A Guardian and New Statesman Book of the Year The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic - charming, erratic, repellent - exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him. A Horse Walks into a Bar is a shocking and breathtaking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn't know whether to laugh or cry - and all this in the presence of a former childhood friend who is trying to understand why he's been summoned to this performance.

"From the internationally best-selling author--and revered moral voice--a remarkable novel of suffering, love, and healing, the story of three generations of women and a secret that needs to be told. The story was inspired by the life of a friend and confidante of David Grossman who, in the late 1940s, was imprisoned and tortured on the notorious Goli Otok, a barren island prison off the coast of Croatia. Grossman's telling focuses on three strong women--Vera, 90; her daughter, Nina; and her granddaughter, Gili, who at 39 years old is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili--abandoned when she was just three by Nina--has been close to her grandmother throughout her life. With Gili making the arrangements, they travel together back to Goli ("the Adriatic Alcatraz"), where Vera was imprisoned, enslaved, and tortured for three years as a young wife, when she refused to betray her husband and denounce him as an enemy of the people. This unlikely journey, documented by Gili's camera, lays bare the intertwining of fear, love, and mercy, and the complex overlapping demands of romantic and parental passion. With flashbacks to the stalwart Vera protecting what was most precious on the wretched rock where she was held, and Grossman's fearless examination of the human heart, this swift novel will thrill his many readers and bring new ones into the fold"--

Rachele Luzzatto is the only daughter of a Jewish family in northern Italy. Curious and intelligent, she is caught between her interest in religions – her own and others – and her father's violent rejection of them all. A disagreement ensues between them about the part she is given in the school nativity play. At the same time, she discovers that her father is ill; the severity of his illness is only revealed to her very gradually while her teacher, various members of her family and even her rabbi offer her wide-ranging and humane support. A.B. Yehoshua paints a complex, and humorous, picture of conflicting religious identities and historical memory in this tender character study of a young girl at the threshold of adulthood.

In exhilarating and lucid prose, Grossman gives us a provocative new take on the story of Samson: his battle with the lion, the three hundred burning foxes, the women he bedded, the one he loved and who betrayed him and the destruction of the temple. It reveals the journey of a lonely and tortured soul, whose search for a true home echoes our own private struggles.

Sonja's over forty, and she's trying to move in the right direction. She's learning to drive. She's joined a meditation group. And she's attempting to reconnect with her sister. But Sonja would rather eat cake than meditate. Her driving instructor won't let her change gear. And her sister won't return her calls. Sonja's mind keeps wandering back to the dramatic landscapes of her childhood--the singing whooper swans, the endless sky, and getting lost barefoot in the rye fields--but how can she return to a place that she no longer recognises? And how can she escape the alienating streets of Copenhagen?

The international bestseller Be My Knife is a compelling love story from David Grossman, the leading Israeli novelist of his generation "We could be like two people who inject themselves with truth serum, and at long last have to tell it--the truth. I want to be able to say to myself, 'I bled truth with her,' yes, that's what I want. Be a knife for me, and I, I swear, will be a knife for you." An awkward, neurotic seller of rare books writes a desperate letter to a beautiful stranger whom he sees at a class reunion. This simple, lonely attempt at seduction begins a love affair of words between Yair and Miriam, two married, middle-aged adults, dissatisfied with their lives, yearning for the connection that has always eluded them--and, eventually, reawakened to feelings that they thought had passed them by. Their correspondence unfolds into an exchange of their most naked confessions: of desire, childhood tragedies, joys, and humiliations. Through the dialogue between Yair--a family man and surprisingly successful adulterer, whose complex, guarded letters reveal a life of secrets kept from the people closest to him--and Miriam, at first deceptively open and warm, who fills her life with distraction to avoid a past full of painful secrets, Be My Knife explores the nature and the limits of intimacy. A deep departure from David Grossman's previous work, Be My Knife is his subtlest, most passionate novel yet.

INTERNATIONAL BESTSELLER and winner of the International Literature Prize. At once an exquisite love story and a coming-of-age novel, an allegory for the state of Israel and for the biblical tale from which it draws its title, Judas is one of Amos Oz’s most powerful novels. Jerusalem, 1959. Shmuel Ash, a biblical scholar, is adrift in his young life when he finds work as a caregiver for a brilliant but cantankerous old man named Gershom Wald. There is, however, a third, mysterious presence in his new home. Atalia Abravanel, the daughter of a deceased Zionist leader, a beautiful woman in her forties, entrances young Shmuel even as she keeps him at a distance. Piece by piece, the old Jerusalem stone house, haunted by tragic history and now home to the three misfits and their intricate relationship, reveals its secrets. “[A] magnificent novel . . . Oz pitches the book’s heartbreak and humanism perfectly from first page to last.”—New York Times Book Review “Scintillating . . . An old-fashioned novel of ideas that is strikingly and compellingly modern.”—Observer “Oz has written one of the most triumphant novels of his career.”—Forward “A [big] beautiful novel . . . Funny, wise, and provoking.”—Times (UK)

In the late 1990s, a little bay horse with white socks and a blaze was born. Dubbed “Fergus,” he has now traveled the world many times over by print, web, and satellite, inspired a line of merchandise, and gained a devoted following in the hundreds-of-thousands on Facebook and other social media. Who is this horse and how can we explain his magnetism? What makes him so special? Fergus the Horse (Equus hilarious) is the creation of Jean Abernethy, and the truth is, he isn’t meant to represent any one breed or discipline. Perhaps it’s this generic “everyhorse” quality that’s led to his popularity. “When fans write, ‘Fergus reminds me of my horse,’ I cannot be paid a higher compliment,” says Abernethy. And it’s his expressiveness, honesty, charm, and keen sense of humor that truly wins our hearts. Now Abernethy has brought together the backstory of Fergus the Horse—how he came to be, his early years, the history of his “friends”—and combined it with his “greatest hits,” including most-loved comic strips, some personal sketches, and brand new additions. The result is a lively, colorful, highly illustrated treasury that will entertain anyone with an eye for a horse and a need for a laugh.

This acclaimed debut novel takes readers inside the mind of a young and deeply conflicted Israeli soldier: “Israel’s own The Catcher in the Rye”(The Los Angeles Review of Books). The Drive follows the emotional and psychological journey of a young Israeli soldier who is unable to carry out his military service yet terrified of the consequences of leaving the army. As the unnamed soldier and his father drive along the Coastal Highway to meet with a military psychiatrist, Yair Assulin offers a penetrating view of Israeli society, a young man in crisis, and the universal urge to resist regimentation and violence. Weary of being forced to join a larger collective, the soldier yearns for an existence free of politics, the news cycle, and perpetual battle-readiness. But to seek such a life would mean risking the respect of those he loves most. The Drive is a compelling story of an urgent personal quest to reconcile duty, expectations and individual instinct.

Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures. Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia Woolf VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Love by Jeanette Winterson Home by Salman Rushdie Language by Xiaolu Guo Race by Toni Morrison