Preliminary material -- INTRODUCTION -- EXCAVATION OF THE STRUCTURE -- ARCHITECTURAL FEATURES OF THE BUILDING -- FINDS -- DATING -- USE AND SIGNIFICANCE OF THE STRUCTURE -- INTERPRETATION OF THE FINDS -- A SYNCRETISTIC CULT OF DIONYSUS AT COSA? -- MARBLE SCULPTURE -- INSCRIPTION -- ARCHITECTURAL MEMBERS -- LAMPS -- POTTERY -- COINS -- SMALL FINDS -- INDEX -- LIST OF ILLUSTRATIONS -- Plates I-XXVII.

A complex picture of differing regional trajectories emerges, whilst cultural change is everywhere apparent, in phenomena such as Christianisation, settlement nucleation and fortification."--BOOK JACKET.

There is no agreement over how to name the 'pagan' cults of late antiquity. Clearly they were more diverse than this Christian label suggests, but also exhibited tendencies towards monotheism and internal changes which makes it difficult to describe them as 'traditional cults'. This volume, which includes two extensive bibliographic essays, considers the decline of urban temples alongside the varying evolution of other focii of cult practice and identity. The papers reveal great regional diversity in the development of late antique paganism, and suggest that the time has come to abandon a single compelling narrative of 'the end of the temples' based on legal sources and literary accounts. Although temple destructions are attested, in some regions the end of paganism was both gradual and untraumatic, with more co-existence with Christianity than one might have expected. Contributors are Javier Arce, Béatrice Caseau, Georgios Deligiannakis, Koen Demarsin, Jitse H.F. Dijkstra, Demetrios Eliopoulos, James Gerrard, Penelope J. Goodman, David Gwynn, Luke Lavan, Michael Mulryan, Helen G. Saradi, Eberhard W. Sauer, Gareth Sears, Peter Talloen, Peter Van Nuffelen and Lies Vercauteren.

A landmark contribution to our knowledge of the Roman glass industry in the Western Mediterranean

The basic premise of the book at hand is that there is meaning to be 'excavated' (in both meanings of the word) from Christian responses to pagan sculpture in the period from the fourth to the sixth century. More than mindless acts of religious violence by fanatical mobs, these responses are revelatory of contemporary conceptions of images and the different ways in which the material manifestations of the pagan past could be negotiated in Late Antiquity. Statues were important to the social, political and religious life of cities across the Mediterranean, as well as part of a culture of representation that was intricately bound to bodily taxonomies and visual practices.

This book promotes the study of material spatiality in late antiquity: not just the study of buildings, but of the people, dress and objects used within them, drawing on all available source material. It seeks to explore the material world as it was lived in late antiquity, in an interpretative inquiry, rather than simply describing the evidence that has survived until today. The volume presents a series of comprehensive bibliographic essays which provide an overview of relevant literature, along with discussions of the nature of the sources, of relevant approaches and field methods. The main section of the book explores domestic space, vessels in context, dress, shops and workshops, religious space, and military space. Synthetic papers drawing on a wide range of archaeological, art-historical and textual sources are complemented by case-studies of context-rich late antique sites in the East Mediterranean and elsewhere, including Pella, Dura-Europos, Scythopolis, and Sagalassos.

Hundreds of richly decorated ivory and bone fragments from furniture and parts from at least three crossed-leg chairs, survived under seawater in an apsidal room at Kenchreai, the Eastern port of ancient Corinth. These excavated remains include fragments of an incised bone panel with a scene of an emperor and attendants, a thiasos, bucolic and hunt scenes, seated philosophers, erotes, and a miniature ivory Corinthian order supporting a bone arcade decorated with erotes. Decorative moldings and large bone rings suggest that most of these belonged to a luxuriously decorated chest. Dating to the fourth century, these objects provide an important addition to our knowledge of the artistic production of late Roman Egypt and the working of ivory, bone, and wood.

The first empire-wide study to examine the eclectic marble statuettes collected and displayed by the wealthiest Roman aristocrats

One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.