"'Portuguese Ulyssism' (Gilberto Freyre's concept referring to Luís Vaz de Camões's epic and the Portuguese maritime voyage in the Renaissance) is an axial cultural construct, which this work partially absorbs but also departs from, to assert mutating literary experiences referring to the Camonean version of the myth in the epic Os Lusíadas/The Lusiads. Vaz de Camões's epic describes Vasco da Gama's voyage to India and his encounters with numerous obstacles and hardships in the New World, thus relocating Homer's The Illiad and The Odyssey, and, in particular, Virgil's The Aeneid. In it, the myth of Ulysses combines with the subject of Portuguese colonial dispersal throughout the world in the Renaissance to form the focus of Camões's epic, whose characters are split into two archetypes: Ulysses - nationals with diasporic identities - and the Old Man of Restelo, who represents the arguments of the settled identities of the nation against the ambitions of a Portuguese global diaspora. This research revisits the Camonean dialogue with Homer and Virgil in the context of the Portuguese colonial dispersal in the Renaissance to suggest a postcolonial Ulysses in the Lusophone world"--

Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the origins of the movement.The texts are organised into historical periods ranging from the 1920s to the present, with introductions describing trends in the movement for each period; and each surrealist's work is prefaced by a brief biographical statement. Authors include El Allailly, Bruna, Cunard, Carrington, Cesaire, Gauthier, Giovanna, van Hirtum, Kahlo, Levy, Mansour, Mitrani, Pailthorpe, Joyce Peters, Rahon, Svankmajerova, Taub, Zangana>

'The standard book on anarchism for the twenty-first century. Written with brio, quiet insight and clarity' Carl Levy A magisterial study of the history and theory of one of the most controversial political movements Anarchism routinely gets a bad press. It's usually seen as meaning chaos and disorder -- or even nothing at all. And yet, from Occupy Wall Street to Pussy Riot, Noam Chomsky to David Graeber, this philosophical and political movement is as relevant as ever. Contrary to popular perception, different strands of anarchism -- from individualism to collectivism -- do follow certain structures and a shared sense of purpose: a belief in freedom and working towards collective good without the interference of the state. In this masterful, sympathetic account, political theorist Ruth Kinna traces the tumultuous history of anarchism, starting with thinkers and activists such as Peter Kropotkin and Emma Goldman and through key events like the Paris Commune and the Haymarket affair. Skilfully introducing us to the nuanced theories of anarchist groups from Russia to Japan to the United States, The Government of No One reveals what makes a supposedly chaotic movement particularly adaptable and effective over centuries -- and what we can learn from it.

This book is a celebration. It praises the many innovative aspects of Irina Sandomirskaja's contributions to a variety of fields in the humanities and Slavic studies, in particular through the numerous colleagues who mirror the impact of her work in their own research and thought. As such, this celebration is also an expression of academic gratitude and a gesture of friendship.

A critical look at younger poets and a revisit of the major poets, Luís de Camóes and Fernado Pessoa, through articles and reviews

This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .

The essays in this volume analyse the significance (and failures) of literary coteries as spaces of aesthetic and political freedom. They offer an evaluation of the ethos of sociability in the women's salons of the Enlightenment, as the basis of the utopia of community and reflect on the notion of individual authorship within a group.

From the internationally acclaimed, bestselling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the lives of a small group of unexpected characters and two teenagers whose lives are indelibly shaped by their unwitting involvement. In a narrative as beguiling and mysterious as memory itself—shadowed and luminous at once—we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey—through facts, recollection, and imagination—that he narrates in this masterwork from one of the great writers of our time.