"A Malleable Map is a striking example of what a historically deep, learned, and meticulous examination of maps and geographical place-making can teach us. Wigen's compelling analysis and stunning graphics set a new standard for understanding the production of spatial identity." --

This guide provides an overview of the thematic areas, analytical aspects, and avenues of research which, together, form a broader conversation around doing spatial history. Spatial history is not a field with clearly delineated boundaries. For the most part, it lacks a distinct, unambiguous scholarly identity. It can only be thought of in relation to other, typically more established fields. Indeed, one of the most valuable utilities of spatial history is its capacity to facilitate conversations across those fields. Consequently, it must be discussed in relation to a variety of historiographical contexts. Each of these have their own intellectual genealogies, institutional settings, and conceptual path dependencies. With this in mind, this guide surveys the following areas: territoriality, infrastructure, and borders; nature, environment, and landscape; city and home; social space and political protest; spaces of knowledge; spatial imaginaries; cartographic representations; and historical GIS research.

More than just colorful clickbait or pragmatic city grids, maps are often deeply emotional tales: of political projects gone wrong, budding relationships that failed, and countries that vanished. In Map Men, Steven Seegel takes us through some of these historical dramas with a detailed look at the maps that made and unmade the world of East Central Europe through a long continuum of world war and revolution. As a collective biography of five prominent geographers between 1870 and 1950—Albrecht Penck, Eugeniusz Romer, Stepan Rudnyts’kyi, Isaiah Bowman, and Count Pál Teleki—Map Men reexamines the deep emotions, textures of friendship, and multigenerational sagas behind these influential maps. Taking us deep into cartographical archives, Seegel re-creates the public and private worlds of these five mapmakers, who interacted with and influenced one another even as they played key roles in defining and redefining borders, territories, nations—and, ultimately, the interconnection of the world through two world wars. Throughout, he examines the transnational nature of these processes and addresses weighty questions about the causes and consequences of the world wars, the rise of Nazism and Stalinism, and the reasons East Central Europe became the fault line of these world-changing developments. At a time when East Central Europe has surged back into geopolitical consciousness, Map Men offers a timely and important look at the historical origins of how the region was defined—and the key people who helped define it.

Over the last century a growing number of visual artists have been captivated by the entwinements of beauty and power, truth and artifice, and the fantasy and functionality they perceive in geographical mapmaking. This field of “map art” has moved into increasing prominence in recent years yet critical writing on the topic has been largely confined to general overviews of the field. In Mapping Beyond Measure Simon Ferdinand analyzes diverse map-based works of painting, collage, film, walking performance, and digital drawing made in Britain, Japan, the Netherlands, Ukraine, the United States, and the former Soviet Union, arguing that together they challenge the dominant modern view of the world as a measurable and malleable geometrical space. This challenge has strong political ramifications, for it is on the basis of modernity’s geometrical worldview that states have legislated over social space; that capital has coordinated global markets and exploited distant environments; and that powerful cartographic institutions have claimed exclusive authority in mapmaking. Mapping Beyond Measure breaks fresh ground in undertaking a series of close readings of significant map artworks in sustained dialogue with spatial theorists, including Peter Sloterdijk, Zygmunt Bauman, and Michel de Certeau. In so doing Ferdinand reveals how map art calls into question some of the central myths and narratives of rupture through which modern space has traditionally been imagined and establishes map art’s distinct value amid broader contemporary shifts toward digital mapping.

This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.

Bankrupt Britain is a unique atlas giving a comprehensive picture of the effect of the recession on Britain. In detailed colour maps, it shows how economic, social and environmental fortunes have been affected in different areas in the wake of the 2007 banking crisis, 2008 economic crash and 2009 credit crunch. It is essential reading for a broad audience with detailed local level data and a national snap-shot of Britain during this time.

An aging Andrew Woodman stumbles through a snowstorm, slowly losing his strength, his language, and his memories of the once-familiar island landscape around him. When Jerome, a young artist on a remote island retreat, discovers Andrew’s body frozen in the ice later that winter, the rich narrative tapestry of 'A Map of Glass' begins. One year after Andrew’s body is found, Sylvia Bradley — a withdrawn, sheltered woman whose secret affair with Andrew opened her eyes to the world outside her small home town — decides to learn more about her lover’s mysterious disappearance. She flees to the overwhelming, unknown city of Toronto on a quest to find Jerome. Once she does, they work together to uncover both the secrets of their own pasts and the breathtaking story of Andrew’s ancestors. With her celebrated lyrical prose and haunting imagery, Urquhart’s 'A Map of Glass' is a skillful exploration of love, loss, and the transitory nature of place.

An interdisciplinary collection exploring the practices and cultures of mapping in the arts, humanities and social sciences. It features contributions from scholars in critical cartography, social anthropology, film and cultural studies, literary studies, art and visual culture, marketing, museum studies, architecture, and popular music studies.

They say that one of the hardest parts of parenting is that there’s no manual. Well, now there is (at least for dads!). Dadskills delivers simple, hard-hitting tips and advice in a witty, fun, and easily digestible format. This handy, amusing book is perfect for the busy guy who has his eye on the “Father of the Year” award. Organized by the child’s stage and age range, each chapter covers essential insights and techniques to keeping kids happy, safe, healthy…and stopping them from torturing their parents. Following the style of its tongue-in-cheek predecessor, Manskills, Dadskills wraps valid, incredibly useful information inside humorous writing. Chapters cover all stages of the journey: Baby Wrangling: Learn how to prep a go bag so you're always ready, take a crash course in how to swaddle a baby, and find all you need to know about properly carrying your newborn. Dealing with Toddlers: Equip yourself to fight night terrors, learn how to manage tantrums, and make your way through the winding path from crawling to walking. The Single-Digit Challenge: Prime your kid to be a super student with a custom geography relief map, find tips for building self confidence, and embrace fun by learning how to make the perfect sandcastle. Managing Tweens: Get everyone on the same page by creating a calendar everyone will actually use and learn how to get a tween cooking with easy and fun recipes. Taming Teenagers: Everything you should know before having "the talk," how to build skills through chores or a first job, and how to teach a teen to drive in four easy steps. Prepping for the Empty Nest: Tips for staying connected (but not too connected), cherishing memories with a tasteful craft project, and quick and easy ways to redesign a former kid's room. Can this book prepare you for all the challenges of fatherhood? Probably not! But every bit helps and you're sure to learn a lesson or twelve that comes in handy.

This open access book discusses the relationship between periodicals, tourism, and nation-building in Mexico. It enquires into how magazines, a staple form of the promotional apparatus of tourism since its inception, articulated an imaginative geography of Mexico at a time when that industry became a critical means of economic recovery and political stability after the Revolution. Notwithstanding their vogue, popularity, reach, and close affiliations to commerce and state over several decades, magazines have not received any sustained critical attention in the scholarship on that period. This book aims to redress that oversight. It argues that illustrated magazines like Mexican Folkways (1925–1937) and Mexico This Month (1955–1971) offer rich and compelling materials in that regard, not only as unique tools for interrogating the ramifications of tourism on the country’s reconstruction, but as autonomous objects of study that form a vital if complex part of Mexico’s visual culture.