This is a biographical study which surveys the life and career of Boston Baptist Adoniram Judson Gordon (1836-1895) and examines pre-millennialism as his motivation and source of his theological understanding. The study examines a moderate Calvinistic Baptist, tracing his theological development and analyzing his embrace of pre-millennialism and its substantial impact on his pastorate, denominational work, relationships, and enterprises. Gordon's significant role in the shaping of late nineteenth-century North American Evangelical Protestant Christianity is demonstrated in this biography.

The story of A. J. Gordon recounts an epic journeyone of faith, character, and pioneering vision. A sterling educator, philanthropist, and herald of heaven, he was a great soul, and his life a resplendent legacy. This impeccably researched biography brings Dr. Gordons world to life, charting his rise to international prominence and his work with great peers and friends like D. L. Moody. Born in rural New Hampshire, he was, in many ways, a renaissance man: an educator, philanthropist, author, magazine editor, antislavery advocate, trustee of Brown University, and the pastor of Clarendon Street Church in Boston. He also led groundbreaking mission work among Bostons immigrant communities, chiefly Chinese and Hebrew groups. - They cherished his work among them. In 1889, Gordon founded the Boston Missionary Training School to give underprivileged young people an education they would not have had otherwise. Tuition was free, and courses (taught by Ivy Leagueeducated instructors) were open to young men and young women of many ethnicities African-American, Chinese, and Hebrew students among them. Gordon stoutly weathered storms of criticism over this, but he persevered. His gifts as an author resonate still, and his many books are now housed in places like the Bodleian Library, Oxford, Harvard, Yale, and Princeton.

"Shay Morgan has stayed hidden for a long time. Living a reclusive life in Earth's End, Alaska, she's as far away as she can get from the trauma of her childhood and the man who hurt her long ago. But terror takes over Shay's life yet again when an unknown stalker steals away the fragile peace she's built for herself-targeting not only her but the one man who's ever managed to get past the walls she's built around herself. Elliot Winter has lived through being falsely accused before-it ruined his military career. Now it's happening all over again. And this time, his accuser is a twisted impostor who's targeting his ex-girlfriend, Shay. Despite a fierce mutual attraction, Shay and Elliot broke up because Shay couldn't let her guard down, couldn't let Elliot in. But now they both need to trust each other to confront a psycho who seems to know all their secrets"--P. [4] of cover.

Fundamentalists in the City is a story of religious controversy and division, set within turn of the century and early twentieth-century Boston. It offers a new perspective on the rise of fundamentalism, emphasizing the role of local events, both sacred and secular, in deepening the divide between liberal and conservative Protestants. The first part of the narrative, beginning with the arrest of three clergymen for preaching on the Boston Common in 1885, shows the importance of anti-Catholicism as a catalyst for change. The second part of the book deals with separation, told through the events of three city-wide revivals, each demonstrating a stage of conservative Protestant detachment from their urban origins.

Wise beyond her years and hip to the unpredictable ways of life at all too early an age, A.J. Albany guides us through dope and deviance of the late 1960s and early 1970s in Hollywood shadowy underbelly and beyond. A. J. Albany's recollection of life with her father, the great jazz pianist Joe Albany, is the story of one girl's unsentimental education. Joe played with the likes of Charles Mingus, Lester Young, and Charlie Parker, but between gigs he slipped into drug-induced obscurity. It was during these times that his daughter knew him best. After her mother disappeared, six-year-old Amy Jo and her charming, troubled father set up housekeeping in a seamy Hollywood hotel. While Joe finished a set in some red-boothed dive, chances were you'd find Amy curled up to sleep on someone's fur coat, clutching a 78 of Louis Armstrong's "Sugar Blues" or, later, a photograph of the man himself, inscribed, "To little Amy Jo, always in love with you--Pops." Wise beyond her years and hip to the unpredictable ways of Old Lady Life at all too early an age, A. J. Albany guides us through the dope and deviance of the late 1960s and early 1970s in Hollywood's shadowy underbelly and beyond. What emerges is a raw, gripping, and surprisingly sympathetic portrait of a young girl trying to survive among the outcasts, misfits, and artists who surrounded her.