A biographical, bibliographical, generic, critical, and chronological survey of nineteenth-century Alabama authors. Presents a vivid picture of life in the South in 19th-century America.

A native son and accomplished historian does not flinch from pointing out Alabama's failures from the past 100 years; neither is he restrained in calling attention to the state's triumphs in this authoritative, popular history of the past 100 years.

Monroeville is the county sear of Monroe County, a count older than the state of Alabama itself. Located in what was the western Creek Nation, Monroeville became the center of county business in 1832, eighteen years after the surrender of the Creeks to Andrew Jackson. Monroeville soon became a powerful political base in the state. In the 20th century, it hosted visits from "Big Jim" Folsom as well as George Wallace, a powerful young orator who would change the face of American politics. Today, Monroeville is known as the childhood home of internationally known authors Harper Lee and Truman Capote. Lee's Pulitzer Prize-winning novel To Kill A Mockingbird was set in a small town that still Southern town based on Monroeville. Many of Capote's short stories and novels were drawn from his Monroeville experiences. Visitors from around the world come to the town that still remembers when Truman rented the town's only taxi for the weekend and drove around for days "visiting". Townsfolk like to talk about the time Gregory Peck came to town to meet the many of the people who were inspirations for the characters in To Kill a Mockingbird. As other writers from Monroeville emerge, such as Mark Childress and Cynthia Tucker, one wonders how many more stories the town holds, as well as what is so special about a small, rural southwestern Alabama town call Monroeville.

This case study in cultural mythmaking shows how antebellum Alabama created itself out of its own printed texts, from treatises on law and history to satire, poetry, and domestic novels. Early 19th-century Alabama was a society still in the making. Now Philip Beidler tells how the first books written and published in the state influenced the formation of Alabama's literary and political culture. As Beidler shows, virtually overnight early Alabama found itself in possession of the social, political, and economic conditions required to jump start a traditional literary culture in the old Anglo-European model: property-based class relationships, large concentrations of personal wealth, and professional and merchant classes of similar social, political, educational, and literary views. Beidler examines the work of well-known writers such as humorist Johnson J. Hooper and novelist Caroline Lee Hentz, and takes on other classic pieces like Albert J. Pickett's History of Alabama and Alexander Beaufort Meek's epic poem The Red Eagle. Beidler also considers lesser-known works like Lewis B. Sewall's verse satire The Adventures of Sir John Falstaff the II, Henry Hitchcock's groundbreaking legal volume Alabama Justice of the Peace, and Octavia Walton Levert's Souvenirs of Travel. Most of these works were written by and for society's elite, and although many celebrate the establishment of an ordered way of life, they also preserve the biases of authors who refused to write about slavery yet continually focused on the extermination of Native Americans. First Books returns us to the world of early Alabama that these texts not only recorded but helped create. Written with flair and a strong individual voice, it will appeal not only to scholars of Alabama history and literature but also to anyone interested in the antebellum South.

Opening the Doors is a wide-ranging account of the University of Alabama’s 1956 and 1963 desegregation attempts, as well as the little-known story of Tuscaloosa, Alabama’s, own civil rights movement. Whereas E. Culpepper Clark’s The Schoolhouse Door remains the standard history of the University of Alabama’s desegregation, in Opening the Doors B. J. Hollars focuses on Tuscaloosa’s purposeful divide between “town” and “gown,” providing a new contextual framework for this landmark period in civil rights history. The image of George Wallace’s stand in the schoolhouse door has long burned in American consciousness; however, just as interesting are the circumstances that led him there in the first place, a process that proved successful due to the concerted efforts of dedicated student leaders, a progressive university president, a steadfast administration, and secret negotiations between the U.S. Justice Department, the White House, and Alabama’s stubborn governor. In the months directly following Governor Wallace’s infamous stand, Tuscaloosa became home to a leader of a very different kind: twenty-eight-year-old African American reverend T. Y. Rogers, an up-and-comer in the civil rights movement, as well as the protégé of Martin Luther King Jr. After taking a post at Tuscaloosa’s First African Baptist Church, Rogers began laying the groundwork for the city’s own civil rights movement. In the summer of 1964, the struggle for equality in Tuscaloosa resulted in the integration of the city’s public facilities, a march on the county courthouse, a bloody battle between police and protesters, confrontations with the Grand Wizard of the Ku Klux Klan, a bus boycott, and the near-accidental-lynching of movie star Jack Palance. Relying heavily on new firsthand accounts and personal interviews, newspapers, previously classified documents, and archival research, Hollars’s in-depth reporting reveals the courage and conviction of a town, its university, and the people who call it home.

Stars Fell On Alabama by Carl Carmer is a book of folkways. It is not journalism, or history, folklore, or a novel. It is at times impressionistic, and at other times it conveys deep insights into the character of Alabama's people and places.

In The Remembered Gate, nationally prominent fiction writers, essayists, and poets recall how their formative years in Alabama shaped them as people and as writers. The essays range in tone from the pained and sorrowful to the wistful and playful, in class from the privileged to the poverty-stricken, in geography from the rural to the urban, and in time from the first years of the 20th century to the height of the Civil Rights era and beyond.

The Coretta Scott King Award–winning Gone Crazy in Alabama by Newbery Honor and New York Times bestselling author Rita Williams-Garcia tells the story of the Gaither sisters as they travel from the streets of Brooklyn to the rural South for the summer of a lifetime. Delphine, Vonetta, and Fern are off to Alabama to visit their grandmother Big Ma and her mother, Ma Charles. Across the way lives Ma Charles’s half sister, Miss Trotter. The two half sisters haven’t spoken in years. As Delphine hears about her family history, she uncovers the surprising truth that’s been keeping the sisters apart. But when tragedy strikes, Delphine discovers that the bonds of family run deeper than she ever knew possible. Powerful and humorous, this companion to the award-winning One Crazy Summer and P.S. Be Eleven will be enjoyed by fans of the first two books, as well as by readers meeting these memorable sisters for the first time. Readers who enjoy Christopher Paul Curtis's The Watsons Go to Birmingham and Jacqueline Woodson’s Brown Girl Dreaming will find much to love in this book. Rita Williams-Garcia's books about Delphine, Vonetta, and Fern can also be read alongside nonfiction explorations of American history such as Jason Reynolds's and Ibram X. Kendi's books. Each humorous, unforgettable story in this trilogy follows the sisters as they grow up during one of the most tumultuous eras in recent American history, the 1960s. Read the adventures of eleven-year-old Delphine and her younger sisters, Vonetta and Fern, as they visit their kin all over the rapidly changing nation—and as they discover that the bonds of family, and their own strength, run deeper than they ever knew possible. “The Gaither sisters are an irresistible trio. Williams-Garcia excels at conveying defining moments of American society from their point of view.” —Publishers Weekly (starred review) Coretta Scott King Award winner * ALA Notable Book * School Library Journal Best Book of the Year * Kirkus Reviews Best Book of the Year * ALA Booklist Editors’ Choice * Shelf Awareness Best Book of the Year * Washington Post Best Books of the Year * The Bulletin of the Center for Children’s Books Blue Ribbon Book * Three starred reviews * CCBC Choice * New York Public Library 100 Titles for Reading and Sharing * Amazon Best Book of the Year