"Musical theatre is --and always has been-- an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. A Million Miles from Broadway --Musical Theatre Beyond New York and London looks at the history (and future) of work that exists outside of the two traditional centres. Met Atkey has lectured internationally on musical theatre. He is also a composer and lyricist himself. When his musical A Little Princess (written with the late Robert Sickinger) opened, the New York Times praised its "lovely music". His earlier book Broadway North: the Dream of a Canadian Musical Theatre has become the basis for courses taught in Canadian Universities, including Sheridan College, where the international hit musical Come from Away was born. Austrailian TV producer and musical writer Peter Pinne called it "well documented", full of facts, and a compelling read for any musical theatre buff." "--

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.

DIVNoted music historian Joseph Lanza seriously appraises an American musical tradition /div

This special enhanced eBook includes twelve Gershwin classics performed by Michael Feinstein and commentary from the author on the music and the lives of George and Ira Gershwin. From celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins—told through stories of twelve of their greatest songs. The “Ambassador of the Great American Songbook” Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin’s mentorship and Gershwin was reinvigorated by the younger man’s zeal for his and his brother George’s legacy. Now, in The Gershwins and Me, the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he’s collected through the years. From “Strike Up the Band” to “Love Is Here to Stay,” each of the twelve chapters highlights one of the Gershwins’ classic songs, exploring the brothers’ lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture—and no other writer could include such a soulful collection of music as Feinstein’s original recordings of the twelve songs. A timeless classic and the definitive account of the Gershwins and their legacy, The Gershwins and Me will having you humming with every turn of the page.

Monthly magazine devoted to topics of general scientific interest.

This book is the first volume ever to organize Broadway musicals into groups by major musical awards. One will find the answers to such intriguing questions as what critic called The King and I a "near miss"? Did television stars Bea Arthur (The Golden Girls) and John Goodman (Roseanne) really sing in musicals? What race horse was named for a musical?; and what musical was based on a painting, featured a singing plant, was first an Oscar-winning film? This guide will help you to develop the most complete collection of recordings of unforgettable musicals such as A Chorus Line, Phantom of the Opera, Damn Yankees, Fiddler on the Roof, Annie, West Side Story, Cabaret, Guys and Dolls, Evita, Kiss Me, Kate, The King and I, My Fair Lady, and many more. This book serves as a basic reference work on the musical theater, its history, and its most honored productions.