"She is a master of poetic style and of her material. No poet in English writes with more authority."-Yvor Winters "Pinkerton's work is . . . remarkable for its intelligence. Her poems are not only enjoyable to read, but rewarding to think about. Philosophically, she seems to be a dualist, in the sense that she regards life as a continual negotiation between mutually essential, but seemingly opposed, elements. Her poems strive to balance and connect the transient and the timeless, matter and spirit, reason and faith, our particular lives and Being itself."-Timothy Steele "Her poetry, in form and in content, is both traditional and original. In the best sense of the word, it is poetic."-John Baxter, in Sequoia In 1959 Helen Pinkerton published her first book of poems, Error Pursued. In the fifty seven years since that date, Pinkerton's publication of poetry has remained as rare as her poems are well-wrought. Slim chapbooks such as Bright Fictions: Poems on Works of Art, and "The Harvesters" and Other Poems on Works of Art, followed, both published by R.L. Barth. In 2002, Swallow Press-Ohio University Press published the body of her work to that date in Taken in Faith: Poems. This latest collection, A Journey of the Mind: Collected Poems of Helen Pinkerton:1945-2016, contains the life work of an authoritative master of poetic style. By turns lyrical and devotional, historical and metaphysical, the poems herein lead us from the beginning to the end of a life lived in submission to the Muse. About the Author Helen Pinkerton is a poet, essayist, and scholar of American and English literature. Her poems as have appeared in such journals as The Paris Review, The Sewanee Review, and The Southern Review. The 1999 winner of the Allen Tate Poetry Prize, she has taught poetry, fiction, and the writing of poetry at Stanford, Michigan State, and other universities. She lives in Grass Valley, California.

In 1967, Yvor Winters wrote of Helen Pinkerton, “she is a master of poetic style and of her material. No poet in English writes with more authority.” Unfortunately, in 1967 mastery of poetic style was not, by and large, considered a virtue, and Pinkerton’s finely crafted poems were neglected in favor of more improvisational and flashier talents. Though her work won the attention and praise of serious readers, who tracked her poems as they appeared in such journals as The Paris Review, The Sewanee Review, and The Southern Review, her verse has never been available in a trade book. Taken in Faith remedies that situation, bringing Pinkerton’s remarkable poems to a general audience for the first time. Even her very earliest works embody a rare depth and seriousness. Primarily lyrical and devotional, they always touch on larger issues of human struggle and conduct. More recent poems, concerned in part with history, exhibit a stylistic as well as a thematic shift, moving away from the rhymed forms of her devotional works into a blank verse marked by a quiet flexibility and contemplative grace. Like Virginia Adair, another poet who waited long for proper recognition, Pinkerton speaks as a woman who has lived fully and observed acutely and who has set the life and observations down in memorable verse. Taken in Faith represents a half-century of her poetic efforts.

Though located in the heart of Unionist New England, Harvard produced 357 alumni who fought for the South during the Civil War--men not just from the South but from the North as well. This encyclopedic work gathers their stories together for the first time, providing unprecedented biographical coverage of the Crimson Confederates. Included are alumni of Harvard College, Law School, Medical School, and Lawrence Scientific School. The emphasis of the entries is on the alumnus's military career, whether as an infantry private or as a signal scout, as a surgeon or as a teacher in the Confederate Naval Academy, as an aide-de-camp or as an artillery captain. The range of participation took these men into all the major battles from the Eastern Theater under Robert E. Lee to the Trans-Mississippi under Richard Taylor and Sterling Price. Their careers spanned firing a gun at Fort Sumter and the earliest battles in Virginia to the closing shots at Bentonville and Mobile. Harvard's general officers included two major generals-- W. H. F. "Rooney" Lee (one of Robert E. Lee's sons) and John Sappington Marmaduke--as well as thirteen brigadiers, among them James Rogers Cooke, Stephen Elliott, States Rights Gist, John Echols, Ben Hardin Helm, Albert Gallatin Jenkins, Bradley Tyler Johnson, and William Booth Taliaferro. Several engineers and scientists from Lawrence Scientific School constructed major fortifications at Vicksburg and in Charleston Harbor, while others worked in the Nitre and Mining Bureau. An appendix of civilian Harvard alumni who served the Confederacy as congressmen, diplomats, jurists, editors, and in other ways is also included. This comprehensive, remarkably detailed reference work will be valuable for researchers and browsers alike. Helen P. Trimpi has taught at Stanford, College of Notre Dame (Belmont, California), University of Alberta, and Michigan State University. She is the author of Melville's Confidence Men and American Politics in the 1850s, numerous essays on Melville and modern poetry, and five volumes of poetry. Trimpi is a member of the Company of Military Historians.

Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.

No poet is more emblematically American than Robert Frost. This is a comprehensive volume of his verse, comprising all eleven volumes of his poems, meticulously edited by Edward Connery Lathem.

Erich Wolfgang Korngold (1897-1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947.

In this Second Edition, Revised and Expanded, Wilson has completely revised the poems to attain a more classical perfection. Includes new poems collected as "The Christmas Preface."

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.