Caroline Leakey, writing as Oliné Keese, published her first and only novel, The Broad Arrow, in 1859. It tells the story of Maida Gwynnham, a young middle-class woman lured into committing a forgery by her deceitful lover, Captain Norwell, and then wrongly convicted of infanticide. The novel’s title describes the arrow that was stamped onto government property, including the clothes worn by convict – a symbol of shame and incarceration. With its ‘fallen woman’ protagonist, its gothic undertones and its exploration of the social and moral implications of the penal system, this little-known novel gives an insight into a significant chapter of Australian history from a uniquely female perspective. In this new critical edition, editor Jenna Mead restores material that was cut when the novel was reissued in a radically abridged version in 1886, restoring for the first time in over a century the complete original text of Leakey’s important work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mary Shelley’s Frankenstein is arguably the best known work of the English Romantic period. First published in 1996, this edition of The Frankenstein Notebooks contains not only facsimiles and transcriptions of all of surviving manuscripts related to the novel and a corrected, critical text of Frankenstein (or The Modern Prometheus) but also a full range of factual information, drawn from Shelley’s and William Godwin’s letters and journals, from newspaper ads of the day, and from other available scholarship about the conception, gestation, and birth of Mary Shelley’s monster. This two volume set contains a wealth of information vital to the creation and reception of Frankenstein. It will enable scholars, critics and students to see for themselves the exact extent of P. B. Shelley’s editorial contributions and trace the artistic and ideological development of the novel at various stages in its formation. It will also enable the reader to explore the text itself to test and evaluate their own theses. Part one contains the draft notebook A, which was written between August or September and December 1816. This set will be of keen interest to those studying Frankenstein, the Romantics and 19th century literature.

`Simply a great work of reference. Future scholars will wonder how anybody managed without the Wellesley Index. It will quietly change the whole nature of Victorian studies.' Christopher Ricks, New Statesman `It is now impossible to think of Victorian literary and historical studies without the benefit of it ... this is a very remarkable achievement indeed ... the complete set will be a monument to the Houghtons foresight, pertinacity and skill.' TLS

Dr. Chester W. Topp has spent 30 years compiling the definitive bibliography of over 25 publishers of Victorian Yellowbacks and Paperbacks. Based on his own extensive library of 1700 Yellowbacks and 1900 19th century paperbacks and an exhaustive search of every major trade and literary journal of the last century, this series of bibliographies represents a unique and major accomplishment in bibliographic studies in the tradition of Jacob Blanck, Michael Sadleir, Joseph Sabin and others.