Stories included: “The Woman from Cougar Creek”“The Price of Pride”“The Devil and Old Man Gillis”“Shooting for a Fall”“It’s Hell to Be a Hero”“The Tongue-Tied Cowboy”“From Hell to Leadville”“The Deputy with a Past”“Judge Peterson’s Colt Law”“The Breaking of Sam McKay”“Fugitive from the Boothill Brigade”“The Man Ten Feet Tall”

Cameron Hardiman lived a life most young boys could only dream of. Every morning he put on a navy blue police flight suit, grabbed his flight helmet, and prepared to work on the police helicopter. He could be called to anything during a shift, to search for a missing child, to pull an injured driver from a wrecked car, or a dangerous sea rescue. He saw his fair share of trauma and dealt with it like most coppers would: he quickly put each dangerous job out of his mind as soon as it was over. But one particular rescue in Bass Strait brought about a reckoning - and Cameron was never the same again. This is the brilliantly told, white-knuckle story of one cop learning every lesson the hard way - and coming to find out that being not quite bulletproof doesn't mean that you're not a good cop.

Presents the personal story of country music superstar Travis Tritt, describing his status as the youngest inductee into the Grand Ole Opry and the inspiration behind such hits as "I'm Gonna Be Somebody." Reprint.

A landmark study by the leading critic of African American film and television Primetime Blues is the first comprehensive history of African Americans on network television. Donald Bogle examines the stereotypes, which too often continue to march across the screen today, but also shows the ways in which television has been invigorated by extraordinary black performers, whose presence on the screen has been of great significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and an edgy, ultra-hip program like Mod Squad. He examines the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated into the ethnic humor of Sanford and Son and Good Times and the poltically conservative eighties marked by the unexpected success of The Cosby Show and the emergence of deracialized characters on such dramatic series as L.A. Law. Finally, he turns a critical eye to the television landscape of the nineties, with shows such as The Fresh Prince of Bel Air, I'll Fly Away, ER, and The Steve Harvey Show. Note: The ebook edition does not include photos.