In China, flower arrangement is a venerable art with records dating back to the early Zhou Dynasty, the Spring and Autumn Period, and the Warring States Period, roughly between 11th century BC and 3rd century BC. This volume brings together two celebrated Ming Dynasty texts, On Vase Flower Arrangement by Zhang Qiande (1577-1643) and History of Vases by Yuan Hongdao (1568-1610). The latter of which was translated into Japanese and deeply impacted that country's tradition of flower arrangement. Uniting the two famous books, horticulture scholar Li Xia provides contemporary readers with a theoretical framework for evaluating flowers, selecting vases, and appreciating the time-honed techniques of Chinese flower arrangement. A Modern Reader on the Chinese Classics of Flower Arrangement includes images of several hundred Chinese paintings, documenting the rise of flower arrangement in China. By the Song Dynasty, flower arrangement was widely regarded it as one of the four arts of literati leisure, along with tea brewing, incense burning, and scroll-painting. Li Xia also highlights aspects of Chinese culture hidden behind flower arrangement, offering insights into its historic, aesthetic, and philosophical underpinnings as well as a model textbook for flower arrangers at all stages of practice.

Filled with lush seasonal arrangements, Flowers for the Table is the perfect guide to creating a gorgeous centerpiece for any celebration or gathering. What makes floral designer Ariella Chezars work so distinctive is her utterly contemporary approach. In the 24 stunning arrangements included, she demonstrates how to fashion centerpieces out of flowers, branches, fruits, fabrics, and unusual flea market treasures. A brunch tabletop is crowned with delicate white bouquets of clematis, ranunculus, lilies, and anemones. An abundance of roses, amaryllis, and berries festooned with ribbons sets the stage for an intimate dinner party. And the hot pinks, reds, and yellows of winter poppies in silk-swathed vases warm the room for a winter cocktail party. From sleek modern arrangements to more traditional bouquets, theres something for every sensibility. Full-color photographs, an introduction to each season and the flowers and greenery available, a glossary for each section, and countless tips make this the ultimate guide to creating magnificent table arrangements.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The Hasegawa Reader is an open access companion to the bilingual catalogue copublished with The Noguchi Museum to accompany an international touring exhibition, Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. The exhibition features the work of two artists who were friends and contemporaries: Isamu Noguchi and Saburo Hasegawa. This volume is intended to give scholars and general readers access to a wealth of archival material and writings by and about Saburo Hasegawa. While Noguchi’s reputation as a preeminent American sculptor of the twentieth century only grows stronger, Saburo Hasegawa is less well known, despite being considered the most literate artist in Japan during his lifetime (1906–1957). Hasegawa is credited with introducing abstraction in Japan in the mid 1930s, and he worked as an artist in diverse media including oil and ink painting, photography, and printmaking. He was also a theorist and widely published essayist, curator, teacher, and multilingual conversationalist. This valuable trove of Hasegawa material includes the entire manuscript for a 1957 Hasegawa memorial volume, with its beautiful essays by philosopher Alan Watts, Oakland Museum Director Paul Mills, and Japan Times art writer Elise Grilli, as well as various unpublished writings by Hasegawa. The ebook edition will also include a dozen essays by Hasegawa from the postwar period, and one prewar essay, professionally translated for this publication to give a sense of Hasegawa’s voice. This resource will be an invaluable tool for scholars and students interested in midcentury East Asian and American art and tracing the emergence of contemporary issues of hybridity, transnationalism, and notions of a “global Asia."

Often considered an exotic garment of “traditional Japan,” the kimono is in fact a vibrant part of Japanese modernity, playing an integral role in literature and film throughout the twentieth century. Reading the Kimono in Twentieth-Century Japanese Literature and Film is the first extended study to offer new ways of interpreting textual and visual narratives through “kimono language”—what these garments communicate within their literary, historical, and cultural contexts. Kimonos on the page and screen do much more than create verisimilitude or function as one-dimensional symbols. They go beyond simply indicating the wearer’s age, gender, class, and taste; as eloquent, heterogeneous objects, they speak of wartime and postwar histories and shed light on everything from gender politics to censorship. By reclaiming “kimono language”—once a powerful shared vernacular—Michiko Suzuki accesses inner lives of characters, hidden plot points, intertextual meanings, resistant messages, and social commentary. Reading the Kimono examines modern Japanese literary works and their cinematic adaptations, including Tanizaki Jun’ichirō’s canonical novel, The Makioka Sisters, and its film versions, one screened under the US Occupation and another directed by Ichikawa Kon in 1983. It also investigates Kōda Aya’s Kimono and Flowing, as well as Naruse Mikio’s 1956 film adaptation of the latter. Reading the Kimono additionally advances the study of women writers by discussing texts by Tsuboi Sakae and Miyao Tomiko, authors often overlooked in scholarship despite their award-winning, bestselling stature. Through her analysis of stories and their afterlives, Suzuki offers a fresh view of the kimono as complex “material” to be read. She asks broader questions about the act of interpretation, what it means to explore both texts and textiles as inherently dynamic objects, shaped by context and considered differently over time. Reading the Kimono is at once an engaging history of the modern kimono and its representation, and a significant study of twentieth-century Japanese literature and film.

Traditional Chinese Medicine (TCM) contains an extensive knowledge that the Chinese nation has accumulated through practical experimentation and theoretical research in treating diseases and promoting health over a period of thousands of years. Throughout the history, many TCM theorists, experts, and pharmacists have contributed valuable works. The most representative of them was Li Shizhen with his Ben Cao Gang Mu (Compendium of Materia Medica), which was praised by Charles Darwin as an 'encyclopaedia' of ancient China and was selected into Memory of the World Register by UNESCO in 2011.This book is divided into two parts: the introduction and the selected reading of the original work of Ben Cao Gang Mu. In the introductory part, the life story, academic characteristics and main contributions of Li Shizhen are illustrated, and suggested learning methods of the book are recommended. In the selected reading part, five aspects are mainly discussed: original preface and memorial to the throne, essence of Li Shizhen's medical theories, treatment of various diseases, Li Shizhen's medical records and medical notes, and health preservation. Apart from the selected reading from Ben Cao Gang Mu, theoretical exposition and modern application are supplemented in each chapter so as to improve readers' theoretical knowledge and ability of practical problem-solving.

"The Japanese government may someday recognize--as it ought to--Tuttle's contribution to creating an intelligent interest in Japan among the English-reading public, and deepening understanding of Japanese overseas--STRONG>Hokubei Mainichi (San Francisco) Awarded the 1969 Prize for the Society of the Promotion of International Cultural Relations, this is the most comprehensive Japanese book of its kind. Containing Japanese-English and English-Japanese sections, it is an essential reference tool for serious students studying the Japanese language or for business people and tourists wishing to learn Japanese before they travel. Special features include: Lists over 5,000 carefully selected characters with their 10,000+ current readings and almost 70,000 compounds in current use, al with concise English definitions. Scientifically arranged by a logical extension of the traditional radical system so as to make the finding of a given character almost fool-proof, saving hours of time. Makes provision for quickly finding characters either in their traditional or their modern and often greatly altered forms, thus serving for both prewar and postwar literature. Includes 14 valuable appendices giving (1) instructions for the most efficient use of the book, (2) discussions of the written language in general and particularly of its recent and far-reaching official modifications, and (3) much helpful

When Ping admits that he is the only child in China unable to grow a flower from the seeds distributed by the Emperor, he is rewarded for his honesty.

This Chinese papercraft book introduces readers to 24 unique paper flower patterns, with techniques for their folding and decoration, and tips for composition, color matching, floral vessels and display.The 24 patterns are designed to match the "24 solar terms" on the Chinese lunisolar calendar, with six flowers for each of the four seasons. They are ideal for gracing your living room, bedroom, study or hallway, as ornaments on mirrors and bookcases, or as wall hangings and window display, or being made into bracelet, garland and hairpin accessories. Some can look surprisingly realistic, while others are ingeniously designed, all being great for birthday parties, family gatherings, New Year parties and weddings. Notably, each design has incorporated elements of the Chinese art of flower arrangement, with elegant simplicity and Eastern charm.The Chinese origami book comes with patterns for folds for each design. Readers can either copy these patterns by hand on their preferred paper or simply photocopy them to cut and fold paper flowers by themselves.

This modern classic invites the reader to discover a unique tradition that has come to symbolize wisdom, beauty, and the elegant simplicity of Asian culture. The author celebrates the Way of Tea from its ancient origins in Chinese Taoism to its culmination in the Zen discipline known as the Japanese tea ceremony--an enchanting practice bringing together such arts as architecture, pottery, and flower arranging to create an experience that delights the senses, calms the mind, and refreshes the spirit. Combining the rich aesthetic of Asian culture through the history, philosophy, and practice of tea, The Book of Tea has been enjoyed by hundreds of thousands of readers since it was first published in 1906.