An introduction and information regarding the publication of Voices From the Edge; as well as a history of the Metro East Writers' Workshop, founded in Alton, Illinois. Includes a photocopy of Volume 1, issue 1 of Voices from the Edge.

And the Rest Is History takes readers on a traveling circus from Paris to Beirut, Baghdad, and beyond, introducing them to spies and terrorists, arms dealers and crooks, and along the way reveals a few surprises about the secret underbelly of recent history you won’t find in WikiLeaks. This book pinpoints precisely when the era of “fake news” actually began in America, and will change the way you think about journalism and journalists. It includes: • riveting testimony of the author’s torture and born-again experience as a hostage in a Beirut cellar; • unusual insight into the beginnings of the Iran–Contra scandal; • eyewitness reporting from the battlefields of the Middle East; • the inside scoop on Saddam Hussein’s WMD programs; • astonishing stories of French government dirty tricks, the intelligence underworld, Israeli hostage negotiations, and the real-life escapades of a Soviet sleeper agent. And the Rest Is History is a reporter’s journey from Left-Bank leftist to born-again Christian conservative. But most of all it’s a rollicking good read full of unusual characters, places, and events you will never hear about on the evening news. “Ken Timmerman is a superb investigative reporter—and old school—which means he does his research. His behind-the-scenes adventures in Iraq, Syria, Egypt, Israel, and even France are a terrific read for those of us who share his passion for tracking down the facts, not molding the facts to a ‘narrative.’” —Peter Schweizer, president of the Government Accountability Institute and NY Times bestselling author of Clinton Cash and Profiles in Corruption “I have followed for some time your excellent reporting on the Mid-East. You consistently provide insights and facts nowhere else available to the public. Your professionalism and persistence make a great contribution to our understanding, to the public debate, and ultimately to our national security.” —R. James Woolsey, former director, Central Intelligence Agency “I have spent my life tracking the murderers of yesterday. Mr. Timmerman is tracking the murderers of tomorrow.” —Nazi hunter Simon Wiesenthal, introducing the author to an audience in Paris, France, in 2002

In this collection, contributors reflect on scholarly, artistic, activist, educational, and practical endeavor known as Appalachian Studies. Following an introduction to the field, the writers discuss how Appalachian Studies illustrates the ways interdisciplinary studies emerge, organize, and institutionalize themselves, and how they engage with intellectual, political, and economic forces both locally and around the world. Essayists argue for Appalachian Studies' integration with kindred fields like African American studies, women's studies, and Southern studies, and they urge those involved in the field to globalize the perspective of Appalachian Studies; to commit to continued applied, participatory action, and community-based research; to embrace more fully the field's capacity for bringing about social justice; to advocate for a more accurate understanding of Appalachia and its people; and to understand and overcome the obstacles interdisciplinary studies face in the social and institutional construction of knowledge. Contributors: Chris Baker, Chad Berry, Donald Edward Davis, Amanda Fickey, Chris Green, Erica Abrams Locklear, Phillip J. Obermiller, Douglas Reichert Powell, Michael Samers, Shaunna L. Scott, and Barbara Ellen Smith.

The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."

Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. “Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction