This new work of fiction by one of Australia’s most highly regarded authors focuses on the importance of trust, and the possibility of betrayal, in storytelling as in life. It tests the relationship established between author and reader, and on occasions of intimacy, between child and parent, boyfriend and girlfriend, husband and wife. Murnane’s fiction is woven from images, and the feelings associated with them, and the images that flit through A Million Windows like butterflies – the reflections of the setting sun like spots of golden oil, the houses of two or perhaps three storeys, the procession of dark-haired females, the clearing in the forest, the colours indigo and silver-grey, the death of a young woman who had leaped into a well – build to an emotional crescendo that is all the more powerful for the intricacy of their patterning.

“The house of fiction,” wrote Henry James, “has . . . not one window, but a million.” In this, his latest work, Gerald Murnane, one of Australia’s most acclaimed contemporary authors, takes these words as his starting point, and asks: Who, exactly, are that house’s residents, and what do they see from their respective rooms? His answer, A Million Windows, is a gorgeous (if unsettling) investigation into the glories and pitfalls of storytelling. Focusing on the importance of trust and the inevitability of betrayal in writing as in life, its nested stories explore the fraught relationships between author and reader, child and parent, boyfriend and girlfriend, husband and wife. Murnane’s fiction is woven from images-the reflections of the setting sun on distant windowpanes, seemingly limitless grasslands, a procession of dark-haired women, a clearing in a forest, the colors indigo and silver-grey, and the mysterious death of a young woman-which build to an emotional crescendo that is all the more powerful for the intricacy of its patterning.

Indiana University Bloomington houses exceptional materials from nearly every continent. Windows on Worlds: International Collections at Indiana University takes readers on a visual journey through IU's collections like never before. Ranging in works as diverse as painting, sculpture, costume, rare manuscripts, musical instruments, and much more—the museums, institutes, collections, and other holdings on IU's flagship campus provide unique engagement opportunities for students, researchers, and members of the public. Windows on Worlds showcases the unique and unexpected items from collections across the Bloomington campus, such as the Boulle clock in the Federal Room of the Indiana Memorial Union; the Burmese headdresses in the Mathers Museum of World Culture (now the IU Museum of Archaeology and Anthropology); the fish-shaped coffin in the Sidney and Lois Eskenazi Museum of Art; the rare manuscripts and puzzles of the world-famous Lilly Library; and, finally, new additions on campus like the IU Metz Carillon. Brimming with beautiful photographs, this book offers readers insight into an extraordinary number of cultures and societies through IU's collections.

Escape into the wild from the comfort of your own home this winter, with a dazzling lost classic of nature writing... Eepersip is a girl with the wild in her heart. She does not want to live locked up behind the walls of a house. So she runs away - first to the Meadow, then to the Sea, and finally to the Mountain. Her heartbroken parents follow their daughter, trying to bring her home safe, but Eepersip has other ideas... Republished by Penguin with a new introduction and hand-inked illustrations by beloved artist Jackie Morris, The House Without Windows is a timeless fable about wildness, freedom and the redemptive power of the natural world. 'I can safely promise joy to any reader of The House Without Windows. Perfection' Eleanor Farjeon, winner of the Carnegie Medal and The Hans Christian Andersen Award 'Gloriously illuminated by Jackie Morris's moving art, this is a work of strange power for our own bewildered times' Nick Drake 'A classic, as miraculous and awe-inspiring as the author' Xinran, author of The Good Women of China

"Breaking Windows" is a gripping account of Bill Gates's plan to establish a monopoly and create a new kind of business organism. Bank shows how the company's executives faced a tough legal challenge, and how they are dealing with the limits of Microsoft's growth.

This book gently helps beginners trying to learn to use Windows. Subtle, engaging chapter heads make the using easy. Lots of text boxes accompanied by icons, graphics, and cartoons users can relate to move them through the tough spots. The book offers beginners only the details they need and tips to help them through the learning process.

This “inside account captures the energy—and the madness—of the software giant’s race to develop a critical new program. . . . Gripping” (Fortune Magazine). Showstopper is the dramatic, inside story of the creation of Windows NT, told by Wall Street Journal reporter G. Pascal Zachary. Driven by the legendary David Cutler, a picked band of software engineers sacrifices almost everything in their lives to build a new, stable, operating system aimed at giving Microsoft a platform for growth through the next decade of development in the computing business. Comparable in many ways to the Pulitzer Prize–winning book The Soul of a New Machine by Tracy Kidder, Showstopper gets deep inside the process of software development, the lives and motivations of coders and the pressure to succeed coupled with the drive for originality and perfection that can pull a diverse team together to create a program consisting of many hundreds of thousands of lines of code.

Brooke Martin and Nick Marcello, falsely implicated ten years ago in a scandal that cost Nick his teaching job, meet again for the first time since then to redesign the stained-glass windows in a historic church--and the rumors start all over again, this time also including Brooke's kid sister, Roxy.

Fifty of the world’s greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors’ homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli’s work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli’s body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review’s editor Lorin Stein. As we delve into what each writer’s view may or may not share with the others’, as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.

This new work by Gerald Murnane is a fictionalised autobiography told in thirty sections, each of which begins with the memory of a book that has left an image on the writer?s mind. The titles aren?t given but the reader follows the clues, recalling in the process a parade of authors, the great, the popular, and the now-forgotten. The images themselves, with their scenes of marital discord, violence and madness, or their illuminated landscapes that point to the consolations of a world beyond fiction, give new intensity to Murnane?s habitual concern with the anxieties and aspirations of the wri.