Packed with fascinating facts, Literary Miscellany is sure to please both professor and pleasure reader alike. Wouldn’t it be great to be a fly on the wall as the great writers took pen to paper (or fingers to keyboard)? While reading this work, you’ll be just that. Here are behind-the-book stories and facts about authors, publishing and everything literary that will entertain both casual and serious readers. Among the questions asked and answered: • When Did Literature Finally Get Sexy? • Is Coffee or Opium Better for Literary Creativity? • Why Are the Best Autobiographies so Embarrassing? • Why Do Some Detectives Use Their Minds and Others Their Fists? Who knew that bestseller lists and children’s books could be the source of intense controversy? Or that even the biggest writers had to scrape by, with odd jobs and inventions like the Mark Twain Self-Pasting Scrapbook? In Literary Miscellany, examine the trend of “fake memoirs,” with a list of who lied about what, and a rogues’ gallery of hoaxers dating back centuries. From epic poetry and Homer to pulp fiction and Harry Potter, Literary Miscellany, now available for the first time in paperback, is a breezy tour through the literature of today and yesterday, packed with enough interesting facts to entertain both the erudite professor and pleasure reader.

"With sumptuous, visually stimulating spreads, this book delivers on its promise– to unearth strange stories, bizarre facts, or unexpected details about the books on our shelves. Good for curious readers, whether they want to delve into authors and books they love, feel competent faking knowledge about books everyone else seems to have read, or just dip into and out of literary worlds" – Library Journal Readers rejoice! From Mental Floss, an online destination for more than a billion curious minds since its founding in 2001, comes the ultimate book for lovers of literature. From Americanah to War and Peace, from Chinua Achebe and Jane Austen to Jesmyn Ward and George R.R. Martin, learn surprising facts about the world’s most famous novels and novelists. The Curious Reader will delight bookworms everywhere. This literary compendium from Mental Floss reveals fascinating facts about the world’s most famous authors and their literary works. Readers will learn about George Orwell’s near-death experience during the writing of 1984; meet the real man who may have inspired Pride and Prejudice’s Mr. Darcy; discover which famous author kept her husband’s heart after he passed away; and learn about the influence of psychedelics on Dune. The Curious Reader also contains the most-loved book-related articles from 20 years of Mental Floss, including “Cat-Loving Writers,” “Famous Authors’ Unfinished Manuscripts,” “Literary Characters Based on Real People,” and “Books You Didn’t Know Were Self-Published.” This literary miscellany is certain to inspire book lovers, aspiring writers, students, and teachers alike to discover a diverse selection of curated literary works—leading to an expansion of their library!

Behind-the-book stories and facts about authors, publishing, and everything..

In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.