A groundbreaking history of what drove the Germans to fight -- and keep fighting -- for a lost cause in World War II In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of firsthand testimony -- personal diaries, court records, and military correspondence -- to explore how the German people experienced the Second World War. When war broke out in September 1939, it was deeply unpopular in Germany. Yet without the active participation and commitment of the German people, it could not have continued for almost six years. What, then, was the war the Germans thought they were fighting? How did the changing course of the conflict -- the victories of the Blitzkrieg, the first defeats in the east, the bombing of German cities -- alter their views and expectations? And when did Germans first realize they were fighting a genocidal war? Told from the perspective of those who lived through it -- soldiers, schoolteachers, and housewives; Nazis, Christians, and Jews -- this masterful historical narrative sheds fresh and disturbing light on the beliefs and fears of a people who embarked on and fought to the end a brutal war of conquest and genocide.

A Nation at War brings together a collection of sixty-two essays covering all aspects of the Canadian experience in the Second World War. It is a readable and authoritative introduction to both the historical narrative and the interpretive debates by the best selling author of Fields of Fire and Cinderella Army. Published by the Laurier Centre for Military, Strategic and Disarmament Studies and distributed by Wilfrid Laurier University Press.

This monograph presents an in-depth analysis of Belgium's monetary and financial history during the Second World War. Exploring Belgium's financial and business links with Germany, France, The Netherlands, Great Britain, the United States, and the Grand Duchy of Luxembourg, the study focuses on the roles played by the Central Bank and private bankers in Brussels, by the Belgian government in exile in London, and by the Belgian minister plenipotentiary in New York. Among the subjects arising are: German attempts to plunder Belgium and Belgian resistance strategies; the peripeteia of the Belgian gold reserve; the role of the Belgian Congo; Belgium's participation in the discussions leading up to the Bretton Woods conference; and the negotiations for creating a Customs Union, blueprint for the 1958 Treaty of Rome. The final part of the book analyzes the famous monetary reform devised by Belgian Minister of Finance Camille Gutt at the liberation of the country in September 1944.

WINNER OF THE 2016 PEN HESSELL-TILTMAN PRIZE The Second World War was a German war like no other. The Nazi regime, having started the conflict, turned it into the most horrific war in European history, resorting to genocidal methods well before building the first gas chambers. Over its course, the Third Reich expended and exhausted all its moral and physical reserves, leading to total defeat in 1945. Yet 70 years on - despite whole libraries of books about the war's origins, course and atrocities - we still do not know what Germans thought they were fighting for and how they experienced and sustained the war until the bitter end. When war broke out in September 1939, it was deeply unpopular in Germany. Yet without the active participation and commitment of the German people, it could not have continued for almost six years. What, then, was the war Germans thought they were fighting? How did the changing course of the conflict - the victories of the Blitzkrieg, the first defeats in the east, the bombing of Germany's cities - change their views and expectations? And when did Germans first realise that they were fighting a genocidal war? Drawing on a wealth of first-hand testimony, The German War is the first foray for many decades into how the German people experienced the Second World War. Told from the perspective of those who lived through it - soldiers, schoolteachers and housewives; Nazis, Christians and Jews - its masterful historical narrative sheds fresh and disturbing light on the beliefs, hopes and fears of a people who embarked on, continued and fought to the end a brutal war of conquest and genocide.

From one of our finest military historians, a monumental work that shows us at once the truly global reach of World War II and its deeply personal consequences. World War II involved tens of millions of soldiers and cost sixty million lives—an average of twenty-seven thousand a day. For thirty-five years, Max Hastings has researched and written about different aspects of the war. Now, for the first time, he gives us a magnificent, single-volume history of the entire war. Through his strikingly detailed stories of everyday people—of soldiers, sailors and airmen; British housewives and Indian peasants; SS killers and the citizens of Leningrad, some of whom resorted to cannibalism during the two-year siege; Japanese suicide pilots and American carrier crews—Hastings provides a singularly intimate portrait of the world at war. He simultaneously traces the major developments—Hitler’s refusal to retreat from the Soviet Union until it was too late; Stalin’s ruthlessness in using his greater population to wear down the German army; Churchill’s leadership in the dark days of 1940 and 1941; Roosevelt’s steady hand before and after the United States entered the war—and puts them in real human context. Hastings also illuminates some of the darker and less explored regions under the war’s penumbra, including the conflict between the Soviet Union and Finland, during which the Finns fiercely and surprisingly resisted Stalin’s invading Red Army; and the Bengal famine in 1943 and 1944, when at least one million people died in what turned out to be, in Nehru’s words, “the final epitaph of British rule” in India. Remarkably informed and wide-ranging, Inferno is both elegantly written and cogently argued. Above all, it is a new and essential understanding of one of the greatest and bloodiest events of the twentieth century.

Having guided the nation through the worst economic crisis in its history, Franklin Delano Roosevelt by 1939 was turning his attention to a world on the brink of war. The second part of Roger Daniels's biography focuses on FDR's growing mastery in foreign affairs. Relying on FDR's own words to the American people and eyewitness accounts of the man and his accomplishments, Daniels reveals a chief executive orchestrating an immense wartime effort. Roosevelt had effective command of military and diplomatic information and unprecedented power over strategic military and diplomatic affairs. He simultaneously created an arsenal of democracy that armed the Allies while inventing the United Nations intended to ensure a lasting postwar peace. FDR achieved these aims while expanding general prosperity, limiting inflation, and continuing liberal reform despite an increasingly conservative and often hostile Congress. Although fate robbed him of the chance to see the victory he had never doubted, events in 1944 assured him that the victory he had done so much to bring about would not be long delayed. A compelling reconsideration of Roosevelt the president and campaigner, The War Years, 1939-1945 provides new views and vivid insights about a towering figure--and six years that changed the world.

In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history. As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations, and the political movements toward diplomacy as the world tried to reckon with what they had created. Despite its sheer historical scope, Werth tells the story of a country at war in startlingly human terms, drawing from his daily interviews and conversations with generals, soldiers, peasants, and other working class civilians. The result is a unique and expansive work with immeasurable breadth and depth, built on lucid and engaging prose, that captures every aspect of a terrible moment in human history. Now newly updated with a foreword by Soviet historian Nicolas Werth, the son of Alexander Werth, this new edition of Russia at War continues to be indispensable World War II journalism and the definitive historical authority on the Soviet-German war.

Few contemporaries captured Britain’s indomitable wartime spirit as well or as wittily as the cartoonist Carl Giles. Now, for the first time, the very best of the cartoons he produced between 1939 and 1945 are brought together, including many that have not seen the light of day in over 75 years. As a young cartoonist at Reynold’s News and then the Daily Express, Giles's work provided a crucial morale boost – and much-needed laughs – to a population suffering daily privations and danger, and Giles's War shows why. Here are his often hilarious takes on the great events of the war – from the Fall of France, via D-Day, to the final Allied victory – but also his wryly amusing depictions of ordinary people in extraordinary times, living in bombed-out streets, dealing with food shortages, coping with blackouts, railing against bureaucracy and everyday annoyances. It's a brilliantly funny chronicle of our nation’s finest hour, as well as a fitting tribute to one of our greatest cartoonists.

Which People's War? examines how national belonging, or British national identity, was envisaged in the public culture of the World War II home front. Using materials from newspapers, magazines, films, novels, diaries, letters, and all sorts of public documents, it explores such questions as: who was included as 'British' and what did it mean to be British? How did the British describe themselves as a singular people, and what were the consequences of those depictions? It also examines the several meanings of citizenship elaborated in various discussions concerning the British nation at war. This investigation of the powerful constructions of national identity and understandings of citizenship circulating in Britain during the Second World War exposes their multiple and contradictory consequences at the time. It reveals the fragility of any singular conception of 'Britishness' even during a war that involved the total mobilization of the country's citizenry and cost 400,000 British civilian lives.

During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.