This book is divided into three parts: Brittany, Paris, and the South of France. A separate section is devoted to some delicious recipes because how can you talk or write about France without fully appreciating its food? The book is partly auto biographical, based on my years growing up in Paris and those wonderful summers at our Brittany home. They are collections of experiences and stories as an adult looking back on those years in France. There are also stories based in part on my research, knowledge, and richness of one particular region or another, as well as the overlay of family history and anecdotes that I recalled hearing from my parents as a child. It is undeniably a wonderful and sentimental journey in France. If you ae a “foodie” at heart, you’ll love some of my stories. Join me in a wonderful six-part “foodie” trip along France’s Atlantic Coast, where we start with a visit to the Opal Coast and the well-known resort of Le Touquet, where my father spent his youthful summers in the late 1920s. Then join me for a most unforgettable dinner in Dinard, a popular holiday destination on my beautiful and deeply familiar Côte d' Émeraude in Brittany. Finally, we will end up in the quite unique and picturesque seaport town of Saint-Jean-de-Luz, nestled in the Basque country. The six-part trip is filled with delicious and memorable local dishes. The food alone will have you packing your bags and leaving for France. Trust me! Part one includes several stories about Brittany, many of which will surely appeal to “foodies.” Brittany has played a major part in my life, both as a child when we bought the house, I was seven years old. Rough floors, a malfunctioning fireplace, dampness abounded, a small gas-powered stove, no refrigerator and an outhouse. We would go to bed with multiple blankets and a hot water bottle to ward off the incredibly damp sheets. Those days at the house in the country provided me with rich content for many of my stories. Importantly, in my stories, I have tried to convey what our Brittany was like as we lived in the French countryside that had not significantly changed since the 1940’s. Part two, I recount my childhood having grown up in Paris, the leafy suburb of Neuilly-sur-Seine a stone’s throw from the city limits and the 16e arrondissement where we attended school. We lived in a newly built, spacious apartment. We had all the room to make trouble. Paris in the late 1950’s and early 1960s had the Algerian conflict as a backdrop and the OAS planted bombs in theaters and cafes. The trials and tribulations of a young American, particularly my challenges in surviving the French school system. I never got really “got it” despite their best efforts to drive it home, whatever the cost or the pain. I was more than glad to leave school and I retained, for many years, a deep sense of discomfort well into my adult life. Many years later, I happened to have a most incredible dinner at the Café Bergamote, a cozy little resto’ nestled on the Left Bank at 8, rue Montfaucon in the 6th arrondissement. Join me for dinner, please. In part three, I take a slow, leisurely journey towards the coast eventually reaching the Mediterranean. I recount a most memorable dinner in a little restaurant tucked away in the 12th Century fortified village of Rivesaltes in the Languedoc Roussillon region, truly spectacular and wonderfully enjoyable is all I can say and all with a charming host and hostess. Moving generally southward, join me at a table “Chez M'man” a tasty Bouchon Lyonnais, if ever there was one, and located very near the charming Place Bellecour on the rue des Maronniers. Typical foods on the menu include andouille (grilled chitterlings sausage), tripe (pig or cow’s stomach), or boudin noir (blood sausage). Other more recognizable dishes include chicken liver salad, Cerverlas (raw pork sausages), and Quenelles (flour, egg, and cream dumplings.) May I suggest one or two wonderful Beaujolais for your dining pleasure?

In this propulsive memoir from Achut Deng and Keely Hutton, inspired by a harrowing New York Times article, Don't Look Back tells a powerful story showing both the ugliness and the beauty of humanity, and the power of not giving up. I want life. After a deadly attack in South Sudan left six-year-old Achut Deng without a family, she lived in refugee camps for ten years, until a refugee relocation program gave her the opportunity to move to the United States. When asked why she should be given a chance to leave the camp, Achut simply told the interviewer: I want life. But the chance at starting a new life in a new country came with a different set of challenges. Some of them equally deadly. Taught by the strong women in her life not to look back, Achut kept moving forward, overcoming one obstacle after another, facing each day with hope and faith in her future. Yet, just as Achut began to think of the US as her home, a tie to her old life resurfaced, and for the first time, she had no choice but to remember her past.

For nearly fifty years, Vivian Gornick's essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, Taking a Long Look illuminates one of the driving themes behind Gornick's work: that the painful process of understanding one's self is what binds us to the larger world. In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Tom's Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, All That Is Given brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the women's liberation movement of the 1970s. Alternately crackling with urgency or lucid with insight, the essays in Taking a Long Look demonstrate one of America's most beloved critics at her best.

Samantha is a stranger in her own life. Until the night she disappeared with her best friend, Cassie, everyone said Sam had it all???popularity, wealth, and a dream boyfriend. Sam has resurfaced, but she has no recollection of who she was or what happened to her that night. As she tries to piece together her life from before, she realizes it's one she no longer wants any part of. The old Sam took "mean girl" to a whole new level, and it's clear she and Cassie were more like best enemies. Sam is pretty sure that losing her memories is like winning the lottery. She's getting a second chance at being a better daughter, sister, and friend, and she's falling hard for Carson Ortiz, a boy who has always looked out for her???even if the old Sam treated him like trash. But Cassie is still missing, and the facts about what happened to her that night isn't just buried deep inside of Sam's memory???someone else knows, someone who wants to make sure Sam stays quiet. All Sam wants is the truth, and if she can unlock her clouded memories of that fateful night, she can finally move on. But what if not remembering is the only thing keeping Sam alive?

Told that she must not have children Julia stubbornly ignores all advice and risks her life to have a son, Tommy. In the following years and decades both mother and son are forced by circumstances to draw upon their determination, courage, wit and self-preservation to survive. Tragedy and death, personal and emotional loss, the horrors he witnessed in the war make Tommy an adult by the age of 10 and shape Tommy's character. He risks his life in 1956 and escapes from Communism that has risen from the ashes of Fascism. Working hard in a new country he must deal with different obstacles. From Budapest in the 'twenties, to London in the 'nineties, this is a family saga of three generations, ravaged by two wars and adverse circumstances. Ultimately, the story proves that there is always hope, even against seemingly insurmountable obstacles, provided one has courage, resilience, and mental stamina.

Don't Look Back is the second novel in Los Angeles Times Book Prize–winning author Karin Fossum's Inspector Sejer mystery series. "Sejer belongs alongside the likes of Adam Dalgliesh and Inspector Morse—a gifted detective and troubled man."—Boston Globe At the foot of the imposing Kollen Mountain lies a small, idyllic village, where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town's tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town's seemingly perfect façade. "Psychologically astute, subtly horrifying."—New York Times Book Review "Build[s] to a heart-stopping conclusion."—Entertainment Weekly

Adam's eyes swelled in horror at the sight that confronted him. Henry was standing with his back against the front door, pale and rigid, his left hand pressed to his neck. Blood was seeping between his fingers, running down his wrist and dripping from his elbow onto the back of Jacob's head. Jacob was facedown on the tiled floor, arms outstretched to either side with blood pooling around his wrists. There was a faintly metallic butcher's shop smell in the air... After the tragic death of their eleven-year-old son, Adam and Ella are fighting to keep their family from falling apart. Then comes an opportunity that seems too good to be true. They win a competition to live for free in a breathtakingly beautiful mansion on the Cornish Lizard Peninsula. There's just one catch - the house is supposedly haunted. Mystery has always swirled around Fenton House. In 1920 the house's original owner, reclusive industrialist Walter Lewarne, hanged himself from its highest turret. In 1996, the then inhabitants, George Trehearne, his wife Sofia and their young daughter Heloise disappeared without a trace. Neither mystery was ever solved. Adam is not the type to believe in ghosts. As far as he's concerned, ghosts are simply memories. Everywhere he looks in their cramped London home he sees his dead son. Despite misgivings, the chance to start afresh is too tempting to pass up. Adam, Ella and their surviving son Henry move into Fenton House. At first, the change of scenery gives them all a new lease of life. But as the house starts to reveal its secrets, they come to suspect that they may not be alone after all... What readers are saying about Ben Cheetham's books 'I love love loved this book! Had me gripped right from the start and just had to keep reading it!' 'A dark and twisting narrative that will keep you turning the pages. Ben Cheetham's characters, though sometimes tainted or, indeed, pure evil, are completely believable.' 'The only trouble with this book is that sleep and work got in the way.' 'I loved this book and continue to think about the characters after I finished.' 'Brilliantly written and had me totally captivated. Didn't want to stop reading as I felt myself getting pulled into the drama and wanting to find out what happened next.' 'Wow! I loved this book. The suspense kept me on the edge of my chair!'

What was the French Revolution? Was it the triumph of Enlightenment humanist principles, or a violent reign of terror? Did it empower the common man, or just the bourgeoisie? And was it a turning point in world history, or a mere anomaly? E.J. Hobsbawm’s classic historiographic study—written at the very moment when a new set of revolutions swept through the Eastern Bloc and brought down the Iron Curtain—explores how the French Revolution was perceived over the following two centuries. He traces how the French Revolution became integral to nineteenth-century political discourse, when everyone from bourgeois liberals to radical socialists cited these historical events, even as they disagreed on what their meaning. And he considers why references to the French Revolution continued to inflame passions into the twentieth century, as a rhetorical touchstone for communist revolutionaries and as a boogeyman for social conservatives. Echoes of the Marseillaise is a stimulating examination of how the same events have been reimagined by different generations and factions to serve various political agendas. It will give readers a new appreciation for how the French Revolution not only made history, but also shaped our fundamental notions about history itself.

"Smart and relentless... Hurwitz starts the pressure early and never, never lets up." —The Plain Dealer (Cleveland) on You're Next In Don't Look Back, Eve Hardaway, newly single mother of one, is on a trip she's long dreamed of—a rafting and hiking tour through the jungles and mountains of Oaxaca, in southern Mexico. Eve wanders off the trail, to a house in the distance with a menacing man in the yard beyond it, throwing machetes at a human-shaped target. Disturbed by the sight, Eve moves quickly and quietly back to her group, taking care to avoid being seen. As she creeps along, she finds a broken digital camera, marked with the name Teresa Hamilton. Later that night, in a rarely used tourist cabin, she finds a discarded prescription bottle—also with the name Teresa Hamilton. From the camera's memory card, Eve discovers Teresa Hamilton took a photo of that same menacing looking man in the woods. Teresa Hamilton has since disappeared. Now the man in the woods is after whoever was snooping around his house. With a violent past and deadly mission, he will do anything to avoid being discovered. A major storm wipes out the roads and all communication with the outside world. Now the tour group is trapped in the jungle with a dangerous predator with a secret to protect. With her only resource her determination to live, Eve must fight a dangerous foe and survive against incredible odds—if she's to make it back home alive.