Alice Turner Curtis (1860-1958) was an American writer of juvenile historical fiction. She was probably best remembered by young readers of her day for The Little Maid's Historical Series (which comprises twenty-four books, starting with A Little Maid of Province Town). She has written at least sixty published books. She went to public schools in Maine and Massachusetts, but was also tutored privately. She was a Republican in 1936, and a supporter of women's suffrage. She was also a member of D A R. (Tea Party Chapter, Boston), and the New England Women's Club, Boston. Curtis was a salaried contributor to Youth's Companion. Although her earliest-known book (Marjorie's Way) was published in 1904, she had been in the literary profession by 1895 according to her marriage record.

Alice Turner Curtis (1860-1958) was an American writer of juvenile historical fiction. She was probably best remembered by young readers of her day for The Little Maid's Historical Series (which comprises twenty-four books, starting with A Little Maid of Province Town). She has written at least sixty published books. She went to public schools in Maine and Massachusetts, but was also tutored privately. She was a Republican in 1936, and a supporter of women's suffrage. She was also a member of D A R. (Tea Party Chapter, Boston), and the New England Women's Club, Boston. Curtis was a salaried contributor to Youth's Companion. Although her earliest-known book (Marjorie's Way) was published in 1904, she had been in the literary profession by 1895 according to her marriage record.

A Little Maid of Old Maine Alice Turner Curtis

A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now. Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look. In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.

Alice Turner Curtis (1860-1958) was an American writer of juvenile historical fiction. She was probably best remembered by young readers of her day for The Little Maid's Historical Series (which comprises twenty-four books, starting with A Little Maid of Province Town). She has written at least sixty published books. She went to public schools in Maine and Massachusetts, but was also tutored privately. She was a Republican in 1936, and a supporter of women's suffrage. She was also a member of D. A. R. (Tea Party Chapter, Boston), and the New England Women's Club, Boston. Curtis was a salaried contributor to Youth's Companion. Although her earliest-known book (Marjorie's Way) was published in 1904, she had been in the literary profession by 1895 according to her marriage record.

Finding serenity is often a difficult task in a world filled with violence, fear, and turmoil. Through beautiful and evocative essays, Paul Fleischman shows readers how to cultivate harmony as an intrinsic part of life. At once dark and illuminating, "Cultivating Inner Peace" is filled with both yearning and fulfillment, highlighting the journey to achieving inner peace with beautiful metaphor and imagery.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Paul Fleischman, in his Newbery Honor winning book, spins three engrossing stories about the unexpected ways an artist's creations reveal truths - tales whose intriguing plots and many moods will entertain readers and inspire future writers. Can wood, copper, or marble communicate? They can if they are the graven images in Newbery Medalist Paul Fleischman’s trio of eerie, beguiling short stories. If you whisper a secret into a wooden statue’s ear, will anyone find out? Can a wobbly weathervane bearing the image of Saint Crispin, the patron saint of shoemakers, steer a love-struck apprentice toward the girl of his dreams? And if a ghost hires a sculptor to carve a likeness of him holding a drink to a baby’s lips, what ghastly crime might lie behind his request? And, in a brand-new afterword, the acclaimed storyteller reveals how he found his own author’s voice.

Eighty-eight-year old Elva and Courtney, an attractive sixteen-year-old with a severed spinal cord, lie in adjacent beds in a grim Bismarck, North Dakota convalescent home. Ignored by the world, the only resource they have left is their imagination. As Elva and Courtney go on a fantasy trip to Italy (accompanied by Elva's long dead husband and guided by a 1910 travel book), Elva shows Courtney a new way to envision love. But to accept it, and the gift of the imagination, Courtney must make the trip her own--even if she destroys the art Elva holds most dear. Written entirely in dialogue, The Mind's Eye can be performed as reader's theater, but it is a fully satisfying novel. In this extraordinarily innovative, profound, and yet readable book Paul Fleischman makes us all feel what a powerful--and dangerous--tool the imagination can be.