A Little Bit Scandalous by Robyn DeHart A woman in search of a gamble... Mathematics prodigy, Caroline Jellico, plans to support herself by winning big in the gaming hells of London - while dressed as a boy. She's tired of waiting for the elusive Roe to notice her. She'll marry him or no man. A gambler in need of redemption... Monroe Grisham, Duke of Chanceworth, needs to marry off his beautiful young ward and ensure she attaches herself to the right man, not an irresponsible cad like him. But all grown up now, Caroline's presence is an utter distraction. One he can neither act on nor deny. A game of seduction... But when Roe and Caroline meet across the gambling table, all bets are off. Seduction is in the cards and the winner will take all... or lose everything.

An adventurous beauty meets a charismatic beast in the USA Today–bestselling author’s scandalously sensuous Regency romance. Jude Bertrand is not an excellent dancer. Nor does he wear the most fashionable coats. But when Marissa York's brother approaches him, desperate to preserve Marissa's tenuous reputation, Jude does prove heroic enough to offer to marry the girl. In fact, the union should more than make up for his lack of social graces—and his own scandalous past. Marissa knows that betrothal to the son of a duke—even one as raw and masculine as Jude—will save her from ruin. But that doesn't mean she's happy about it. Soon, though, she finds that Jude has a surprisingly gentle touch. And he plans to use it to persuade Marissa that their wedding day cannot come soon enough.

The Art of Scandal advances a relatively simple claim with far-reaching consequences for modernist studies: writers and readers throughout the early twentieth century revived the long-despised codes and habits of the roman à clef as a key part of that larger assault on Victorian realism we now call modernism. In the process, this resurgent genre took on a life of its own, reconfiguring the intricate relationship between literature, celebrity, and the law. Latham uses the genre to reconfigure modernism's development as a cultural practice diffused across texts and the networks of reception and circulation in which they are embedded. Writers like James Joyce, Jean Rhys, Oscar Wilde, and D.H. Lawrence deliberately employed elements of the roman à clef, only to find that it possessed an uncanny and even dangerous agency of its own--one that resonated through a complex system of publicity and constraint. Bringing these effects fully into view requires a mixture of close reading and archival excavation that proceeds here in chapters on the anonymous case study, Oscar Wilde's trial, libel law, celebrity salons, and Parisian bohemia. The Art of Scandal thus both salvages the roman à clef and traces its weird itinerary through the early twentieth century. In the process, it elaborates an expansive concept of modernism that interweaves coterie culture with the mass media, psychology with celebrity, and literature with the law.

"Andersen's story is the Horatio Alger myth made real, but his life is about much more than money and politics. He believes in public service, in democracy, and in striving to meet the needs of all citizens, especially those in the worst circumstances. Andersen's strong faith and values resonate from the first page of this autobiography. His writing is honest, personable, straightforward, portraying both the personal rigor and thoughtfulness of his business and newspaper careers." -St. Paul Pioneer Press

Despite her public profile, she led a surprisingly secret life away from the press. This practical guide allows you to follow her footsteps and is packed with hundreds of photographs showing a London you never knew existed, with such highlights as the school she worked in as a kindergarten teacher, her favorite shops, the pub in which she enjoyed playing the slot machine, and the lake where she dramatically saved a man's life. Everything her fans want to know about her real life in the British capital is revealed for the first time here, with maps and comprehensive directions that readers can follow to take the same routes that she did.

The James Beard Award–winning founder of Milk Bar and host of Bake Squad shares her personal stories and wisdom for igniting passion, following your joy, and creating a satisfying life. Dessert connects us heart-to-heart like almost nothing else. It brings us together in good times and bad, celebration and solace. It marks big and small milestones and creates memories of comfort and joy. And Christina Tosi, the founder and CEO of Milk Bar, believes it can save the world. Does the combination of sugar, flour, and butter have some magical ability to fix all the craziness of our modern existence? Of course not. Tosi knows a cookie is just a cookie—but bringing the joy a cookie holds into every area of your life most definitely can. The spirit of dessert—the relentless, unflinching commitment to finding or creating joy even when joy feels hard to come by—is what can save us. And then we, in turn, can each save the world. Tosi shares the wisdom she learned growing up surrounded by strong women who showed her baking’s ability to harness love and create connection, as well as personal stories about succeeding in the highly competitive food world by unapologetically being her true self. Studded with personal and unorthodox recipes, Dessert Can Save the World reveals the secret ingredients for transforming our outlooks, our relationships, our work, and our entire collective existence into something boldly optimistic and stubbornly joyful.

Rufus is an observer of life, his own, quadruped and human. He loves his life and he knows his place in the world. From solving a murder to confronting a crab, from time with good friends to saving a life, Rufus is the kind of person you would like to spend some time with. If your dog biscuits suddenly go missing, Rufus will solve the mystery. If you need a new home but you don't realise it Rufus will quietly solve the problem. He will remember you when you are gone and he will share his wisdom with you while you are making your way in the world, but above all else, he will steal your heart.

Many Christians know that something mysterious and powerful happens on the cross—and that it has something to do with salvation. They know that God created out of nothing. They know that Jesus was both human and divine. But what do those various doctrines and concepts have to do with one another? This is what Napkin Theology is all about. It is an accessible, rich introduction to Christian theology, illustrated with simple, memorable drawings that describe the classic concepts of Christian belief. In reading Napkin Theology, you can peer into the depths of two thousand years of theology in the length of a CliffsNotes guide. This is not Theology for Dummies; this is not watered-down. We explain terms like creatio ex nihilo and “eschatology,” because they contain truths that all Christians, and not just seminarians, should know. Theology is for everyone—so let’s start drawing.

A NEW YORK TIMES BESTSELLER• OPRAH’S BOOK CLUB PICK • WINNER OF THE PULITZER PRIZE FOR FICTION • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER• A NEW YORK TIMES NOTABLE BOOK • MORE THAN 1 MILLION COPIES SOLD “Quietly powerful [and] moving.” O, The Oprah Magazine (recommended reading) Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part. In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War," then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle. Reverend Ames writes to his son about the tension between his father--an ardent pacifist--and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend's wayward son. This is also the tale of another remarkable vision--not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.

Allyson Beauchamp. A young lady with big dreams and an adventurous spirit. She spontaneously decides to join her sister in the Colorado Territory. A grand lark after the dullness of the war between the states. Following her dreams of adventure. Jared Montgomery. A man searching for a place to call home after the war ended. Jared found a new place for himself on the frontier. A place to call home. But he never expected to find a lady like Allyson out here on the frontier. But another man set his sights on Allyson with a dangerous determination. Can Allyson and Jared overcome the deadly obstacles threatening to keep them apart? A bold story of love and danger with an unexpected touch of magic on the western frontier.