Amy Yoder feels pressure from her Amish parents and her pregnant friend Rose to join the Amish church. Rose worries about dying from breast cancer, like her mother and grandmother did, so she wants Amy to marry her husband, David. Then her baby will be raised by them in an Amish home. Amy doesn’t love David and is dating Joe Barrett, a Catholic man and a paramedic. But will devout Joe give up his Catholic faith to become Amish for her? Does she want him to leave his faith that is important to him? With mounting pressure to take the baptism instructions, Amy decides to move out of her parents’ home to an apartment. Maybe there she can decide what to do about her life. When Jonas is born, Amy falls in love with the adorable baby. Although Rose wants her to adopt Jonas if both she and David die, how can Amy consider taking the baptism instructions when she loves Joe? She won’t be able to continue to see Joe if she decides to join the Amish church. As the feelings between Amy and Joe grow deeper, can they overcome their dissimilar faiths, or will their differences pull them apart?

Set in the 1950s, A Journey to Womanhood is a book of fiction depicting one young Australian girl's eye-opening travelled path to maturity and greater knowledge of self and others. It is warm, introspective, funny, sad, and adventurous.

Amy fears the organization is monitoring her every move. That’s what Andy tells her — before he disappears. He says they’ve both been implanted with a chip. Is there anywhere Amy can hide? The answer seems to lie in a computer game. A game into which Amy downloads her consciousness. A game in which fantastic creatures and terrifying dangers lurk at every turn. A game that Amy suspects is being played in real life . . . by someone with sinister intentions. Amy must get to the end of the game — ahead of whoever’s trying to finish her off.

This coming of age story is told through the eyes of the author’s daughter, Amy, who is five years old when the book begins. She lives with her family in Thibodaux, Louisiana. Amy knows her family will move sooner or later because of her dad’s work. But her dad’s transfer to a small town in northeast Nevada is a daunting prospect for the entire family after spending so many years in the warm, temperate climate of the friendly Cajun country. The move to Nevada begins a journey for Amy and her family that will take them to Nigeria, Peru, Bolivia, and finally, to a small town in Oklahoma. As Amy learns about new and different cultures, she develops tolerance for the differences and a more perceptive attitude toward other people of the world. When her older brother and sister go away to school in Switzerland, she’s suddenly thrust into the life of an only child. On her journey toward adulthood, she encounters the usual hardships and disappointments of growing up, along with amazing adventures travelling in foreign lands. She learns to take the problems in stride and enjoy the adventure. Her experiences are amusing, exciting, some very sweet, a few a bit scary, and all fun to read.

Based on the book Mary Slessor: Forward Into Calabar. These guides provide the Christian school teacher and homeschooling parent with ways to use the book as a vehicle for teaching and reinforcing many curriculum areas including geography, history, and world missions. Each Christian Heroes unit study curriculum guide corresponds with the book from the Christian Heroes: Then & Now series. Designed for both group and individual study, reflective of a wide range of learning styles, suitable for a range of grade levels and abilities, with reproducible fact sheet and maps.

Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.