A Marriage Out West is an intimate biographical account of two fascinating figures of twentieth-century archaeology. Frances Theresa Peet Russell, an educator, married Harvard anthropologist Frank Russell in June 1900. They left immediately on a busman’s honeymoon to the Southwest. Their goal was twofold: to travel to an arid environment to quiet Frank’s tuberculosis and to find archaeological sites to support his research. During their brief marriage, the Russells surveyed almost all of Arizona Territory, traveling by horse over rugged terrain and camping in the back of a Conestoga wagon in harsh environmental conditions. Nancy J. Parezo and Don D. Fowler detail the grit and determination of the Russells’ unique collaboration over the course of three field seasons. Delivering the first biographical account of Frank Russell’s life, this book brings detail to his life and work from childhood until his death in 1903. Parezo and Fowler analyze the important contributions Theresa and Frank made to the bourgeoning field of archaeology and Akimel O’odham (Pima) ethnography. They also offer never-before-published information on Theresa’s life after Frank’s death and her subsequent career as a professor of English literature and philosophy at Stanford University. In 1906 Theresa Russell published In Pursuit of a Graveyard: Being the Trail of an Archaeological Wedding Journey, a twelve-part serial in Out West magazine. Theresa’s articles constituted an experiential narrative based on field journals and remembrances of life in the northern Southwest. The work offers both a biography and a seasonal field narrative that emphasized personal experiences rather than traditional scientific field notes. Included in A Marriage Out West, Theresa’s writing provides an invaluable participant’s perspective of early 1900s American archaeology and ethnography and life out West.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of her love affair with Violet Keppel Trefusis in 1920 is one of intrigue and bewilderment. In Portrait of a Marriage, Nigel Nicolson combines his mother's vivid memoir of escapade with what he learned from copious family letters and explains the context of this romantic crisis. He also describes how Vita Sackville-West and Harold Nicolson went on to live the rest of their lives in harmonious marriage.

Mattie Spenser and her new husband Luke start off to the west. As they live their life Mattie keeps a journal of the joys and frustrations of frontier life and marriage.

In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.

A Today Show Summer Reads Pick A Washington Post Book of the Year "We think we know the ones we love." So Pearlie Cook begins her indirect, and devastating exploration of the mystery at the heart of every relationship--how we can ever truly know another person. It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband's fragile health, but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. Lyrical, and surprising, The Story of a Marriage is, in the words of Khaled Housseini, "a book about love, and it is a marvel to watch Greer probe the mysteries of love to such devastating effect."

A broken-hearted divorcee. A pregnant survivor. Can they turn an unwanted marriage… into love? Wyoming, 1866. Brandon Herman wants to drink away his heartache. Divorced, disgraced, and out of work, the last thing he wants to do is marry again. When he’s strong-armed into marrying a Crow Indian woman, he only thinks of running away… until he learns his bride-to-be is nine months pregnant… Lokni doesn’t trust her pale-skinned husband. After all, his kind raided her tribe, killed her loved ones, and stole her freedom. If it weren’t for the contractions, she would've already left her intoxicated groom. But until the baby is born, Lokni must bide her time and plan her escape… As the unlikely couple embarks across the untamed West, Brandon’s support helps their friendship to blossom. They start to realize that it’s more than the baby that draws them together. But on the trail to a brighter future, not everybody they meet is interested in their happily ever after… Forced into Marriage is a historical western romance set in a more realistic Wild West. If you like spirited characters, journeys of exploration, and the healing power of family, then you’ll love Ruth Ann Nordin’s stirring tale.

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.

This is the story of Sydney's much maligned western suburbs: how the city spread across the plains to the Blue Mountains, and why the 'westie' stigma haunts the people of the region. Resourceful and innovative, the people of the western suburbs have created a culture of their own, defying the 'westie' stigma. Out West uncovers the intricate social and cultural networks that make western Sydney a dynamic and stimulating place to live. Out West looks at how the land of the Darug people of the Cumberland Plain was first settled by whites in colonial times. It then traces the development of the 'westie' stigma from the time of inner-city slum clearances to post-war immigration and the more recent waves of moral panic about the youth of the region. It focuses in particular upon the way in which the media have contributed to the maintenance of the 'westie' image.