his sins? Is he correct in his assumption that Some Men Need Killing?

When several employees get ill from tainted potato salad and one actually dies, the university issues condolences and goes on with business as usual. But another death cannot be ignored, and university retiree James Crawford is thrust into the role of private eye. Murder, he finds, begets murder. Can he expose the killer before someone else is killed?

TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR “Patricia Evangelista’s searing account is not only the definitive chronicle of a reign of terror in the Philippines, but a warning to the rest of the world about the true dangers of despotism—its nightmarish consequences and its terrible human cost.”—Patrick Radden Keefe, New York Times bestselling author of Empire of Pain “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated “A journalistic masterpiece”—David Remnick, The New Yorker For six years, journalist Patricia Evangelista documented killings carried out by police and vigilantes in the name of then president Rodrigo Duterte’s war on drugs—a crusade that led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from the words of a vigilante, which demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist. WINNER OF THE NEW YORK PUBLIC LIBRARY’S HELEN BERNSTEIN BOOK AWARD • FINALIST FOR THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE AND THE MOORE PRIZE FOR HUMAN RIGHTS WRITING • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue